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Questions tagged [analysis]

For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.

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2
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2answers
194 views

Mists of Pandaria ambiguous and aggressive tonality

I've been trying to analyze Heart of Pandaria by Russel Brower which is a World of Warcraft song, And I'm having problem decoding what chords are being used to create a surprise and aggression in 00:...
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3answers
14k views

How do I determine the chord progression Roman numerals?

Let's say I'm playing the chords D, G, A and Bm. I know that D is my key, which would be Roman numeral I. How do I associate the other chords with their proper roman numerals? How would I determine ...
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Roman numerals analysis

I'm studying music theory in https://www.musictheory.net I have reach a point where the roman numeral analysis is explained. A couple of lessons later, I found the next image: I really can't make ...
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2answers
4k views

Why is Mozart's Turkish March considered a rondo?

I read on Wikipedia Mozart's Turkish March has the form A-B-C-D-E-C-A-B-C But I read in my textbook Listening to Music by Craig Wright that a rondo form is supposed to have more "symmetrical ...
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2answers
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Analysis of Greensleeves

I had a go at chording out GreenSleeves today: (EDIT: Revised image, thanks ℵ₀) This is very exciting, as it is completely off my map. Here be dragons! The central section (m9-12) looks like a IV ->...
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1answer
999 views

What is the difference between grouping overlaps and elisions?

I am reading "A Generative Theory of Tonal Music" by F. Lerdahl and R. Jackendoff and I don't understand the difference between grouping overlaps and elisions (this is explained in section 3.4). The ...
6
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2answers
2k views

Harmonic analysis of “Walk this Way” by Aerosmith

I'm trying to do harmonic analysis of "Walk this Way" by Aerosmith. Verses and choruses uses I to IV progression, but I wonder about the riff in the bridge. It seem to be played in the E key. Joe ...
2
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2answers
1k views

What is a Schenkerian graph?

I just started reading Audacious Euphony: Chromaticism and the Triads Second Nature pretty early on it mentioned Schenkerian graphs and put them in the same group of analysis as Roman Numeral ...
6
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3answers
2k views

Why does the IV - V♯ - I chord progression work so well?

The song Long Away by Queen does this, but it's a pattern you'll probably find in many songs. Basically, I've noticed that when moving from IV to I, a V♯ or V♯maj7 chord is sometimes used as a ...
4
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2answers
1k views

Why D sharp not E flat in Turkish March

I'm analyzing Mozart's Turkish March piece for the piano. As I see in measure 18 the harmony is F7 (fourth) with minor seven. Assuming it is a minor seven because the harmony is F7 why they thought ...
2
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2answers
418 views

B - F - A chord in the key of C major

It was published in 1891 so I guess the harmony is based on common practice era music. There is one exercise (in C major) that I can play but I just don't really know how to understand it ...
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3answers
247 views

Does this cadence have a name?

The cadence on the fermata in this (simplified) example sounds familiar to me (in blue): Since it does, I suppose it possibly has a name. My best guesses trying to analyze it so far are: half ...
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2answers
4k views

Why play out of scale notes as part of a chord?

So, I'm learning 'Stray Cat Strut' right now and came across something I'm not sure I understood. I have to say, I've only just begun to learn theory, so maybe that's why. Anyway, as far as I can ...
3
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2answers
184 views

Chord progression in Brangane's warning

I have been interested for quite some time in the harmonic progression in Brangane's warnings in the second act of Wagner's Tristan und Isolde. My question: how can one analyze the chord progression ...
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3answers
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Why does the chord progression Gmaj - F#maj - Amaj sound the way it does?

I really like the chord progression Gmaj - F#maj - Amaj ... (I think it can be written I, VII, II)? While all the chords are major, there is some sadness about it. What is the story behind this ...
7
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5answers
2k views

Why does this progression sound good, even if it not resolve to the root?

I'm trying to learn some music theory. I'm interested in the magic of chord progression, and how little changes can make a dramatic change in the feeling. Anyway, I suppose that a progression moving ...
7
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3answers
7k views

Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
15
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5answers
6k views

Score analysis: Minuet in G Minor BWV Anh 115

The piece modulates from G minor to Bb major between the bars 12-14 but I don't know how to mark these chords as they have B natural in them, which doesn't belong neither to G minor nor Bb major. So, ...
2
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2answers
202 views

Modulation via a major chord, then another major chord a half step down

In Nick Cave's "Darker With The Day", there's a modulation at the end of the chorus which sounds very good (to me), but I don't understand why it works. The verse is more or less in G major: GM ...
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2answers
141 views

What is the name of a description of a pattern of motives?

I have to describe short melodies composed by beginner students. They are typically just a few bars long, and are composed bar by bar, so most of the times there is a 1-to-1 correspondence between bar ...
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2answers
218 views

Role of Dominant 7th chord in particular progressions

Examining this progression in F: | F | A7 | Dm7 | Bb, Bbm | | F, E7 | Gm7, C7 | F, D7 | Gm7, C7 | In the fifth measure I really don't understand what role has the E7 chord because I can't ...
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3answers
2k views

Why is this progressions described as i/5 - bVI?

Basic question, I understand the ideas of modes and that there are 7 corresponding keys within each major/minor scale, but I'm trying to learn what exactly is meant when the chord progression is ...
0
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2answers
325 views

Score analysis: Beethoven - Menuetto IV in F major (WoO9) at measure 4

I'm new to music and I'm trying to learn analysis, my question is, what chord is represented in the last bar of this excerpt? It has C in bass, so it could be a dominant chord, but rest of the notes ...
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1answer
706 views

Identifying Modulations in Roman Numeral Analysis

I've been working on this analysis as some of you may have seen in other questions. It's my first non-super basic analysis so I've been really really struggling. I've attached a scan of where I'm up ...
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5answers
2k views

Roman Numeral Analysis of Chords Outside Of The Key: C7 in the key of E major

I'm completing a roman numeral analysis in E Major, but there's several chords marked out that fall outside of the key - either with an accidental that shouldn't be there or they're marked as minor. ...
2
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2answers
281 views

How can I visualise the effects of EQ as a curvature represented on a graph?

I have just started diving into the magic world of EQ. Basically, I can hear what the effects are, and see them via a freq-analyser, however, what i'd really like is a way I can represent any sound ...
8
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5answers
1k views

chords in BWV 846

I have been doing chord analysis on BWV 846 (prelude). It is very interesting and I hope you can help me with some questions: I understand that doing chord analysis is good but what is the reason for ...
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5answers
2k views

“I-vi” in Major or “III-i” in Minor?

There are some progressions that seem to move back and forth between a major key and its relative minor, like the "I-vi" progression (C, Am for example, two measures each.) Most people would consider ...
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4answers
10k views

Roman numeral notation for a suspended chord?

On the Wikipedia entry for Roman numeral analysis, it says that major chords use the upper case numerals (e.g. IV for the F major chord in the C major scale) and lowercase letters for minor chords (e....
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1answer
91 views

Motifs in Bartók's 5th Quartet

I'm doing a motific analysis of the first movement of Bartók's 5th Quartet and I've traced almost everything. The only bit which bothers me occurs at bar 82, then again at bar 177 where it forms the ...
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2answers
274 views

Chord number notation for a minor song switching to a major sound

I have a song that I am using Roman numeral analysis for a song I have written. The first part based on D minor. The minor progression looks like this: I__ Isus __ VII Dm ...
2
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3answers
1k views

How to analyze chord progressions in tonal music?

I've been told that you have to analyze progressions according to the key at the end, despite how many keys/tonality that precede it. Is this true? If a composition contains one key in long duration,...
2
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3answers
590 views

What is the origin and advantages of this system of chord naming/ notation? e.g. G7 is major minor seventh not Dominant 7th

I've received a few emails through my website asking me what a major minor seventh chord was. At first I thought they had mixed up the sequence and were referring to the A-#7 chord (root chord of ...
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2answers
496 views

Software to analyse music for playability

Is there any software that can analyse instrumental parts for playability? I want to compose orchestral music, I know the ranges of the individual instruments, but do not know if what I compose is ...
9
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5answers
4k views

If A minor doesn't have any accidentals, is it still minor?

As part of a music course, we have to compose a 3 minute long piece based on a river's journey. Having finished the composition, we now have to write a set of sleeve notes - basically an analysis and ...
9
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4answers
2k views

Alternative Analysis for Non-Functioning Secondary Dominants

I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
5
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1answer
581 views

What do the numerator and denominator of a chord name in roman numerals mean?

I'm reading a paper on music theory and I keep coming across names of chords expressed as a fraction - I/I, I/V, ii/I, etc. Based on the use of these names in the paper, I'm reading this as: I/I: A ...
2
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2answers
662 views

Question about analyzing a Dm C A# chord progression

Say I play the chords Dm C A# How would you describe the chord progression? There seems to be a relationship between Dm and A# but I don't understand how to describe it. They aren't a perfect 5th ...
4
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1answer
3k views

Chords in Moonlight Sonata 1st movement

From here: In 1st measure - first chord - it's said that it is C#min (i) but there are C-C#-G. I thought it should be C#-E-G# why is it C#min (i) if there are C-C#-G?? In 3st measure - first ...
7
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2answers
427 views

Roman Analysis of “Ab B G” chord

I am currently analyzing a bit of music for homework which consists of four voices (string quartet). It is in the key of G Major, but the chord that it ends on, is a Ab on the cello, B on the Viola, ...
9
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2answers
10k views

Making sense of 5/4 time signatures

Normally, we're told that 5/4 is usually 3/4 + 2/4 or 2/4 + 3/4. (At the very least, it's unusual to have a meter that large without "secondary stress" beats.) However, how do we make sense of the ...
3
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2answers
3k views

Chord analysis of Rachmaninoff's Piano Concerto No.2 Movement 1 mm 86

I need help in analyzing the chords of Rachmaninoff's Piano Concerto No.2 measure 86. In the snippet below, the measure is encapsulated by a green box. . Score is from and can be found here. EDIT : ...
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2answers
5k views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
5
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1answer
455 views

What is the clearest way to signify the harmonic function of a polychord?

Chords can be analyzed with roman numerals to indicate function: C, Am, Dm, G I, vi, ii, V (or I, VI-, II-, V in jazz theory) And inversions may be analyzed by adding an arabic numeral indicating ...
3
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1answer
4k views

How to analyze and obtain useful information from a score

I'm a self taught musician. I have learned music theory, composition, and instrument performance by myself. I would like to improve my composition techniques and I believe that I should begin ...
10
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2answers
922 views

Which scores are best for those who are new to analysis?

Are there some scores that are better suited to aspiring composers? What specific elements of analysis are more important for a beginner to start with if his goal is to improve as a composer (Harmony?...
2
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3answers
510 views

Can you help me to identify, solve or improve my vocal problems?

I would like to find out a way to diagnose my vocal problem and assess my voice quality, such as too little or much nasal sound, wrong pitch, weak or loud sound, .... I would like to find out what ...
1
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1answer
404 views

Can sequences in music be modified rhythmically?

Can a sequence still be considered a sequence if the rhythm is changed? For example: Beethoven's Piano Sonata Op.13, II, in the left hand: The phrase beginning on the upbeat of 1 in the 3rd ...
2
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1answer
1k views

Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach)

The piece I am asking about is the well-known minuet that was originally attributed to J.S. Bach but has since been re-attributed to lesser-known composer, Christian Petzold. My question concerns ...