Questions tagged [analysis]

For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.

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2answers
513 views

Harmonical analysis of Fm D♭ E♭ B♭

How should I analyse this chord progression: Fm D♭ E♭ B♭ ? Is it (in A♭ major): vi IV V II ?
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1answer
624 views

What is the clearest way to signify the harmonic function of a polychord?

Chords can be analyzed with roman numerals to indicate function: C, Am, Dm, G I, vi, ii, V (or I, VI-, II-, V in jazz theory) And inversions may be analyzed by adding an arabic numeral indicating ...
3
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1answer
4k views

How to analyze and obtain useful information from a score

I'm a self taught musician. I have learned music theory, composition, and instrument performance by myself. I would like to improve my composition techniques and I believe that I should begin ...
5
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1answer
725 views

What do the numerator and denominator of a chord name in roman numerals mean?

I'm reading a paper on music theory and I keep coming across names of chords expressed as a fraction - I/I, I/V, ii/I, etc. Based on the use of these names in the paper, I'm reading this as: I/I: A ...
10
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2answers
1k views

Which scores are best for those who are new to analysis?

Are there some scores that are better suited to aspiring composers? What specific elements of analysis are more important for a beginner to start with if his goal is to improve as a composer (Harmony?...
10
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3answers
12k views

Making sense of 5/4 time signatures

Normally, we're told that 5/4 is usually 3/4 + 2/4 or 2/4 + 3/4. (At the very least, it's unusual to have a meter that large without "secondary stress" beats.) However, how do we make sense of the ...
2
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3answers
1k views

How to analyze chord progressions in tonal music?

I've been told that you have to analyze progressions according to the key at the end, despite how many keys/tonality that precede it. Is this true? If a composition contains one key in long duration,...
9
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2answers
6k views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
15
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5answers
9k views

Score analysis: Minuet in G Minor BWV Anh 115

The piece modulates from G minor to Bb major between the bars 12-14 but I don't know how to mark these chords as they have B natural in them, which doesn't belong neither to G minor nor Bb major. So, ...
28
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3answers
85k views

Classical music theory notation for chord inversions (figured bass)

In classical music harmony analysis, we see the chord inversions notated like I6/4, I6, V4/3. Examples: What are those numbers? How do they define the inversion? What's the theory behind using ...
2
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3answers
549 views

Can you help me to identify, solve or improve my vocal problems?

I would like to find out a way to diagnose my vocal problem and assess my voice quality, such as too little or much nasal sound, wrong pitch, weak or loud sound, .... I would like to find out what ...
8
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3answers
8k views

Nashville numbers in major vs minor keys

Some songs refer to their key as specifically major or minor, but others use both the major and relative minor as key centers, in an even enough proportion where it can be hard to say whether the I ...
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5answers
29k views

What is and what is not syncopation

I'll often hear tunes in which the first note is upbeat and the second is downbeat. When is it syncopation and when is it not? For one of many examples, take "Amazing Grace." The "A-" is a weak ...
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3answers
6k views

How would one create music based on the principles of Cubism?

How would one create music based on the principles of Cubism? (e.g., 20th century painters: Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger) The basic definition of Cubism calls for the use ...
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3answers
2k views

Why is this progressions described as i/5 - bVI?

Basic question, I understand the ideas of modes and that there are 7 corresponding keys within each major/minor scale, but I'm trying to learn what exactly is meant when the chord progression is ...
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5answers
3k views

"I-vi" in Major or "III-i" in Minor?

There are some progressions that seem to move back and forth between a major key and its relative minor, like the "I-vi" progression (C, Am for example, two measures each.) Most people would consider ...
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1answer
576 views

Can sequences in music be modified rhythmically?

Can a sequence still be considered a sequence if the rhythm is changed? For example: Beethoven's Piano Sonata Op.13, II, in the left hand: The phrase beginning on the upbeat of 1 in the 3rd ...
2
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1answer
2k views

Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach)

The piece I am asking about is the well-known minuet that was originally attributed to J.S. Bach but has since been re-attributed to lesser-known composer, Christian Petzold. My question concerns ...
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2answers
287 views

Chord number notation for a minor song switching to a major sound

I have a song that I am using Roman numeral analysis for a song I have written. The first part based on D minor. The minor progression looks like this: I__ Isus __ VII Dm ...
7
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2answers
480 views

Roman Analysis of "Ab B G" chord

I am currently analyzing a bit of music for homework which consists of four voices (string quartet). It is in the key of G Major, but the chord that it ends on, is a Ab on the cello, B on the Viola, ...
13
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2answers
5k views

Why play out of scale notes as part of a chord?

So, I'm learning 'Stray Cat Strut' right now and came across something I'm not sure I understood. I have to say, I've only just begun to learn theory, so maybe that's why. Anyway, as far as I can ...
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7answers
3k views

What is bad about Roman Numeral Analysis?

I have studied Roman numeral analysis in my theory courses, and I think that it's a good way of describing and understanding classical music, especially that of the classical and early romantic ...
8
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1answer
4k views

Franz Liszt Liebestraum No. 3 Bar 17 Roman Numeral Analysis

I'm going through Liszt's Liebestraum No. 3 in Ab M.... in bar 17, I don't know how to mark the A natural chord. It's either a #1 or the song has modulated to the natural minor, in which case it would ...
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3answers
4k views

Harmony analysis program

Is there any computer program that automatically analyzes harmony given the score? I refer specifically to roman numeral analysis and functional harmony.
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3answers
733 views

Scale from Hungarian Rhapsody No.2

In Hungarian Rhapsody No.2 by Liszt from John Thompson's Grade 3 (the key signature is Cm) there is the following scale + 2 following notes: D E F# G A Bb C D Eb F# Is there a name for this scale? ...

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