Questions tagged [analysis]
For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.
192
questions
2
votes
1answer
47 views
Rootless chords in Beethoven sonata?
Okay, I came across a bit of a wrinkle in the paper as I analyzed the third movement of Beethoven's Sonata Pathetique. It has to do with this passage in the C section(which is in Ab major):
For those ...
2
votes
2answers
49 views
Analyzed editions of classic piano sheet music? [on hold]
I wonder if there exists such kind of editions: with the chords written down together with their function in roman numerals, the structure of the piece, the analysis, etc.
More precisely, I'm looking ...
1
vote
3answers
123 views
Is there Good music and Bad music, or is there only music that I like or don't like? [closed]
Is it possible to say categorically that some music is Good and other music is Bad?
Or should we way "I like it" or "I don't like it" and leave it at that?
1
vote
1answer
17 views
Development section in a fugue
How to distinguish between the 'subject' and 'answer' in the development (modulatory) section of a fugue?
3
votes
1answer
61 views
Difference between iii/IV and vi in analysis?
I am trying to follow along this music theory video. The song analyzed is Merry Christmas Mr.Lawrence by Ryuichi Sakamoto.
The main chord progression is IV - iii/IV - iii - vi - V7
My question is ...
7
votes
3answers
314 views
Is this really better analyzed in G minor than in Bb?
So I have been analysing Rondo a Capriccio by Beethoven and I reached a point where a so called "expert's" opinion and mine differ drastically. It starts at bar 57 and continues to bar 68. After the ...
1
vote
2answers
60 views
Rules for naming borrowed chords in roman numeral analysis
I don't seem to find an extensive resource on how to name out of scale chords in roman numeral analysis.
E.g. let's look at this piece from "All imperfect things" of Michael Nyman:
I'm stuck on M5 ...
1
vote
1answer
51 views
Do “Thriller” and “I do like to be beside the seaside” share thematic material?
Rod Temperton was born in Cleethorpes, a seaside town on the east coast of the UK.
He also wrote the song Thriller for Michael Jackson.
Bearing these two facts in mind, it struck me there was a ...
0
votes
3answers
168 views
How should background music be used in documentary video? [closed]
I wonder how background music should be used during a video on a complicate topic and requires some analysis. I think that:
If it's about giving information, then having background music can increase ...
1
vote
1answer
62 views
Analysing harmony in music [closed]
I've read books like Theory of Harmony, Tonal Harmony, The Complete Musician, and just started reading structural functions of harmony. But I still find myself confused on those weird out-of-key ...
0
votes
2answers
89 views
Are there objective, unambiguous ways that the level of similarity of two bits of music can be measured?
I am not sure if this kind of question is on-topic or not.
I just heard the soundtrack used in Scott Manley's recent video SpaceX Radarsat Launch Highlights (fairly quiet sound level) with the notes
...
7
votes
1answer
99 views
What is the utility of Schenkerian analysis?
I have seen that Schenkerian analysis is a method of analyzing tonal music distinct from the usual one which employs roman numerals for the degrees, specifies the inversions, the functions, etc.
...
0
votes
1answer
48 views
What is my voice classification from D2-A4 [closed]
I’m 21, been singing since I was around 16 or 17. I use to struggle up to E4 above middle C. As the years went by , I’ve mastered singing from C4-F#4 around 20. Just recently I’ve found it easier to ...
2
votes
1answer
78 views
Bar number featuring this tone row by Schoenberg in the sheet music [closed]
Given is an image of the tone row used by Schoenberg in his Variations for Orchestra op. 31. This is what was given in a music theory workbook.
I found the sheet music for the Schoenberg piece. But ...
2
votes
2answers
112 views
Rationalizing this chord progression (I7-iii-IV)
Trying to expand my harmonic palette here, and came across this song.
Chorus of Stevie Wonder's "Don't You Worry 'Bout a Thing" (in E♭ minor, but temporary shift to ...
3
votes
2answers
77 views
Are these upper voices in this final passage from Handel a bona fide F7 chord or some kind of non-chord tones?
Handel. Preludes, Air, and Lesson...
http://hz.imslp.info/files/imglnks/usimg/e/e8/IMSLP12246-Handel_-_Preludes,Air%26_Lesson.pdf
EDIT
I was complete off the mark with this. The only excuse I can ...
1
vote
6answers
264 views
Analysis of the progression: Dm, G, C, F, Bb, E, Am, A
I've been trying to analyze the progression: Dm, G, C, F, Bb, E, Am, A.
The best I could come up with is ii, V, I, IV, bVII, V/vi, vi, V/ii in C major.
I considered the Bb to be the VII from the ...
1
vote
1answer
60 views
Is Nirvana's 'Aero Zeppelin' intro in Locrian mode?
The song 'Aero Zeppelin' by Nirvana (see here for Youtube video link) begins with a calmer introduction that has a 'creepy' feeling, due to the occurrence of the tritone. I have tried to analyse the ...
11
votes
5answers
3k views
How would this chord from “Rocket Man” be analyzed?
[Chorus:]
Bb Eb
And I think it's gonna be a long, long time
Bb
'Till touch down brings me roung again to find
...
3
votes
3answers
169 views
How is this chord from Liebestraum No. 3 analyzed?
I'm trying to analyze the ending chord progressions to Liszt's Liebestraum No. 3. The piece is in Ab-major.
The chord in the second half of measure 73 is a D diminished triad. This would appear to ...
-8
votes
1answer
200 views
Jaws vs. Dvorak [closed]
There is a worldwide-viral debate involving the Jaws theme as if it is a "rip-off" of the finale of Dvorak's Ninth Symphony. Some say if the theme is sampled from Dvorak. Did John Williams really ...
2
votes
1answer
73 views
How can this triad from the song “Believe” be analyzed?
I heard this song "Believe" recently, and the Eb major chord stood out to me. The song is in E major, so I'm wondering how that Eb triad can be looked at. Even if it was spelt as a D# major triad, it ...
1
vote
2answers
81 views
How can the intro to the song “If I Fell” be analyzed?
The introduction to this song by The Beatles starts off in the key of Eb minor. I'm trying to figure out how to analyze these chords.
The first chord would be i, the D major chord I'm unsure about, ...
0
votes
1answer
159 views
Why is the vi chord so popular? [closed]
In a major scale, I understand why the I IV V are the most popular chords mainly due to their diatonic functions and they also harmonize the entirety of the scale as they are the primary triads.
I ...
0
votes
1answer
63 views
Chord progression analysis in Blur's 'Sing' from the film Trainspotting [closed]
I like this progression by Blur that was in Trainspotting and I tried to figure out what the relationship between the chords are and what key they are in:
G-B-E-G
A-C#-F#
B-D-F#
I tried a reverse ...
0
votes
0answers
29 views
Analysis questions about a transcription I made (Jade's Desert - Mortal Kombat Trilogy OST)
I transcribed this song recently and I wanted some insight for analyzing it. It seems to me that it is a diminished riff, using some tritones and chromatic stuff and major seconds. However, beyond ...
1
vote
0answers
29 views
I could use some help analyzing a transcription I made of the disciples 2 menu theme
I've been transcribing some songs recently, however I feel that I am somewhat limited in actually approaching the analysis of the songs after I have transcribed them.
I have attached a photo of my ...
1
vote
1answer
102 views
How can one analyze this chord progression from “Vienna” by Billy Joel?
I'm wondering how to best go about analyzing this chord progression from the Billy Joel classic, "Vienna".
The song is in Bb-Major.
The first chord is an augmented I chord (I+), which seems strange. ...
2
votes
3answers
134 views
Analysis: How to determine what scale/mode a score uses
I'm learning music theory with the hopes of being able to analyze sheet music.
My question is -- What if the piece I am analyzing is in some other mode than major or minor? Or even stranger, like ...
5
votes
4answers
737 views
Can this note be analyzed as a non-chord tone?
I know that post-tonal and popular music can't always be analyzed through the same methods as the Common Practice Period, but I still like to see how people would try analyzing things.
This is a ...
3
votes
1answer
72 views
Questions on the harmonic analysis of Pixar's Up Main Theme
First time doing harmonic analysis.
This is the piece https://musescore.com/user/1596896/scores/715646
The key signature indicates F major, but I feel like the composer plays around with the ...
2
votes
2answers
72 views
What is the music theory behind the ending to this Chopin Etude?
Chopin Etude Op. 10 No. 3:
I'm wondering about how to best analyze the final 3 measures.
This piece simply ends on the I chord over the final 3 measures.
Would ...
7
votes
1answer
316 views
Roman Numeral Treatment of Suspensions
My question today stems from me having difficulty assigning a roman numeral to a chord which either has a suspension (please see below)
Or when there is melodic motion in the bass (please see below)
...
6
votes
2answers
804 views
Are there any thematic similarities between Shostakovichs' Symphony 5th and Beethovens' 7th symphony? [closed]
Taking a look at the opening bars of Shostakovichs' Symphony 5th and Beethovens' 7th symphony 4th movement (bar 136 onwards) see below they sound kind of similar.
Somebody suggested (Radio 3 I think)...
2
votes
1answer
60 views
Does Tchaikovsky's Sleeping Beauty modulate to the relative minor?
There's a part of Tchaikovsky's Sleeping Beauty that I like. And I was wondering if I'm right as far as the theory goes:
Measures 156-159 is in the relative key of G minor, and ends on this key.
...
1
vote
1answer
112 views
Composition of Cowell's “rhythmic key changes”
I'm currently reading Henry Cowell's New Musical Resources and
On page 98, Section 6,(TEMPO) in part 2 (RHYTHM),
is a paragraph of for instances. Directly, I'm grappling with the SECOND FOR INSTANCE ....
0
votes
3answers
136 views
How does 'If I were a rich man' work? [closed]
I was playing 'If I were a rich man'. I noticed how it makes use of alot of notes outside its scale even though it's in C major. and I was wondering what the term is for what is it doing. Is it ...
5
votes
1answer
57 views
Is melodic analysis a thing?
I know that harmonic analysis can be done like this:
i iv V i
Is there a similar standard for melodic analysis? Is melodic analysis a thing?
Thanks, Nathan.
1
vote
2answers
40 views
Analyzing Tchaikovsky's “ Morgengebet ” Pt 2
At the 4th measure from the picture, Starting of the [B] section, there is a question mark.
the notes are G, Eb, C, and F# .
What is this chord? It also appears in the 3rd measure of the [B] section....
2
votes
2answers
45 views
Analyzing Tschaikowsky's “Wintermorgen”
At the beginning of the first measure there is a chord with the notes of Eb, G, C#, and G.
What is this chord?
I suppose that the song is in B minor and I can't find any chords even in Modal ...
-2
votes
3answers
311 views
What type of cadence is this?
What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
3
votes
4answers
187 views
Looking for some advice for note taking to replace sheet music
I can always play from sheet music better than I play by memory for the most part.
I'm learning "kiss the rain" by yiruma which isn't hard at all - very simple but yet it is still pretty hard to ...
0
votes
3answers
270 views
Dvorak Plagiarized Beethoven?
I've just analyzed the beginning and the tempo of the scherzo of Dvorak's 9th symphony. When I did it, I've realized he had "copied" the scherzo of Beethoven's 9th! What is going on here?
1
vote
2answers
117 views
Analysis of blues chords
I have doubts about some chords in this sequence:
||: Eb7 | Ab7 | Eb7 | Eb7 |
| Ab7 | Ab7/A6 | Eb7 | C7 |
| F7 | Bb7 | Eb7/C7 | F7/Bb7 ...
0
votes
2answers
108 views
Am I right in that it is a diminished triad without the third?
So I have come across a difficulty in my harmonic analysis having to do with the tritone being by itself. Obviously, this gets across a dissonance that has to resolve but just from the tritone, it isn'...
2
votes
2answers
111 views
Mathematical methods for analysing melodic contour? [closed]
Are there any mathematical methods for identifying melodic shape, identifying motifs and general pattern recognition?
3
votes
1answer
132 views
Should sensible analysis show secondary functions fulfilling the supposed function?
This question started for me with an analysis using IV/IV.
It was analysis in Kostka/Payne for Mozart's K545, mv II, mm. 69-71...
G: I | IV6/IV V6/IV | IV
Instead of...
G: I |C: ...
1
vote
2answers
87 views
Using a constant tone to find the key center
I have a song that I'm trying to figure out the key center. I'll explain the process and you can tell me if I"m on the right track.
I start by analyzing the song using software that finds the chords. ...
1
vote
1answer
31 views
How do I tell which mode this extract uses?
In this exercise, the key signature has two flats but it's marked as C minor. There's a footnote that simply says 'modal key signature'. How do I work out which mode to use in my harmonisation?
0
votes
2answers
72 views
Does this chord function as a 13 chord?
In Debussy's La Fille aux Cheveux de Lin, there is this passage:
(Debussy: Préludes Livre I, No. 8, bar 24)
The piece is in Gb major.
This first chord is probably a I chord. But since it has that ...
