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How should one play this passage in Beethoven's Op.2 No.1? One cannot play staccato and use the pedal because notes on the upper stave would not sound staccato.

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Slurs are not pedal marks. In this case I would interpret the slurs as phrasing slurs, meaning that while playing all of them staccato, one bar forms a phrase of them. A phrase can be executed by a consistent execution, like a subtle development in volume or staccato shortness or accent that repeats every measure.

When the bass line is taken by a bowed string instrument (obviously not the case for a piano sonata), this kind of notation means to change bow direction every bar even while every note is staccato in itself. The musical effect of tying the notes of one measure into a phrase then has a more tangible expression. Maybe entertain a mental image of that when playing it on the piano.

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  • I agree with your answer and accepted it as correct. However, according to this «staccato notes under a slur, indicating somewhat obscurely that these should be "smoother" notes, with just a small space between the notes» Music is definitely not an exact science. :-) – Rui Apr 30 at 12:17
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Why would you want to play anything but staccato? That's all that's marked. There's no pedal marking at all. Did you think 'pp' meant pedal? It means fairly quietly.So, it could be played with the soft pedal depressed.

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  • Tim, I think Rui means the slurs above the 4 staccato signs. – Albrecht Hügli Apr 28 at 13:01
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    @AlbrechtHügli - OP may be confused, thinking slur marks equal 'use the damper pedal', which is not so. Pedal marks usually have 'Ped'. – Tim Apr 28 at 13:07
  • So - as far I have learnt from you - this posting is rather acomment thanan answer? ;) – Albrecht Hügli Apr 28 at 13:13
  • @AlbrechtHügli - whatever you prefer - but OP asks about piano, portato is strings. – Tim Apr 28 at 13:20
  • According e.g. to Wikipedia, «A slur is a symbol in Western musical notation indicating that the notes it embraces are to be played without separation (that is, with legato articulation).» Since using the pedal is a possible solution when playing legato with the fingers is infeasible, it seemed reasonable that staccato under a slur would be played using staccato in your fingers and the pedal for connecting the notes (the sound quality is different from regular playing with the pedal). – Rui Apr 30 at 10:25
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The bow or slur above the staccato notes is one type of portato notation, also used for staccato and flying spiccato.

https://en.wikipedia.org/wiki/Portato

Not only for strings, for all iinstruments and also for pianos this slur means the same articulation, but it is not a legato and is not played with a pedal:

The desire of editors and composers to make their intentions clear down to the very last detail includes the use of large sweeping 'slur-like' lines called 'phrase marks'. Slurs, which tend to embrace a smaller number of notes, help to shape the musical line even within broader phrasing marks and performers must be able to distinguish between them. On wind instruments, all the notes under the slur except for the first, are untongued, the breath flowing continuously while the fingers move. On stringed instruments, the equivalent effect is achieved by using a single sweep of the bow for each slur or phrase. On keyboard instruments the notes are played legato (smoothly) and with a light touch. The slur removes the attack from the start of each note under it except for the first so providing a contrast in strength, a dynamic variety, between the first and the later notes. If slurring is to be effective, or indeed a distinction made between different phrases, the performer must avoid playing unslurred notes too smoothly. Evidence from the eighteenth century suggests that music then was played in a more detached manner than we associate, say, with the repertoire of the late-Romantic.

The way a staccato mark under a slur is realised will also depend on the instrument for which the instruction refers. On a piano, the staccato under a slur is a portato where the individual notes sound for three-quarters of their written duration.

Source: https://www.dolmetsch.com/musictheory21.htm

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