Questions tagged [analysis]

For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.

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1answer
3k views

Franz Liszt Liebestraum No. 3 Bar 17 Roman Numeral Analysis

I'm going through Liszt's Liebestraum No. 3 in Ab M.... in bar 17, I don't know how to mark the A natural chord. It's either a #1 or the song has modulated to the natural minor, in which case it would ...
1
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1answer
182 views

Questions on writing a Roman-numeral analysis

In bar one, should I write chord I twice or should I write I_________ Also, in bar 3, am I right if I added chord symbols to each of the last three notes or should I add it to only one?
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2answers
59 views

Rules for naming borrowed chords in roman numeral analysis

I don't seem to find an extensive resource on how to name out of scale chords in roman numeral analysis. E.g. let's look at this piece from "All imperfect things" of Michael Nyman: I'm stuck on M5 ...
0
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2answers
105 views

Analysis of blues chords

I have doubts about some chords in this sequence: ||: Eb7 | Ab7 | Eb7 | Eb7 | | Ab7 | Ab7/A6 | Eb7 | C7 | | F7 | Bb7 | Eb7/C7 | F7/Bb7 ...
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3answers
4k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
3
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2answers
527 views

Strikethrough and Roman numeral analysis in Schoenberg

I've bumped into this very brief analysis in Structural Function of Harmony by Schoenberg and I've found that strikethrough V. Now, the chord is an D diminished seventh chord, leading to the dominant ...
10
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4answers
3k views

What is bad about Roman Numeral Analysis?

I have studied roman numeral analysis in my theory courses and I think that it's a good way of describing and understanding classical music, especially that of the classical and early romantic periods....
3
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1answer
51 views

Difference between iii/IV and vi in analysis?

I am trying to follow along this music theory video. The song analyzed is Merry Christmas Mr.Lawrence by Ryuichi Sakamoto. The main chord progression is IV - iii/IV - iii - vi - V7 My question is ...
6
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3answers
307 views

Is this really better analyzed in G minor than in Bb?

So I have been analysing Rondo a Capriccio by Beethoven and I reached a point where a so called "expert's" opinion and mine differ drastically. It starts at bar 57 and continues to bar 68. After the ...
1
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1answer
50 views

Do “Thriller” and “I do like to be beside the seaside” share thematic material?

Rod Temperton was born in Cleethorpes, a seaside town on the east coast of the UK. He also wrote the song Thriller for Michael Jackson. Bearing these two facts in mind, it struck me there was a ...
5
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2answers
2k views

How to find an analysis of a classical piece in the internet

I'm a passionate non-professional musician and I find it extremely helpful to know something more about the pieces I practice. I tried to find musical analyses (formal, rhythmical, melodical) in the ...
3
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1answer
317 views

Analyzing Ryuichi Sakamoto “Merry Christmas, Mr. Laurence”

The original song is not in C Maj key but the sheet I Have is in C Maj so let just see as the key is in C maj (The [B] part starts 1:50) How does the Gm (Vm) come ...
2
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3answers
783 views

Symmetry Instead of Tonality

I have read about a different approach to music, the symmetrical approach of analyzing, that was after I listened to a the jazz standard Giant Steps and heard that the technique that is used in the ...
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3answers
166 views

How should background music be used in documentary video? [closed]

I wonder how background music should be used during a video on a complicate topic and requires some analysis. I think that: If it's about giving information, then having background music can increase ...
1
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1answer
58 views

Analysing harmony in music [closed]

I've read books like Theory of Harmony, Tonal Harmony, The Complete Musician, and just started reading structural functions of harmony. But I still find myself confused on those weird out-of-key ...
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2answers
89 views

Are there objective, unambiguous ways that the level of similarity of two bits of music can be measured?

I am not sure if this kind of question is on-topic or not. I just heard the soundtrack used in Scott Manley's recent video SpaceX Radarsat Launch Highlights (fairly quiet sound level) with the notes ...
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2answers
178 views

What are these non-chord tones in the Jackson Five's “Want you Back”?

for example could u play a neighbour tone twice or got from a chord tone to an nct then to another nct. I was looking at jackson 5's want you back and this appeared to be the case this is written in ...
5
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4answers
737 views

Can this note be analyzed as a non-chord tone?

I know that post-tonal and popular music can't always be analyzed through the same methods as the Common Practice Period, but I still like to see how people would try analyzing things. This is a ...
3
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2answers
74 views

Are these upper voices in this final passage from Handel a bona fide F7 chord or some kind of non-chord tones?

Handel. Preludes, Air, and Lesson... http://hz.imslp.info/files/imglnks/usimg/e/e8/IMSLP12246-Handel_-_Preludes,Air%26_Lesson.pdf EDIT I was complete off the mark with this. The only excuse I can ...
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1answer
95 views

What is the utility of Schenkerian analysis?

I have seen that Schenkerian analysis is a method of analyzing tonal music distinct from the usual one which employs roman numerals for the degrees, specifies the inversions, the functions, etc. ...
2
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3answers
119 views

Analysis: How to determine what scale/mode a score uses

I'm learning music theory with the hopes of being able to analyze sheet music. My question is -- What if the piece I am analyzing is in some other mode than major or minor? Or even stranger, like ...
0
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1answer
46 views

What is my voice classification from D2-A4 [closed]

I’m 21, been singing since I was around 16 or 17. I use to struggle up to E4 above middle C. As the years went by , I’ve mastered singing from C4-F#4 around 20. Just recently I’ve found it easier to ...
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3answers
310 views

What type of cadence is this?

What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
2
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1answer
78 views

Bar number featuring this tone row by Schoenberg in the sheet music [closed]

Given is an image of the tone row used by Schoenberg in his Variations for Orchestra op. 31. This is what was given in a music theory workbook. I found the sheet music for the Schoenberg piece. But ...
2
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2answers
102 views

Rationalizing this chord progression (I7-iii-IV)

Trying to expand my harmonic palette here, and came across this song. Chorus of Stevie Wonder's "Don't You Worry 'Bout a Thing" (in E♭ minor, but temporary shift to ...
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6answers
246 views

Analysis of the progression: Dm, G, C, F, Bb, E, Am, A

I've been trying to analyze the progression: Dm, G, C, F, Bb, E, Am, A. The best I could come up with is ii, V, I, IV, bVII, V/vi, vi, V/ii in C major. I considered the Bb to be the VII from the ...
10
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1answer
3k views

Harmonic analysis of the B section of “Have You Met Miss Jones”

I've been studying the standard Have You Met Miss Jones and I came across a very interesting chord progression in the B section of the piece. The A section is pretty typical and the key it's in is F ...
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5answers
3k views

How would this chord from “Rocket Man” be analyzed?

[Chorus:] Bb Eb And I think it's gonna be a long, long time Bb 'Till touch down brings me roung again to find ...
6
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2answers
802 views

Are there any thematic similarities between Shostakovichs' Symphony 5th and Beethovens' 7th symphony? [closed]

Taking a look at the opening bars of Shostakovichs' Symphony 5th and Beethovens' 7th symphony 4th movement (bar 136 onwards) see below they sound kind of similar. Somebody suggested (Radio 3 I think)...
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1answer
59 views

Is Nirvana's 'Aero Zeppelin' intro in Locrian mode?

The song 'Aero Zeppelin' by Nirvana (see here for Youtube video link) begins with a calmer introduction that has a 'creepy' feeling, due to the occurrence of the tritone. I have tried to analyse the ...
5
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4answers
362 views

How exactly tell the root of a song over a defined scale on ambiguous harmonic context?

I play a song in either C major key or A minor key. Usually I determine the root (C or A) taking into account clues like: The happy or sad feel of it all The first chord (C or Am) Stereotypical ...
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3answers
148 views

How is this chord from Liebestraum No. 3 analyzed?

I'm trying to analyze the ending chord progressions to Liszt's Liebestraum No. 3. The piece is in Ab-major. The chord in the second half of measure 73 is a D diminished triad. This would appear to ...
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1answer
185 views

Jaws vs. Dvorak [closed]

There is a worldwide-viral debate involving the Jaws theme as if it is a "rip-off" of the finale of Dvorak's Ninth Symphony. Some say if the theme is sampled from Dvorak. Did John Williams really ...
2
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1answer
73 views

How can this triad from the song “Believe” be analyzed?

I heard this song "Believe" recently, and the Eb major chord stood out to me. The song is in E major, so I'm wondering how that Eb triad can be looked at. Even if it was spelt as a D# major triad, it ...
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2answers
73 views

How can the intro to the song “If I Fell” be analyzed?

The introduction to this song by The Beatles starts off in the key of Eb minor. I'm trying to figure out how to analyze these chords. The first chord would be i, the D major chord I'm unsure about, ...
5
votes
1answer
933 views

What is the proper chord interpretation for the intro to Stairway to Heaven?

The opening sequence in Stairway to Heaven is an A minor chord followed by something strange followed by C/G, D/F#, and Fmaj7. I've seen the second chord notated as Am/G#, G#aug, and even Am/maj7/add2....
0
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1answer
159 views

Why is the vi chord so popular? [closed]

In a major scale, I understand why the I IV V are the most popular chords mainly due to their diatonic functions and they also harmonize the entirety of the scale as they are the primary triads. I ...
0
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1answer
60 views

Chord progression analysis in Blur's 'Sing' from the film Trainspotting [closed]

I like this progression by Blur that was in Trainspotting and I tried to figure out what the relationship between the chords are and what key they are in: G-B-E-G A-C#-F# B-D-F# I tried a reverse ...
5
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4answers
3k views

Looking for software that checks for voice leading mistakes in MIDI, MusicXML, or MuseScore formats [closed]

I've been learning voice leading with a mixture of on-line classes and some reading. Receiving feedback for exercises can be troublesome sometimes. I was thinking if there is a way to cut that ...
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0answers
28 views

Analysis questions about a transcription I made (Jade's Desert - Mortal Kombat Trilogy OST)

I transcribed this song recently and I wanted some insight for analyzing it. It seems to me that it is a diminished riff, using some tritones and chromatic stuff and major seconds. However, beyond ...
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1answer
93 views

How can one analyze this chord progression from “Vienna” by Billy Joel?

I'm wondering how to best go about analyzing this chord progression from the Billy Joel classic, "Vienna". The song is in Bb-Major. The first chord is an augmented I chord (I+), which seems strange. ...
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0answers
29 views

I could use some help analyzing a transcription I made of the disciples 2 menu theme

I've been transcribing some songs recently, however I feel that I am somewhat limited in actually approaching the analysis of the songs after I have transcribed them. I have attached a photo of my ...
3
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1answer
70 views

Questions on the harmonic analysis of Pixar's Up Main Theme

First time doing harmonic analysis. This is the piece https://musescore.com/user/1596896/scores/715646 The key signature indicates F major, but I feel like the composer plays around with the ...
2
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2answers
69 views

What is the music theory behind the ending to this Chopin Etude?

Chopin Etude Op. 10 No. 3: I'm wondering about how to best analyze the final 3 measures. This piece simply ends on the I chord over the final 3 measures. Would ...
5
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3answers
583 views

How to name a b7 chord

Whilst it's usual to name a D major chord (in key C) as V/V - the dominant of the dominant - is it legitimate to call Bb (b7) IV/IV - the subdominant of the subdominant? Another justification is of ...
7
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1answer
313 views

Roman Numeral Treatment of Suspensions

My question today stems from me having difficulty assigning a roman numeral to a chord which either has a suspension (please see below) Or when there is melodic motion in the bass (please see below) ...
2
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2answers
45 views

Analyzing Tschaikowsky's “Wintermorgen”

At the beginning of the first measure there is a chord with the notes of Eb, G, C#, and G. What is this chord? I suppose that the song is in B minor and I can't find any chords even in Modal ...
3
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4answers
186 views

Looking for some advice for note taking to replace sheet music

I can always play from sheet music better than I play by memory for the most part. I'm learning "kiss the rain" by yiruma which isn't hard at all - very simple but yet it is still pretty hard to ...
2
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1answer
59 views

Does Tchaikovsky's Sleeping Beauty modulate to the relative minor?

There's a part of Tchaikovsky's Sleeping Beauty that I like. And I was wondering if I'm right as far as the theory goes: Measures 156-159 is in the relative key of G minor, and ends on this key. ...
1
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1answer
108 views

Composition of Cowell's “rhythmic key changes”

I'm currently reading Henry Cowell's New Musical Resources and On page 98, Section 6,(TEMPO) in part 2 (RHYTHM), is a paragraph of for instances. Directly, I'm grappling with the SECOND FOR INSTANCE ....