# What is the fastest method to figure out which keys contain certain notes? [closed]

What is the fastest method to mentally compute which major and minor keys contain a certain note (or notes).

That is, with minimal memorization such that a beginner can learn it.

For example which major and minor keys contain a "C" note?

(For those who don't know and want to try and figure out a method: The majors are G, C, F, Bb, Eb, Ab, Db. The minors are Em, Am, Dm, Gm, Cm, Fm, Bbm. The relative minors of each of the majors.)

• Is this for playing, composing, musicology, ...? I'm thinking, for what practical purpose would one need to list the complete set of possible keys. – piiperi Reinstate Monica Jun 4 '19 at 5:47
• Every person has their own methodology for memorization and analysis. But I'm more interested in why you would want to know such a strange thing? It seems a very difficult way to determine the key of a melody or chord sequence. – Carl Witthoft Jun 4 '19 at 12:36
• Fastest? Might be this page pianoscales.org/major.html - not the best, tho. – AJFaraday Jun 4 '19 at 13:33
• Addressing the edit: the key of Dm will not have a C note if the harmonic minor is used (as it commonly is). – Tom Serb Jun 4 '19 at 15:25

(Note: this answer was given before the word "beginner" was edited into the question.)

Given a pitch, that pitch is a member of every major scale whose tonic is in the original pitch's Phrygian scale.

In other words, C is a member of every major scale whose tonic is in the C-Phrygian scale: C–D♭–E♭–F–G–A♭–B♭.

Given a pitch, that pitch is a member of every minor scale whose tonic is in the original pitches Mixolydian scale.

In other words, C is a member of every minor scale whose tonic is in the C-Mixolydian scale: C–D–E–F–G–A–B♭.

But even that's memorizing something, isn't it? :-)

• That's certainly fast but how did you compute the Phrygian scale so quickly? (otherwise you had it memorized?) – Randy Zeitman Jun 4 '19 at 2:07
• Not knocking your answer, (+1) but by the time someone has reached the point where they understand modes, they are probably aware of all the scales (maj/nat min) that contain specific notes. Would it be simpler to say all keys with C in them have their roots in Ab maj? In other words, the formula is X minus M3 for the key. I understand why you chose modes - they have the same root note. – Tim Jun 4 '19 at 7:31
• Nice answer. Still can't see what this knowledge helps with though. – JimM Jun 4 '19 at 8:01
• Clever trick. But as others have intimated here, even this shortcut requires some knowledge of the way keys are structured. There's no substitute for simply understanding the structure- which is after all not all that complicated- to the point where you can figure out everything from scratch. – Scott Wallace Jun 4 '19 at 11:19
• @JimM The knowledge, of what notes are in what keys, helps one think musically so you can write music. – Randy Zeitman Jun 4 '19 at 15:47

If you want a method that is useful to beginners and that doesn't require additional memorization, I suggest mirroring the way the major and minor scales are constructed, which I assume a beginner will have learnt.

Iterate over the whole/half tone steps of the major and minor scale, starting from the note that the keys should contain, but go down in pitch instead of up. For the major scale the whole/half tone sequence is:

whole-whole-half-whole-whole-whole-half

and starting e.g. on C that gives you:

C → Bb → Ab → G → F → Eb → Db → C

For the minor scale the whole/half tone sequence is:

whole-half-whole-whole-half-whole-whole

and starting e.g. on C that gives you:

Cm → Bbm → Am → Gm → Fm → Em → Dm → Cm

This also works for the melodic and harmonic minor, and other scales.

The mirrored whole/half tone sequences are indeed the Phrygian and Myxolydian modes, as explained in Richard's answer. However, I assume that that would be too advanced for the beginner mentioned in the question.

1. Start with the note you want to compute against (C).
2. Go down a perfect 4th (G). Assign G a count of 1.
3. Count up in 4ths adding 1 to the count until you get to 7: G C F Bb Eb Ab Db.

Those notes and their relative minors are the major and minor scales that contain C.

Edit: I use this information all the time. It's super useful for harmonization/reharmonization, especially for same-top-note progressions (where you keep the top note steady and shift the harmony underneath, kind of like Robert Glasper).

I think the fastest way would be to memorize all the key signatures.

In your example you ask which keys contain the note C... that would be all major keys that don't have C# or Cb in the key signature: C, G, F, Bb, Eb, Ab, and Db.

Minor keys are a trickier, because there are a number of minor scales. If you're just looking at natural minors, they're the ones that share the same key signature as the majors: Am, Em, Dm, Gm, Cm, Fm, and Bbm.

For harmonic minors you'd exclude the ones where C is the subtonic (D minor) and include any where Cb is the subtonic (which would be Db minor, with eight flats).

• The point is trying for no memorization. – Randy Zeitman Jun 4 '19 at 15:45

Beginner version of Richard's answer that doesn't require knowledge of modes, based on Tim's comment.

The major keys that contain C start with the notes from the A♭ major scale (same notes as C Phrygian): A♭ B♭ C D♭ E♭ F G

The (natural) minor keys that contain C start with the notes from the F major scale (same notes as C Mixolydian). F G A B♭ C D E

In general, the major keys are from the major scale that starts with the note a major third down from the note you want (or a minor sixth up). The minor keys are from the scale that starts with the note a perfect fourth up (or a perfect fifth down).

This method requires the major scales to be memorized, and knowing intervals.

• Very nice first answer! Welcome to the site! – luser droog Jun 4 '19 at 19:38
• e.g., I want keys with B. Major: Step 1. Down a M3 (W+W) to get G. Step 2. G Major notes = ABCDEF#G = keys that have "B". Minor: Step 1. Up a P4 (W+W+H) to get E. Step 2. E Major notes = ABC#D#EF#G# = natural minor keys that have "B". Nice! – Randy Zeitman Jun 4 '19 at 20:12

Everyone knows the major scale goes Tone Tone Semitone, Tone Tone Tone Semitone. But to see the reason why this particular scale is so common you need to examine the circle of fifths.

The most important interval in music is the octave (12 semitones.) The second most important is the perfect fifth (7 semitones.) The diatonic scale is built from a series of six stacked fifths, which is why it has a total of six chords with perfect fifths available in it (three major and three minor.)

Below is the circle of fifths opened up and arranged in a zigzag

```       Gb   Ab   Bb   C   D   E   F#   G#   A#
Cb    Db   Eb   F   G   A   B    C#   D#   E#
```

A couple of examples:

The notes of the key of C major are `F C G D A E B` or alternatively `C D E` on the top line and `F G A B` on the bottom line.

The notes of Db major are `Gb Db Ab Eb Bb F C` alternatively `Db Eb F` on the bottom line and `Gb Ab Bb C` on the top line.

Note: as you are looking for minimal memorization its worth noting that the above diagram can be made by writing out two whole-tone scales one above the other with an appropriate shift. This is a good way of constructing the diagram, but does not explain what is going on.

Steelpan and the circle of fifths

In order to avoid dissonant notes being close together, the notes on the Steelpan are arranged in a circle of fifths. This means all the notes of any given key are grouped together. To my knowledge it is the only instrument that uses this layout and the diagrams linked below are simpler and perhaps clearer than the wikipedia article linked above.

For example C is at the bottom (6 O'clock position) and all the notes of the key of C major are grouped from 1 O'clock to 7 O'clock. Bb is at the 8 O'clock position and the notes of Bb Major are grouped from 3 O'clock to 9 O'clock.

• Beginners don't know that and that's whom the question is intended for. "But to see the reason why this particular scale is so common you need to examine the circle of fifths." Ok, why is it (so common). – Randy Zeitman Jun 4 '19 at 22:22
• @RandyZeitman Well, I learned `tone tone semitone, tone tone tone semitone` long before I learned about the circle of fifths (you can see it just by looking at a piano.) It was much later that I discovered the diatonic scale was composed of stacked 5ths, for example on the natural notes: F-C (features in F major chord) C-G (features in C major chord) G-D (features in G major chord) and so on for D-A, A-E and E-B (featuring in the three minor chords of the key.) Ultimately the diatonic scale is common because it is harmonious (because it contains a lot of perfect fifths among other features.) – Level River St Jun 4 '19 at 22:32
• Why would anyone just see it by looking at a piano if they've no idea about tone, semitone, scales, etc. If they knew that they wouldn't need a piano. Isn't it true that the diatonic scale was designed to be common? You seem to be saying it's a coincidence that it has a lot of (all the notes are, right?) perfect fifths. – Randy Zeitman Jun 5 '19 at 0:11
• 1. I'm not saying that you would expect someone to discover the major scale just by looking at a piano. I'm saying that once you've taught it, relating it to the layout of the keys on a piano (which is visually familiar even to nonmusicians) helps ensure that it stays in the mind and cannot be unseen. @RandyZeitman – Level River St Jun 5 '19 at 0:25
• 2. The most important interval in music is the octave (frequency ratio 2/1) followed by the fifth (frequency ratio 1.5/1 approx.) I am saying it is NOT a coincidence that the diatonic scale contains lots of fifths The origins of the scale are attributed (rightly or wrongly) to Pythagoras in ancient Greece. See en.wikipedia.org/wiki/Pythagorean_tuning. The Greeks built a version of the diatonic scale by stacking fifths (ratios of 1.5/1) on top of each other. In the modern even tempered scale the fifth is reduced to 1.4983/1 to ensure that twelve fifths are exactly equal to seven octaves – Level River St Jun 5 '19 at 0:40

Go through the scale degrees. Start at 1 and go to 7 and figure out what key you'd have to be in for C to be that scale degree.

C is scale degree 1 in the key of C major.

C is scale degree 2 in the key of Bb major. Bb is a major second below C.

C is scale degree 3 in the key of Ab major. Ab is a major third below C.

C is scale degree 4 in the key of G major. G is a perfect fourth below C.

C is scale degree 5 in the key of F major. F is a perfect fifth below C.

C is scale degree 6 in the key of Eb major. Eb is a major sixth below C.

C is scale degree 7 in the key of Db major. Db is a major seventh below C.

• That seems kinda cumbersome... you have to work out seven scales? – Randy Zeitman Jun 4 '19 at 3:59

Your example reveals the solution:

(Condition: knowledge of the circle of fifths and the relative keys!)

Then this are:

a) the tonic of the given note plus its dominante (and their relative keys) plus the 5 keys (and their relatives) “left” of the starting point of the circle of fifths. (Counterclockwise)

Notice that Db is across of G!

or with other words:

b) All keys - except the 5 keys “right” of the given (and their relatives!) starting from the secondary dominant 5 fifths clockwise in the circle of fifths.

In your example: C?

another example:

E?

E plus B (dominant) A,D,G,C,F plus their relatives mind: F is vis-a-vis of B.

or we could say:

a certain tone is contained in the keys of
the perfect cadence I-IV-V and their relatives plus the 5 fourths counterclockwise and their relatives.

The sense of these reflections could be the question of modulation.

• Can you add a picture so that "left" and "right" are more clear? – luser droog Jun 4 '19 at 19:36
• Right=increment, clockwise. – Randy Zeitman Jun 4 '19 at 20:13
• Of course, that’s why I wrote clockwise and counterclockwise. The circle of fifth is found here 1000 times and is fundamental elementary knowledge like the scales and keys. – Albrecht Hügli Jun 5 '19 at 9:39

I think using the circle of fifths is the fastest way. You have to memorize just the tonics of circle of fifths : F-C-G-D-A-E-B and Bb-Eb-Ab-Db-Gb. Then just go through the circle until you reach the note before the key. I.E you need the notes of a E Major, so you go F-C-G-D and that notes are the accidents or the Key: E, F♯, G♯, A, B, C♯,D♯.

• Is there a way to quickly figure them out to avoid memorizing? – Randy Zeitman Jun 4 '19 at 22:23
• That should be printing or drawing the circle of fifths, as i don`t think there is a way without any kind of memorizing – hefferknot Jun 4 '19 at 23:25
• Yep, something must be memorized. – Randy Zeitman Jun 5 '19 at 2:36

I’m not entirely clear on what you want to do, but for memorising the accidentals, use:

Father Christmas Gave Dad An Electric Blanket (For sharps)

And

Blanket Explodes And Dad Got Cold Feet (For flats)

• Isn't that for memorizing the order of sharps (1st example) and flats (2nd example) regardless of major or minor? – Jacob Smolowe Jun 4 '19 at 15:55