Questions tagged [analysis]
For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.
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0answers
21 views
What is my voice classification from D2-A4
I’m 21, been singing since I was around 16 or 17. I use to struggle up to E4 above middle C. As the years went by , I’ve mastered singing from C4-F#4 around 20. Just recently I’ve found it easier to ...
2
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1answer
67 views
Bar number featuring this tone row by Schoenberg in the sheet music [closed]
Given is an image of the tone row used by Schoenberg in his Variations for Orchestra op. 31. This is what was given in a music theory workbook.
I found the sheet music for the Schoenberg piece. But ...
2
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2answers
85 views
Rationalizing this chord progression (I7-iii-IV)
Trying to expand my harmonic palette here, and came across this song.
Chorus of Stevie Wonder's "Don't You Worry 'Bout a Thing" (in E♭ minor, but temporary shift to ...
3
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2answers
56 views
Are these upper voices in this final passage from Handel a bona fide F7 chord or some kind of non-chord tones?
Handel. Preludes, Air, and Lesson...
http://hz.imslp.info/files/imglnks/usimg/e/e8/IMSLP12246-Handel_-_Preludes,Air%26_Lesson.pdf
EDIT
I was complete off the mark with this. The only excuse I can ...
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6answers
206 views
Analysis of the progression: Dm, G, C, F, Bb, E, Am, A
I've been trying to analyze the progression: Dm, G, C, F, Bb, E, Am, A.
The best I could come up with is ii, V, I, IV, bVII, V/vi, vi, V/ii in C major.
I considered the Bb to be the VII from the ...
1
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1answer
52 views
Is Nirvana's 'Aero Zeppelin' intro in Locrian mode?
The song 'Aero Zeppelin' by Nirvana (see here for Youtube video link) begins with a calmer introduction that has a 'creepy' feeling, due to the occurrence of the tritone. I have tried to analyse the ...
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5answers
3k views
How would this chord from “Rocket Man” be analyzed?
[Chorus:]
Bb Eb
And I think it's gonna be a long, long time
Bb
'Till touch down brings me roung again to find
...
3
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3answers
105 views
How is this chord from Liebestraum No. 3 analyzed?
I'm trying to analyze the ending chord progressions to Liszt's Liebestraum No. 3. The piece is in Ab-major.
The chord in the second half of measure 73 is a D diminished triad. This would appear to ...
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1answer
147 views
Jaws vs. Dvorak
There is a worldwide-viral debate involving the Jaws theme as if it is a "rip-off" of the finale of Dvorak's Ninth Symphony. Some say if the theme is sampled from Dvorak. Did John Williams really ...
2
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1answer
70 views
How can this triad from the song “Believe” be analyzed?
I heard this song "Believe" recently, and the Eb major chord stood out to me. The song is in E major, so I'm wondering how that Eb triad can be looked at. Even if it was spelt as a D# major triad, it ...
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2answers
58 views
How can the intro to the song “If I Fell” be analyzed?
The introduction to this song by The Beatles starts off in the key of Eb minor. I'm trying to figure out how to analyze these chords.
The first chord would be i, the D major chord I'm unsure about, ...
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1answer
152 views
Why is the vi chord so popular? [closed]
In a major scale, I understand why the I IV V are the most popular chords mainly due to their diatonic functions and they also harmonize the entirety of the scale as they are the primary triads.
I ...
0
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1answer
47 views
Chord progression analysis in Blur's 'Sing' from the film Trainspotting [closed]
I like this progression by Blur that was in Trainspotting and I tried to figure out what the relationship between the chords are and what key they are in:
G-B-E-G
A-C#-F#
B-D-F#
I tried a reverse ...
0
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0answers
24 views
Analysis questions about a transcription I made (Jade's Desert - Mortal Kombat Trilogy OST)
I transcribed this song recently and I wanted some insight for analyzing it. It seems to me that it is a diminished riff, using some tritones and chromatic stuff and major seconds. However, beyond ...
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0answers
26 views
I could use some help analyzing a transcription I made of the disciples 2 menu theme
I've been transcribing some songs recently, however I feel that I am somewhat limited in actually approaching the analysis of the songs after I have transcribed them.
I have attached a photo of my ...
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1answer
69 views
How can one analyze this chord progression from “Vienna” by Billy Joel?
I'm wondering how to best go about analyzing this chord progression from the Billy Joel classic, "Vienna".
The song is in Bb-Major.
The first chord is an augmented I chord (I+), which seems strange. ...
2
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2answers
90 views
Analysis: How to determine what scale/mode a score uses
I'm learning music theory with the hopes of being able to analyze sheet music.
My question is -- What if the piece I am analyzing is in some other mode than major or minor? Or even stranger, like ...
5
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4answers
720 views
Can this note be analyzed as a non-chord tone?
I know that post-tonal and popular music can't always be analyzed through the same methods as the Common Practice Period, but I still like to see how people would try analyzing things.
This is a ...
3
votes
1answer
66 views
Questions on the harmonic analysis of Pixar's Up Main Theme
First time doing harmonic analysis.
This is the piece https://musescore.com/user/1596896/scores/715646
The key signature indicates F major, but I feel like the composer plays around with the ...
2
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2answers
63 views
What is the music theory behind the ending to this Chopin Etude?
Chopin Etude Op. 10 No. 3:
I'm wondering about how to best analyze the final 3 measures.
This piece simply ends on the I chord over the final 3 measures.
Would ...
7
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1answer
307 views
Roman Numeral Treatment of Suspensions
My question today stems from me having difficulty assigning a roman numeral to a chord which either has a suspension (please see below)
Or when there is melodic motion in the bass (please see below)
...
6
votes
2answers
800 views
Are there any thematic similarities between Shostakovichs' Symphony 5th and Beethovens' 7th symphony? [closed]
Taking a look at the opening bars of Shostakovichs' Symphony 5th and Beethovens' 7th symphony 4th movement (bar 136 onwards) see below they sound kind of similar.
Somebody suggested (Radio 3 I think)...
2
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1answer
52 views
Does Tchaikovsky's Sleeping Beauty modulate to the relative minor?
There's a part of Tchaikovsky's Sleeping Beauty that I like. And I was wondering if I'm right as far as the theory goes:
Measures 156-159 is in the relative key of G minor, and ends on this key.
...
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1answer
98 views
Composition of Cowell's “rhythmic key changes”
I'm currently reading Henry Cowell's New Musical Resources and
On page 98, Section 6,(TEMPO) in part 2 (RHYTHM),
is a paragraph of for instances. Directly, I'm grappling with the SECOND FOR INSTANCE ....
0
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3answers
128 views
How does 'If I were a rich man' work? [closed]
I was playing 'If I were a rich man'. I noticed how it makes use of alot of notes outside its scale even though it's in C major. and I was wondering what the term is for what is it doing. Is it ...
5
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1answer
43 views
Is melodic analysis a thing?
I know that harmonic analysis can be done like this:
i iv V i
Is there a similar standard for melodic analysis? Is melodic analysis a thing?
Thanks, Nathan.
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2answers
39 views
Analyzing Tchaikovsky's “ Morgengebet ” Pt 2
At the 4th measure from the picture, Starting of the [B] section, there is a question mark.
the notes are G, Eb, C, and F# .
What is this chord? It also appears in the 3rd measure of the [B] section....
2
votes
2answers
44 views
Analyzing Tschaikowsky's “Wintermorgen”
At the beginning of the first measure there is a chord with the notes of Eb, G, C#, and G.
What is this chord?
I suppose that the song is in B minor and I can't find any chords even in Modal ...
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3answers
290 views
What type of cadence is this?
What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
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4answers
184 views
Looking for some advice for note taking to replace sheet music
I can always play from sheet music better than I play by memory for the most part.
I'm learning "kiss the rain" by yiruma which isn't hard at all - very simple but yet it is still pretty hard to ...
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3answers
245 views
Dvorak Plagiarized Beethoven?
I've just analyzed the beginning and the tempo of the scherzo of Dvorak's 9th symphony. When I did it, I've realized he had "copied" the scherzo of Beethoven's 9th! What is going on here?
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2answers
102 views
Am I right in that it is a diminished triad without the third?
So I have come across a difficulty in my harmonic analysis having to do with the tritone being by itself. Obviously, this gets across a dissonance that has to resolve but just from the tritone, it isn'...
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2answers
106 views
Mathematical methods for analysing melodic contour? [closed]
Are there any mathematical methods for identifying melodic shape, identifying motifs and general pattern recognition?
3
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1answer
129 views
Should sensible analysis show secondary functions fulfilling the supposed function?
This question started for me with an analysis using IV/IV.
It was analysis in Kostka/Payne for Mozart's K545, mv II, mm. 69-71...
G: I | IV6/IV V6/IV | IV
Instead of...
G: I |C: ...
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vote
2answers
84 views
Using a constant tone to find the key center
I have a song that I'm trying to figure out the key center. I'll explain the process and you can tell me if I"m on the right track.
I start by analyzing the song using software that finds the chords. ...
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1answer
30 views
How do I tell which mode this extract uses?
In this exercise, the key signature has two flats but it's marked as C minor. There's a footnote that simply says 'modal key signature'. How do I work out which mode to use in my harmonisation?
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2answers
72 views
Does this chord function as a 13 chord?
In Debussy's La Fille aux Cheveux de Lin, there is this passage:
(Debussy: Préludes Livre I, No. 8, bar 24)
The piece is in Gb major.
This first chord is probably a I chord. But since it has that ...
9
votes
5answers
875 views
Incorrectly labeled chord. Is this a dominant seventh?
I am trying to analyse this but am confused by the chord marked Am7. Am7 shouldn't have a D in it and doesn't make much sense in the context. Could it possibly be a D7 with the G being a suspension of ...
6
votes
1answer
150 views
What is the rhythm of this Herbie Hancock song, and why is it so weird?
I've always listened to a lot of jazz and heard some weird rhythms, but only this year did my high school offer music theory - and right now, we're learning about rhythm. All we've done so far is ...
9
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2answers
1k views
Is there a term for when a lyric is sung and then an instrument (sound) is played to mimic the lyric?
Is there a term for when a phrase in a song, i.e., "shivers down my spine" as in Bohemian Rhapsody, after that phrase is sung, a tinkling or some kind of sound is made with an instrument, to mimic "...
0
votes
2answers
86 views
Interval analysis, augmented 5th or a 6th?
I am doing interval analysis as I am writing a countersubject(working on the harmony for it right now). But I have a bit of trouble here. I have 3 note choices for any given quarter note. The spot I ...
4
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1answer
252 views
Analysing “Dust to Dust”, John Kirkpatrick
I've been trying to analyse the song "Dust to Dust" by John Kirkpatrick to perhaps get some insight into how one writes in Locrian without sounding it sounding ugly. The only thing I've noticed is ...
5
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3answers
134 views
What's the correct analysis of this harmonic sequence at the end of the first movement of Dvorak's Fourth Symphony?
I've been puzzling over the best way to analyse the chords that occur at the end of the First Movement of Dvorak's Symphony No. 4 in D minor Op. 13. The passage is definitely part of a harmonic ...
3
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2answers
192 views
How could the medieval chants be classified before any notation was available?
We all have in mind the image of a medieval mode as a scale with a pattern of tones and semitones with a finalis, a specific range, etc.
However, it seems that medieval chants were classified ...
6
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2answers
272 views
Functional analysis of chorale 'Wie wunderbarlich ist doch diese Strafe' BWV 244/46
I did some analysis of the chorale 'Wie wunderbarlich ist doch diese Strafe' (from Matthew Passion BWV 244 no.46), see below. But how would I analyse the first chord in measure 2? Obviously, it's an E ...
3
votes
1answer
236 views
Analyzing Ryuichi Sakamoto “Merry Christmas, Mr. Laurence”
The original song is not in C Maj key
but the sheet I Have is in C Maj so let just see as the key is in C maj
(The [B] part starts 1:50)
How does the Gm (Vm) come ...
7
votes
1answer
467 views
Harmonic analysis of arpeggios in Dance of the Sugar Plum Fairy
I've always liked the arpeggio section in dance of the sugar plum fairy, it sounds so sweet and mysterious. I was trying to figure out the idea behind them. Here's the section in Synthesia.
From ...
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1answer
994 views
Why is the final section of Liszt's La Campanella working so well?
The ending section of Liszt's La Campanella is the most beautiful I've heard so far.
I'm referring to the change in melody, from this point all the way to the end:
...
2
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1answer
351 views
Harmonic Analysis of Chopin's etude op.10 no 5
In the circled part, what is the harmony?
Is the E-flat a non-chord tone or is this just some weird chord? (I've only learnt basic harmony.)
1
vote
4answers
172 views
Why do we care about the interval between a pair of notes and not the product of a pair of notes?
As a computer scientist, I think of each element of musical analysis as a computation we have chosen to do on the music for some reason. I'm not saying I understand how humans decide what the meter ...
