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Is the basic principle of Pat Martino's Minor Conversion Concept anything more than simply altering melodic minor scales?

closed as too broad by David Bowling, user45266, Shevliaskovic, Peter, Doktor Mayhem Jun 10 at 22:02

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  • Do you just want a summary of Martino's work along with an evaluation of it? Because that's too broad... – user45266 Jun 9 at 1:49
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    ...So why not just explain it? Asking a question and answering it yourself is perfectly fine, but why ask a question that you know the answer to and specifically not answer it? – user45266 Jun 9 at 23:03
  • No point in you asking if you aren't going to either help out the community by answering or help the community by seeking knowledge. – user45266 Jun 10 at 14:59
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From How does Pat Martino's Minor Concept relate to his Diminished Concept? :

The minor concept ... is about improvising and how to think about scales. Martino basically reduces most chord scales to their relative (melodic) minor scale. So over an altered E7 chord he would think F minor (F melodic minor equals the E altered scale). Similarly, over a Dm7(b5) chord he would also think in F (melodic) minor, effectively using locrian ♮2 over the half-diminished chord.

So the Minor Concept is about altering a single base scale to fit all the scales a musician uses. This is a way of playing all 12 scales in any position on the fretboard. Many guitar players instead use an altered pentatonic scale with added color tones. Or they use the CAGED system. Either one of these I find more useful than the Minor Concept but it may work for some people.

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