Questions tagged [analysis]

For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.

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0answers
58 views

How objective is the structure of a notated piece of music? [closed]

How objective can the analysis of a notated piece of music into a hierarchical structure of some "constituents" be? Consider a given piece of music in notated form and structurally analysed by ...
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0answers
60 views

analysis of The Man Who Sold the World

So because I looked at the sheet music I assume the home key is either F or D minor. I understand the basics of using Roman numerals I'm just not sure if D minor should be i or F should be I. It seems ...
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1answer
74 views

Analysis — what key is this segment in? [closed]

I dabble with my piano sometimes—at a beginner level, as you will see. I just improvised this sound today, and now I was thinking what key it might be in. I wanted to say G minor, but that uses B-...
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4answers
3k views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
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2answers
62 views

Functional harmony analysis question

I am looking at the song “Redemption Song” by Bob Marley and trying to analyze it. It seems to be in the key of G. The verse has the I IV ii and vi in a 4 bar loop. The third time through the 4 bar ...
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1answer
63 views

Need help analysing song

Newbie here and just stared analysing songs I came across this tune that has the following chord progression Dmaj7 Dmaj7 | Fmaj7 Fmaj7 | F#m F | D D The song seems to resolve on an A but doesnt ...
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1answer
44 views

What is the chord of the second bar of KV310/1

The score of the beginning first movement of Mozart's KV310 sonate can be seen and heard here. The first bar is the chord a minor, but what about the second bar (mi sol# si re la)?
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5answers
684 views

How should I analyze this passage? As vii°7, V7, or both?

So, I'm doing another Beethoven analysis, this time using the Liszt transcription of Beethoven's Fifth so that I can more easily see the harmonies and form. I am analyzing it passage by passage, first ...
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1answer
179 views

Intro of A Whiter Shade of Pale: is my analysis of chords correct?

I wonder about 2 points in this intro (I can ask them in to different questions if desired) I'm not sure whether I hear this progression correct ... The beginning ...
2
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1answer
44 views

I could use some help analyzing a transcription I made of the disciples 2 menu theme

I've been transcribing some songs recently, however I feel that I am somewhat limited in actually approaching the analysis of the songs after I have transcribed them. I have attached a photo of my ...
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2answers
112 views

How would these chords from “Christmas Time Is Here” be analyzed?

I'm wondering how to go about analyzing some of the chords from this piece. I have a lot of tonal harmony knowledge, but am a little limited in my knowledge of jazz theory. However, I'd love to hear ...
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2answers
86 views

I need help understanding how to assign roman numerals to a key as well as how to do a melodic analysis [closed]

Here is the link to the questions: https://scontent.fybz2-1.fna.fbcdn.net/v/t1.15752-9/s2048x2048/76767498_631590154044645_5429312693389492224_n.jpg?_nc_cat=108&_nc_ohc=...
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5answers
791 views

The Meaning of a Musical Idea

If there are multiple valid interpretations of a piece of music, but the composer of the music states that only one of those interpretations is what they intended, are other interpretations still ...
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2answers
51 views

the meaning of figure-work in the musical field perhaps with examples

Reading the book The creative development or f Johann Sebastian Bach I happen to come across the term figure-work when the author analyzes pieces by the great musician.
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4answers
106 views

What is this chord in Grande Valse Brilliante?

The chord circled in red is what I am asking about. I know that in the measure before, there is a diminished seventh chord. I'm certain that this is a dominant function chord(or at least, locally to ...
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4answers
459 views

Characteristic scale degrees

Came across an article at openMsicTheory.com about harmonic function. Below excerpt was about finding function of a chord Each of the three harmonic functions — tonic (T), subdominant (S), and ...
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1answer
391 views

How does one identify leitmotifs in Wagner's Ring cycle?

How does one go about identifying leitmotifs in Wagner's Ring cycle? My usual strategy is: I just know a bunch of them from repeated listening. I open one of the online repositories such as this one ...
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3answers
126 views

Are there objective, unambiguous ways that the level of similarity of two bits of music can be measured?

I am not sure if this kind of question is on-topic or not. I just heard the soundtrack used in Scott Manley's recent video SpaceX Radarsat Launch Highlights (fairly quiet sound level) with the notes ...
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0answers
63 views

Sources for analysis of Bach fugues?

I've been working on Bach's Sonata #1 for Solo Violin (BWV 1001) and I have concluded that I would benefit from some sort of analysis of the Fugue. In particular, something that shows every point and ...
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3answers
252 views

How could the medieval chants be classified before any notation was available?

We all have in mind the image of a medieval mode as a scale with a pattern of tones and semitones with a finalis, a specific range, etc. However, it seems that medieval chants were classified ...
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5answers
1k views

Features of a Coda section

I came across a question in a music theory book, which asked about explaining why bars 30-36 in the following music extract could be considered as a Coda. The extract is from Prelude in C minor by ...
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4answers
414 views

What is an altered chord?

A chord can be altered in many ways, but not all alterations make a chord an "altered" chord. Which alterations actually make a chord an altered chord? Do altered chords have special notation?
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3answers
185 views

Unintentional plagiarism while composing

I have recently started composing using some knowledge that I got after a few months of studying counterpoint and harmony (well it is more like trying to compose). And I have mentioned that quite ...
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4answers
105 views

Is Counterpoint always possible?

I've searched for this question online many times, but never found anything close to an answer: Given a cantus firmus, is it always possible to do counterpoint with it? The rules don't appear to ...
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2answers
74 views

Augmented triad in Pathetique Sonata? How does it function?

I analyzed the harmony of the Pathetique Sonata as you already know, but one thing about the harmony in the first movement made me curious. No, not unconfirmed modulation or anything like that. No, it ...
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1answer
39 views

Development section in a fugue

How to distinguish between the 'subject' and 'answer' in the development (modulatory) section of a fugue?
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2answers
99 views

Rootless chords in Beethoven sonata?

Okay, I came across a bit of a wrinkle in the paper as I analyzed the third movement of Beethoven's Sonata Pathetique. It has to do with this passage in the C section(which is in Ab major): For those ...
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2answers
70 views

Ballades (Chopin) Harmony Question

I don't listen to much classical; however, I recently found this beautiful work by Chopin. I am wondering if you could help me explain a particularly amazing moment in the piece. Please refer to ...
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2answers
44 views

Determining roman numeral notation

I am just starting to learn music theory so if I'm making an obvious mistake, forgive me. Given the chord progression D major B♭ major F major C major, I have assumed that it is in the key of F major ...
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2answers
57 views

Analyzed editions of classic piano sheet music? [closed]

I wonder if there exists such kind of editions: with the chords written down together with their function in roman numerals, the structure of the piece, the analysis, etc. More precisely, I'm looking ...
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1answer
3k views

Franz Liszt Liebestraum No. 3 Bar 17 Roman Numeral Analysis

I'm going through Liszt's Liebestraum No. 3 in Ab M.... in bar 17, I don't know how to mark the A natural chord. It's either a #1 or the song has modulated to the natural minor, in which case it would ...
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1answer
218 views

Questions on writing a Roman-numeral analysis

In bar one, should I write chord I twice or should I write I_________ Also, in bar 3, am I right if I added chord symbols to each of the last three notes or should I add it to only one?
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2answers
75 views

Rules for naming borrowed chords in roman numeral analysis

I don't seem to find an extensive resource on how to name out of scale chords in roman numeral analysis. E.g. let's look at this piece from "All imperfect things" of Michael Nyman: I'm stuck on M5 ...
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2answers
128 views

Analysis of blues chords

I have doubts about some chords in this sequence: ||: Eb7 | Ab7 | Eb7 | Eb7 | | Ab7 | Ab7/A6 | Eb7 | C7 | | F7 | Bb7 | Eb7/C7 | F7/Bb7 ...
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3answers
4k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
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2answers
583 views

Strikethrough and Roman numeral analysis in Schoenberg

I've bumped into this very brief analysis in Structural Function of Harmony by Schoenberg and I've found that strikethrough V. Now, the chord is an D diminished seventh chord, leading to the dominant ...
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4answers
3k views

What is bad about Roman Numeral Analysis?

I have studied roman numeral analysis in my theory courses and I think that it's a good way of describing and understanding classical music, especially that of the classical and early romantic periods....
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1answer
70 views

Difference between iii/IV and vi in analysis?

I am trying to follow along this music theory video. The song analyzed is Merry Christmas Mr.Lawrence by Ryuichi Sakamoto. The main chord progression is IV - iii/IV - iii - vi - V7 My question is ...
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3answers
342 views

Is this really better analyzed in G minor than in Bb?

So I have been analysing Rondo a Capriccio by Beethoven and I reached a point where a so called "expert's" opinion and mine differ drastically. It starts at bar 57 and continues to bar 68. After the ...
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1answer
55 views

Do “Thriller” and “I do like to be beside the seaside” share thematic material?

Rod Temperton was born in Cleethorpes, a seaside town on the east coast of the UK. He also wrote the song Thriller for Michael Jackson. Bearing these two facts in mind, it struck me there was a ...
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2answers
2k views

How to find an analysis of a classical piece in the internet

I'm a passionate non-professional musician and I find it extremely helpful to know something more about the pieces I practice. I tried to find musical analyses (formal, rhythmical, melodical) in the ...
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1answer
471 views

Analyzing Ryuichi Sakamoto “Merry Christmas, Mr. Laurence”

The original song is not in C Maj key but the sheet I Have is in C Maj so let just see as the key is in C maj (The [B] part starts 1:50) How does the Gm (Vm) come ...
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3answers
842 views

Symmetry Instead of Tonality

I have read about a different approach to music, the symmetrical approach of analyzing, that was after I listened to a the jazz standard Giant Steps and heard that the technique that is used in the ...
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3answers
226 views

How should background music be used in documentary video? [closed]

I wonder how background music should be used during a video on a complicate topic and requires some analysis. I think that: If it's about giving information, then having background music can increase ...
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1answer
73 views

Analysing harmony in music [closed]

I've read books like Theory of Harmony, Tonal Harmony, The Complete Musician, and just started reading structural functions of harmony. But I still find myself confused on those weird out-of-key ...
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2answers
197 views

What are these non-chord tones in the Jackson Five's “Want you Back”?

for example could u play a neighbour tone twice or got from a chord tone to an nct then to another nct. I was looking at jackson 5's want you back and this appeared to be the case this is written in ...
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4answers
756 views

Can this note be analyzed as a non-chord tone?

I know that post-tonal and popular music can't always be analyzed through the same methods as the Common Practice Period, but I still like to see how people would try analyzing things. This is a ...
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2answers
90 views

Are these upper voices in this final passage from Handel a bona fide F7 chord or some kind of non-chord tones?

Handel. Preludes, Air, and Lesson... http://hz.imslp.info/files/imglnks/usimg/e/e8/IMSLP12246-Handel_-_Preludes,Air%26_Lesson.pdf EDIT I was complete off the mark with this. The only excuse I can ...
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1answer
116 views

What is the utility of Schenkerian analysis?

I have seen that Schenkerian analysis is a method of analyzing tonal music distinct from the usual one which employs roman numerals for the degrees, specifies the inversions, the functions, etc. ...
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3answers
266 views

Analysis: How to determine what scale/mode a score uses

I'm learning music theory with the hopes of being able to analyze sheet music. My question is -- What if the piece I am analyzing is in some other mode than major or minor? Or even stranger, like ...