Questions tagged [analysis]

For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.

Filter by
Sorted by
Tagged with
30
votes
6answers
3k views

Why is bass note so important in harmonic analysis of music?

In any type of harmonic analysis the bass plays a big part in determining the function of the harmony. There are even special ways to describe what note of the chord is in the bass (known as ...
10
votes
2answers
1k views

Which roman numeral should I use for F# diminished chord in the key F Major?

In the key of F major, what roman numeral is the F# A C chord? I know it is a diminished chord. It is going from a F to F#dim to Gm7
4
votes
1answer
3k views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
7
votes
5answers
2k views

Why does this progression sound good, even if it not resolve to the root?

I'm trying to learn some music theory. I'm interested in the magic of chord progression, and how little changes can make a dramatic change in the feeling. Anyway, I suppose that a progression moving ...
8
votes
4answers
1k views

Alternative Analysis for Non-Functioning Secondary Dominants

I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
3
votes
2answers
3k views

Chord analysis of Rachmaninoff's Piano Concerto No.2 Movement 1 mm 86

I need help in analyzing the chords of Rachmaninoff's Piano Concerto No.2 measure 86. In the snippet below, the measure is encapsulated by a green box. . Score is from and can be found here. EDIT : ...
3
votes
2answers
412 views

Harmonical analysis of Fm D♭ E♭ B♭

How should I analyse this chord progression: Fm D♭ E♭ B♭ ? Is it (in A♭ major): vi IV V II ?
5
votes
1answer
437 views

What is the clearest way to signify the harmonic function of a polychord?

Chords can be analyzed with roman numerals to indicate function: C, Am, Dm, G I, vi, ii, V (or I, VI-, II-, V in jazz theory) And inversions may be analyzed by adding an arabic numeral indicating ...
3
votes
1answer
4k views

How to analyze and obtain useful information from a score

I'm a self taught musician. I have learned music theory, composition, and instrument performance by myself. I would like to improve my composition techniques and I believe that I should begin ...
5
votes
1answer
571 views

What do the numerator and denominator of a chord name in roman numerals mean?

I'm reading a paper on music theory and I keep coming across names of chords expressed as a fraction - I/I, I/V, ii/I, etc. Based on the use of these names in the paper, I'm reading this as: I/I: A ...
10
votes
2answers
903 views

Which scores are best for those who are new to analysis?

Are there some scores that are better suited to aspiring composers? What specific elements of analysis are more important for a beginner to start with if his goal is to improve as a composer (Harmony?...
9
votes
2answers
9k views

Making sense of 5/4 time signatures

Normally, we're told that 5/4 is usually 3/4 + 2/4 or 2/4 + 3/4. (At the very least, it's unusual to have a meter that large without "secondary stress" beats.) However, how do we make sense of the ...
2
votes
3answers
1k views

How to analyze chord progressions in tonal music?

I've been told that you have to analyze progressions according to the key at the end, despite how many keys/tonality that precede it. Is this true? If a composition contains one key in long duration,...
8
votes
2answers
4k views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
15
votes
5answers
6k views

Score analysis: Minuet in G Minor BWV Anh 115

The piece modulates from G minor to Bb major between the bars 12-14 but I don't know how to mark these chords as they have B natural in them, which doesn't belong neither to G minor nor Bb major. So, ...
24
votes
3answers
67k views

Classical music theory notation for chord inversions (figured bass)

In classical music harmony analysis, we see the chord inversions notated like I6/4, I6, V4/3. Examples: What are those numbers? How do they define the inversion? What's the theory behind using ...
5
votes
4answers
3k views

Looking for software that checks for voice leading mistakes in MIDI, MusicXML, or MuseScore formats [closed]

I've been learning voice leading with a mixture of on-line classes and some reading. Receiving feedback for exercises can be troublesome sometimes. I was thinking if there is a way to cut that ...
2
votes
3answers
502 views

Can you help me to identify, solve or improve my vocal problems?

I would like to find out a way to diagnose my vocal problem and assess my voice quality, such as too little or much nasal sound, wrong pitch, weak or loud sound, .... I would like to find out what ...
7
votes
3answers
7k views

Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
12
votes
3answers
4k views

How would one create music based on the principles of Cubism?

How would one create music based on the principles of Cubism? (e.g., 20th century painters: Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger) The basic definition of Cubism calls for the use ...
2
votes
3answers
2k views

Why is this progressions described as i/5 - bVI?

Basic question, I understand the ideas of modes and that there are 7 corresponding keys within each major/minor scale, but I'm trying to learn what exactly is meant when the chord progression is ...
5
votes
5answers
2k views

“I-vi” in Major or “III-i” in Minor?

There are some progressions that seem to move back and forth between a major key and its relative minor, like the "I-vi" progression (C, Am for example, two measures each.) Most people would consider ...
1
vote
1answer
390 views

Can sequences in music be modified rhythmically?

Can a sequence still be considered a sequence if the rhythm is changed? For example: Beethoven's Piano Sonata Op.13, II, in the left hand: The phrase beginning on the upbeat of 1 in the 3rd ...
2
votes
1answer
1k views

Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach)

The piece I am asking about is the well-known minuet that was originally attributed to J.S. Bach but has since been re-attributed to lesser-known composer, Christian Petzold. My question concerns ...
1
vote
2answers
269 views

Chord number notation for a minor song switching to a major sound

I have a song that I am using Roman numeral analysis for a song I have written. The first part based on D minor. The minor progression looks like this: I__ Isus __ VII Dm ...
7
votes
2answers
420 views

Roman Analysis of “Ab B G” chord

I am currently analyzing a bit of music for homework which consists of four voices (string quartet). It is in the key of G Major, but the chord that it ends on, is a Ab on the cello, B on the Viola, ...
12
votes
2answers
4k views

Why play out of scale notes as part of a chord?

So, I'm learning 'Stray Cat Strut' right now and came across something I'm not sure I understood. I have to say, I've only just begun to learn theory, so maybe that's why. Anyway, as far as I can ...