I'm getting into mixing the last month as it's a vital role in publishing my music for sale online so here goes my question.

  1. When would you use mono reverb on an instrument and for what purpose/s?

  2. When would you use stereo reverb on an instrument and for what purpose/s?

2 Answers 2


What is stereo reverb

"Stereo reverb" may mean different things:

  • mono in, stereo out
  • stereo in, stereo out

The latter category is further split between "true stereo" and "dual mono" categories, and maybe something in between. In dual mono the left and right inputs have completely independent and separate processing, and sound doesn't "leak" between the extremes, which is a very unnatural situation. In a real room you can't prevent sound from echoing from wall to wall, even if you place the sound source to the furthest location on either side. In "true stereo", a stereo signal is kept as an actual pair and placed in the device's internal stereo field or virtual room or whatever, as a pair. Not left and right separately to their own independent mono reverberators. How "true" it really is, is somewhat debatable, because it's an artificial effect anyway.

The send effect buses in some DAW applications and mixing boards are mono, so if you use such a send for reverb, your signal is first summed to mono before being sent to the reverb. Or the reverb effect itself may sum its two inputs to mono before processing. That means that even if there was actual stereophonic information in the source signal, for example if it was recorded with a stereo mic, it is narrowed down to mono before the reverb gets it. This may or may not be OK, depending on if you like the sound and if the signal is "mono compatible", i.e. can be summed to mono without causing too much phase canceling. You should have your signals reasonably mono compatible anyway. What is too much, is up to your discretion of course. If you want to have a "true stereo" reverb, use it as an insert effect in a stereo track, if you can't set up a stereo bus.

Even if an effect is stereo in, stereo out, it may not be "true stereo" in everyone's opinion, if it's not properly placing the left and right inputs separately in its internal stereo field, keeping the input's own stereo image intact. The reverb may even do an internal mono sum to its inputs, or a phase swap for one channel, or anything. It may or may not be suitable for the type of sound you want. Search for "true stereo" if you're interested.

When to use stereo reverb

Use stereo reverb whenever you think it's good for the genre and the sound. Or simply if you like the way it sounds. A really wide stereo field sounds nice to me, but YMMV.

It's worth noting that (mono-in stereo-out) stereo reverb is one way to artificially create a stereo field from a mono input. Other stereoization methods include comb filtering with a delay on one of the stereo channels, complementary comb-shaped EQ curves for left/right, and special stereo chorus effects.

When to use mono reverb

Use mono, as in "mono out", if you like its sound for the genre. For example if you're after a specific retro/lo-fi sound like a reverb through a guitar amp or lo-fi reggae sort of sound. The method of operation of the reverb is also important, and might be more important than if it's mono or stereo. For example, spring or plate reverbs have their own sound. And a spring reverb cannot really even be "stereo" because of how it's constructed, maybe dual mono, but not real stereo.

I think you'll find out by listening if you like your reverb in stereo or mono. Either way it's your own sound you're creating.

Things to watch out for when using reverbs

You can spoil your mix and make it muddy and unclear with too much reverb, and it doesn't matter if it's a mono or stereo reverb. Both kinds of reverb can be used wrong.

  • How to detect: Use your ears. Do you really need that much reverb? Listen to the mix with different loudspeakers etc.
  • Hot to fix: (1) Just send less to the effect. (2) EQ out the lows from your send reverb effect, keeping low bass only in the dry signal. (3) Side-chain compress/duck the reverb with e.g. the kick, snare or guitar, so there's lots of reverb only at the quiet spots, and you can have both punchy drums and/or guitars and a very thick reverb effect without the mud.

Things to watch out for with all stereo things

You can spoil your mix with bad stereoization by making it mono-incompatible, or just smearing the wrong frequencies in a bad way. It doesn't matter if the bad stereo field comes from stereo reverb or other methods.

  • How to detect: (1) Use your ears, (2) check mono compatibility by summing to mono and listening in mono, (3) check mono compatibility with a stereo correlation meter (if all else fails and you have to mix with your ears closed or something).
  • How to fix: (1) Use less of the stereo effect, (2) use a better pseudo-stereoization method that's actually mono compatible and adjustable, (3) split the stereo effect to dry and wet, and EQ and process the wet signal, (4) use M/S i.e. mid/side processing, and cut down the Side signal from the frequencies it's hurting. For example, the bass.
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    “The send effect buses in many DAW applications are mono” – are they? Maybe, but that means these DAWs are trash. Don't put up with such nonsense. At least in Reaper, every send can have 2, or 8, or any number of channels depending on what you need. Pretty sure Cubase and Ableton also allow at least stereo. If your DAW doesn't support that, throw it away and get a proper one. Nov 26, 2019 at 22:55
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    @pioperi i use FL Studio as a daw and the sends have a knob for mono/stereo. By default the knob is centered at stereo, pull it the left and you have mono, pull it to the right and you had additional stereo. This knob structure also applies to instrument tracks. I feel you may have not answered my question. In what circumstances would i turn the knob to mono or leave it at stereo? I heard that a mono reverb takes up less space in the spectrum so it clutters your mix less. What other purposes does it have? How does stereo reverb affect the sound spectrum? Does it go across it entirely? Thanks
    – Seery
    Nov 27, 2019 at 1:06
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    @leftaroundabout Ok, I changed it to "some". The point is that a send might do a mono sum, or even the reverb itself might do the same. Check your setup if this is important. Nov 27, 2019 at 7:03
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    Is there some confusion here between stereo sends and stereo reverbs? You'd use stereo sends when you want true stereo reverb. A mono send will produce mono or (not true) stereo reverb. When you use each is a creative decision. , .
    – PeterJ
    Nov 27, 2019 at 13:24
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    @PeterJ "When you use each is a create decision." Could you explain to me then how mono reverb acts within audio and how stereo reverb acts within audio as to give me perspective on why I may use one over the other? Thank you. Maybe in answer format would be more beneficial to you so I can credit you for your answer.
    – Seery
    Nov 27, 2019 at 14:08

It's not clear to me whether or not you understand the difference between the two but since you're asking "when" and "for what purpose" here are a couple of use-cases:

stereo: you have a mono sound source (let's say a tambourine recorded with one mono mic) panned to one side. You could send that to a stereo room reverb (post-fader but pre-pan) to create the illusion that it was recorded in the same room as other instruments -- less isolated, more "live" etc. Or post-pan for a different take on the same concept -- the illusion of space.

mono: you have a mono sound source (let's say a mono synth melody) panned to one side. You could send it to a plate reverb (post-fader, post-pan) for a very directional "effect-y" sound, which would tend to emphasize the pan. If you change the pan position to the opposite side during the mix, the reverb will travel with it.

There are of course any number of ways to creatively use reverb so this is strictly "for example," since you asked.

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