1

This is something I've noticed that I don't hear anyone really talking about...

Essentially it's the way that separate rhythmic elements of most pop songs interact in a kinetic way with one another. Almost as though they were sparking off of one another(when one is playing the other one often isn't)...and this seems not to fit into any traditional counterpoint style.

One of the best examples of this is Owl City - Fireflies... it's a good example partly because of how distinct and crisp the 3 melodic/rhythmic sections interweave with one another.

Anyway, is there a name for this? I have a hard time coming up with bass lines, not to mention bass lines that spark off the melody this way. Are there any principles I can look up and learn for this?

  • 2
    What do you mean by "kinetic"? This is a physics term that isn't part of the standard musical lexicon. – Peter Mar 28 at 16:18
  • Right, I do mean kinetic in the physics sense. There's a strong sense of movement that happens from the nature of the relationship of the two separate lines. They run into each other like billiard balls. One is in motion, and it often stops when the other one is going. There's a sense that the dynamic way the lines interact with one another is very propulsive. – SSTEWART85 Mar 28 at 17:28
  • 3
    I'm not sure if there is a specific term for what you're talking about, but it may be related to a "hocket," which involves a single melody beginning split up between several interlocking melodic voices. So, we might be able to describe what you're hearing as "rhythmic hocketing." – Peter Mar 28 at 17:38
  • 1
    From the example you give, I cannot understand what you are describing. Can you describe it more accurately - perhaps give time stamps for when they happen in that example or another. – Doktor Mayhem Mar 28 at 18:32

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy

Browse other questions tagged or ask your own question.