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Questions tagged [analysis]

For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.

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7
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5answers
468 views

Features of a Coda section

I came across a question in a music theory book, which asked about explaining why bars 30-36 in the following music extract could be considered as a Coda. The extract is from Prelude in C minor by ...
3
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3answers
216 views

How could the medieval chants be classified before any notation was available?

We all have in mind the image of a medieval mode as a scale with a pattern of tones and semitones with a finalis, a specific range, etc. However, it seems that medieval chants were classified ...
4
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4answers
90 views

What is an altered chord?

A chord can be altered in many ways, but not all alterations make a chord an "altered" chord. Which alterations actually make a chord an altered chord? Do altered chords have special notation?
6
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3answers
143 views

Unintentional plagiarism while composing

I have recently started composing using some knowledge that I got after a few months of studying counterpoint and harmony (well it is more like trying to compose). And I have mentioned that quite ...
4
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4answers
79 views

Is Counterpoint always possible?

I've searched for this question online many times, but never found anything close to an answer: Given a cantus firmus, is it always possible to do counterpoint with it? The rules don't appear to ...
1
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2answers
38 views

Augmented triad in Pathetique Sonata? How does it function?

I analyzed the harmony of the Pathetique Sonata as you already know, but one thing about the harmony in the first movement made me curious. No, not unconfirmed modulation or anything like that. No, it ...
1
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1answer
34 views

Development section in a fugue

How to distinguish between the 'subject' and 'answer' in the development (modulatory) section of a fugue?
4
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0answers
78 views

Intro of A Whiter Shade of Pale: is my analysis of chords correct?

I wonder about 2 points in this intro (I can ask them in to different questions if desired) I'm not sure whether I hear this progression correct ... The beginning ...
3
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2answers
84 views

Rootless chords in Beethoven sonata?

Okay, I came across a bit of a wrinkle in the paper as I analyzed the third movement of Beethoven's Sonata Pathetique. It has to do with this passage in the C section(which is in Ab major): For those ...
5
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2answers
58 views

Ballades (Chopin) Harmony Question

I don't listen to much classical; however, I recently found this beautiful work by Chopin. I am wondering if you could help me explain a particularly amazing moment in the piece. Please refer to ...
2
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2answers
33 views

Determining roman numeral notation

I am just starting to learn music theory so if I'm making an obvious mistake, forgive me. Given the chord progression D major B♭ major F major C major, I have assumed that it is in the key of F major ...
2
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2answers
53 views

Analyzed editions of classic piano sheet music? [closed]

I wonder if there exists such kind of editions: with the chords written down together with their function in roman numerals, the structure of the piece, the analysis, etc. More precisely, I'm looking ...
7
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1answer
3k views

Franz Liszt Liebestraum No. 3 Bar 17 Roman Numeral Analysis

I'm going through Liszt's Liebestraum No. 3 in Ab M.... in bar 17, I don't know how to mark the A natural chord. It's either a #1 or the song has modulated to the natural minor, in which case it would ...
1
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1answer
197 views

Questions on writing a Roman-numeral analysis

In bar one, should I write chord I twice or should I write I_________ Also, in bar 3, am I right if I added chord symbols to each of the last three notes or should I add it to only one?
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2answers
63 views

Rules for naming borrowed chords in roman numeral analysis

I don't seem to find an extensive resource on how to name out of scale chords in roman numeral analysis. E.g. let's look at this piece from "All imperfect things" of Michael Nyman: I'm stuck on M5 ...
1
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2answers
119 views

Analysis of blues chords

I have doubts about some chords in this sequence: ||: Eb7 | Ab7 | Eb7 | Eb7 | | Ab7 | Ab7/A6 | Eb7 | C7 | | F7 | Bb7 | Eb7/C7 | F7/Bb7 ...
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3answers
4k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
3
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2answers
548 views

Strikethrough and Roman numeral analysis in Schoenberg

I've bumped into this very brief analysis in Structural Function of Harmony by Schoenberg and I've found that strikethrough V. Now, the chord is an D diminished seventh chord, leading to the dominant ...
10
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4answers
3k views

What is bad about Roman Numeral Analysis?

I have studied roman numeral analysis in my theory courses and I think that it's a good way of describing and understanding classical music, especially that of the classical and early romantic periods....
3
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1answer
64 views

Difference between iii/IV and vi in analysis?

I am trying to follow along this music theory video. The song analyzed is Merry Christmas Mr.Lawrence by Ryuichi Sakamoto. The main chord progression is IV - iii/IV - iii - vi - V7 My question is ...
7
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3answers
320 views

Is this really better analyzed in G minor than in Bb?

So I have been analysing Rondo a Capriccio by Beethoven and I reached a point where a so called "expert's" opinion and mine differ drastically. It starts at bar 57 and continues to bar 68. After the ...
1
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1answer
51 views

Do “Thriller” and “I do like to be beside the seaside” share thematic material?

Rod Temperton was born in Cleethorpes, a seaside town on the east coast of the UK. He also wrote the song Thriller for Michael Jackson. Bearing these two facts in mind, it struck me there was a ...
5
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2answers
2k views

How to find an analysis of a classical piece in the internet

I'm a passionate non-professional musician and I find it extremely helpful to know something more about the pieces I practice. I tried to find musical analyses (formal, rhythmical, melodical) in the ...
3
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1answer
361 views

Analyzing Ryuichi Sakamoto “Merry Christmas, Mr. Laurence”

The original song is not in C Maj key but the sheet I Have is in C Maj so let just see as the key is in C maj (The [B] part starts 1:50) How does the Gm (Vm) come ...
2
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3answers
814 views

Symmetry Instead of Tonality

I have read about a different approach to music, the symmetrical approach of analyzing, that was after I listened to a the jazz standard Giant Steps and heard that the technique that is used in the ...
0
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3answers
176 views

How should background music be used in documentary video? [closed]

I wonder how background music should be used during a video on a complicate topic and requires some analysis. I think that: If it's about giving information, then having background music can increase ...
1
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1answer
66 views

Analysing harmony in music [closed]

I've read books like Theory of Harmony, Tonal Harmony, The Complete Musician, and just started reading structural functions of harmony. But I still find myself confused on those weird out-of-key ...
0
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2answers
89 views

Are there objective, unambiguous ways that the level of similarity of two bits of music can be measured?

I am not sure if this kind of question is on-topic or not. I just heard the soundtrack used in Scott Manley's recent video SpaceX Radarsat Launch Highlights (fairly quiet sound level) with the notes ...
1
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2answers
186 views

What are these non-chord tones in the Jackson Five's “Want you Back”?

for example could u play a neighbour tone twice or got from a chord tone to an nct then to another nct. I was looking at jackson 5's want you back and this appeared to be the case this is written in ...
5
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4answers
744 views

Can this note be analyzed as a non-chord tone?

I know that post-tonal and popular music can't always be analyzed through the same methods as the Common Practice Period, but I still like to see how people would try analyzing things. This is a ...
3
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2answers
78 views

Are these upper voices in this final passage from Handel a bona fide F7 chord or some kind of non-chord tones?

Handel. Preludes, Air, and Lesson... http://hz.imslp.info/files/imglnks/usimg/e/e8/IMSLP12246-Handel_-_Preludes,Air%26_Lesson.pdf EDIT I was complete off the mark with this. The only excuse I can ...
7
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1answer
102 views

What is the utility of Schenkerian analysis?

I have seen that Schenkerian analysis is a method of analyzing tonal music distinct from the usual one which employs roman numerals for the degrees, specifies the inversions, the functions, etc. ...
2
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3answers
167 views

Analysis: How to determine what scale/mode a score uses

I'm learning music theory with the hopes of being able to analyze sheet music. My question is -- What if the piece I am analyzing is in some other mode than major or minor? Or even stranger, like ...
0
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1answer
51 views

What is my voice classification from D2-A4 [closed]

I’m 21, been singing since I was around 16 or 17. I use to struggle up to E4 above middle C. As the years went by , I’ve mastered singing from C4-F#4 around 20. Just recently I’ve found it easier to ...
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3answers
314 views

What type of cadence is this?

What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
2
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1answer
79 views

Bar number featuring this tone row by Schoenberg in the sheet music [closed]

Given is an image of the tone row used by Schoenberg in his Variations for Orchestra op. 31. This is what was given in a music theory workbook. I found the sheet music for the Schoenberg piece. But ...
2
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2answers
118 views

Rationalizing this chord progression (I7-iii-IV)

Trying to expand my harmonic palette here, and came across this song. Chorus of Stevie Wonder's "Don't You Worry 'Bout a Thing" (in E♭ minor, but temporary shift to ...
1
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6answers
301 views

Analysis of the progression: Dm, G, C, F, Bb, E, Am, A

I've been trying to analyze the progression: Dm, G, C, F, Bb, E, Am, A. The best I could come up with is ii, V, I, IV, bVII, V/vi, vi, V/ii in C major. I considered the Bb to be the VII from the ...
10
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1answer
3k views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
11
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5answers
3k views

How would this chord from “Rocket Man” be analyzed?

[Chorus:] Bb Eb And I think it's gonna be a long, long time Bb 'Till touch down brings me roung again to find ...
6
votes
2answers
809 views

Are there any thematic similarities between Shostakovichs' Symphony 5th and Beethovens' 7th symphony? [closed]

Taking a look at the opening bars of Shostakovichs' Symphony 5th and Beethovens' 7th symphony 4th movement (bar 136 onwards) see below they sound kind of similar. Somebody suggested (Radio 3 I think)...
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1answer
62 views

Is Nirvana's 'Aero Zeppelin' intro in Locrian mode?

The song 'Aero Zeppelin' by Nirvana (see here for Youtube video link) begins with a calmer introduction that has a 'creepy' feeling, due to the occurrence of the tritone. I have tried to analyse the ...
5
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4answers
368 views

How exactly tell the root of a song over a defined scale on ambiguous harmonic context?

I play a song in either C major key or A minor key. Usually I determine the root (C or A) taking into account clues like: The happy or sad feel of it all The first chord (C or Am) Stereotypical ...
3
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3answers
209 views

How is this chord from Liebestraum No. 3 analyzed?

I'm trying to analyze the ending chord progressions to Liszt's Liebestraum No. 3. The piece is in Ab-major. The chord in the second half of measure 73 is a D diminished triad. This would appear to ...
-8
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1answer
233 views

Jaws vs. Dvorak [closed]

There is a worldwide-viral debate involving the Jaws theme as if it is a "rip-off" of the finale of Dvorak's Ninth Symphony. Some say if the theme is sampled from Dvorak. Did John Williams really ...
2
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1answer
74 views

How can this triad from the song “Believe” be analyzed?

I heard this song "Believe" recently, and the Eb major chord stood out to me. The song is in E major, so I'm wondering how that Eb triad can be looked at. Even if it was spelt as a D# major triad, it ...
1
vote
2answers
101 views

How can the intro to the song “If I Fell” be analyzed?

The introduction to this song by The Beatles starts off in the key of Eb minor. I'm trying to figure out how to analyze these chords. The first chord would be i, the D major chord I'm unsure about, ...
5
votes
1answer
963 views

What is the proper chord interpretation for the intro to Stairway to Heaven?

The opening sequence in Stairway to Heaven is an A minor chord followed by something strange followed by C/G, D/F#, and Fmaj7. I've seen the second chord notated as Am/G#, G#aug, and even Am/maj7/add2....
0
votes
1answer
161 views

Why is the vi chord so popular? [closed]

In a major scale, I understand why the I IV V are the most popular chords mainly due to their diatonic functions and they also harmonize the entirety of the scale as they are the primary triads. I ...
0
votes
1answer
65 views

Chord progression analysis in Blur's 'Sing' from the film Trainspotting [closed]

I like this progression by Blur that was in Trainspotting and I tried to figure out what the relationship between the chords are and what key they are in: G-B-E-G A-C#-F# B-D-F# I tried a reverse ...