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In Quantz, Versuch einer Anweisung die Flöte traversiere zu spielen several harmonic/melodic skeletons are presented as the basis of melodic embellishment. Here are four which cover significant portions of a full scale (embellishment examples not included.)

Ascending...

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Descending...

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It occurred to me there is almost enough there to make a sort of "rule of the octave" for a treble part. With some overlapping and transposing of Quantz' examples I got this...

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...the ossia staff is my bass to end with a authentic cadence.

For some reason Quantz didn't show examples descending by step to/from the tonic. Figure 5 was the only descending scale to work from...

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...the small notes and ossia staff are my additions to complete a descending scale harmonization.

Do these two scale harmonizations seem ok? Obviously, I want them to fit with Quantz' early classical style.

Please share any alternatives or concerns.

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