As of May 31, 2023, we have updated our Code of Conduct.

Questions tagged [baroque-period]

A time period in Western art music spanning between 1600-1760 CE, approximately.

Filter by
Sorted by
Tagged with
7 votes
3 answers
172 views

Placing the downbeats in this five-bar passage in Bach's Italian Concerto

I am asking about bars 13-19 in the first movement of J.S. Bach's Italian Concerto (BWV 971; sheet music). My ear always hears bar 13 plus the first crotchet of 14 as one extended bar of 3/4 and then ...
RyanCu's user avatar
  • 173
4 votes
2 answers
380 views

Which type of trumpet is typically used to perform Bach Brandenburg 2

Could anyone explain how to choose what design of trumpet to perform Brandenburg 2 on? I'd expect it to be performed on a Bb piccolo trumpet - but there are three-valve and four-valve piccolos, and ...
Brian THOMAS's user avatar
  • 10.7k
4 votes
1 answer
434 views

What was the shortest note length commonly used during baroque period?

Eighth and sixteenth notes were obviously common enough. I've also seen some examples of 1/32 and 1/64 (link). Were 1/32 and 1/64 used frequently? And what was the shortest note length commonly used ...
Liisi's user avatar
  • 539
9 votes
1 answer
2k views

What is this particular type of chord progression, common in classical music, called?

I don't know anything about music theory but I am a fanatic when it comes to listening to classical music. For a while I have been curious about a type of chord progression which is very common in ...
Fixed Point's user avatar
4 votes
4 answers
758 views

5/7b in figured bass

What does 5/7b mean in figured bass? If it is just a 7th chord in root position, then why is it not just 7b? In other places in the same score, 7 or 7b are used to denote a 7th chord. Here is the ...
Liisi's user avatar
  • 539
4 votes
2 answers
138 views

Figured bass and ties

How does one play figured bass when the bass line contains ties? For example, here are the first three measures of Vivaldi's "Filiae maestae Jerusalem" (sheet music source). Do I understand ...
Liisi's user avatar
  • 539
9 votes
1 answer
345 views

Baroque notation question

Here's a snippet from a 1624 facsimile of Juan Arañés' "Libro Segundo de Tonos y Villancicos". This is a rather syncopated, lively song, with a time signature of C3. Note values seem to be ...
Jim Garrison's user avatar
6 votes
1 answer
102 views

Renaissance or Baroque pieces with no instrumentation

I found out today that Michael Praetorius's Terpsichore is written with no indication about what instruments to use. I knew that the Art of the Fugue doesn't have instrumentation either, but I'd ...
Daniel Shapero's user avatar
13 votes
4 answers
4k views

A♭ major 9th chord in Bach is unexpectedly dissonant/jazzy

Measures 21-24 in Prelude VII from Bach's Well Tempered Clavier I I was looking at the Prelude VII by Bach and noticed that on the measure 23 Bach ended that phrase with a A♭ maj9 chord. I was ...
Diego Alvarez's user avatar
4 votes
3 answers
454 views

What are some nice/clever ways to introduce the tonic's dominant seventh chord?

I'm in C minor and want to modulate to its subdominant key of F minor. One way to do this is to introduce the tonic flat seventh chord C-E-G-B♭, which is the dominant seventh chord of F minor. ...
Kim Fierens's user avatar
  • 2,327
3 votes
3 answers
303 views

Combining forms to make a new musical form

Has there ever been a composer between Baroque and early Romantic periods (within piano literature) who created a new form based on a combination of previously separate forms into a new iteration or ...
Hannah Hawes's user avatar
2 votes
1 answer
390 views

Did Bach use a pendulum clock as a metronome?

The reason I ask is because I have heard say that tempo ordinario is something like 60 bpm. Is it much of a stretch to assume Bach and his contemporaries could have used pendulum clocks as metronomes (...
Chris Fletcher's user avatar
2 votes
1 answer
273 views

Baroque mordent with leading "slur"?

I'm currently studying Bach's Harpsichord Concerto BWV 1052 on the piano and arrived at the second movement. In there, I noticed a mordent that I'm not all too sure how to play. Here's a picture, it's ...
Alain's user avatar
  • 43
2 votes
1 answer
315 views

Two different approaches to the mordent in one piece in baroque? [duplicate]

I've got a question regarding the mordent over the two different notes with different realization in Bach's Partita No.4 Aria (as in the image). The first one starts from a note above while the second ...
Reza Hojat Zadeh's user avatar
2 votes
3 answers
2k views

Should I practice some J.S. Bach for piano technique and where should I start?

I want to know if playing J.S. Bach would improve my overall piano technique. I look for pieces that help me to become better. I usually play romantic composers. I have played pieces such as Chopin'...
Matriz's user avatar
  • 709
3 votes
2 answers
437 views

How to realize the figured bass of the second movement of BWV 1014?

I am planning a performance of the second movement of Bach's violin sonata BWV 1014 in B Minor. The beginning of second mvt, Allegro is shown below. As you can see there are some figured bass below ...
Ma Joad's user avatar
  • 1,154
6 votes
4 answers
9k views

What does the plus (+) ornament mean?

I am learning a baroque piece on the recorder. Some notes have an unusual ornamentation symbol. How is a note with a plus sign over it played? It was suggested to play it as a mordent. Is that correct?...
Joseph's user avatar
  • 61
4 votes
2 answers
439 views

Are Baroque Bassoons more difficult to play?

In an article introducing The Breaking Winds Bassoon Quartet, it mentions that The muffled, dark-sounding bassoon of the baroque era was so hard to play in tune that composers didn't write solos ...
Raven Cheuk's user avatar
5 votes
1 answer
692 views

Difference between baroque and classical keyboard concertos

I'm trying to compare a Baroque Harpsichord Concerto with a Classical Piano Concerto. But I'm just wondering in what aspects that the Baroque Concertos influenced the Classical Piano Concerto. I am ...
Melody's user avatar
  • 51
2 votes
1 answer
212 views

"Row, row, row your boat" and Telemann's Concerto in B Flat TWV44:43

Does the same rhythm from "Row, row, row your boat" copy the ending of Telemann's Concerto? It appears lots of music copied the style of the Baroque era.
Jossie Calderon's user avatar
8 votes
1 answer
507 views

Why does the conductor also play harpsichord when there is already a harpsichordist in the orchestra?

When listening to Baroque chamber music, it is not uncommon to see the harpsichordist or the soloist being also the conductor. However, there were two harpsichords in this concert, one dual manual ...
Raven Cheuk's user avatar
9 votes
1 answer
1k views

Is this entire movement by Bach really only a single measure with just two chords?

I'm spending a lot more time with early music, and as I was studying the score to J. S. Bach's third Brandenburg Concerto, I encountered something unexpected: an entire Adagio movement that's only one ...
Richard's user avatar
  • 83.2k
8 votes
2 answers
1k views

Did Bach use the Partimento technique?

I was researching techniques used in classical improvisation. And I keep coming across two terms. One is "Partimento". Which is an Italian method of improvising on a bass line. Another is "The Rule of ...
user avatar
1 vote
1 answer
106 views

A question regarding transposition and fugal answers

Is it compulsory to introduce the answer of a fugue at +5 or -4 scale degrees relative to the home key? I'm not asking whether it's necessary to transpose the answer; my question is whether ...
user avatar
2 votes
1 answer
98 views

Does basso continuo make it unnecessary to have a Director?

I was watching a baroque violin concert on Youtube and there was one person in the comments section talking about the uselessness of having a Director, since the concert included a basso continuo. ...
Cris's user avatar
  • 155
6 votes
3 answers
1k views

What is this old time signature (2 with a vertical line through it)?

On the fourth line of page 5 of the score of Fasch's Ouverture-Suite in F major, one reads a time signature that is the number 2 with a vertical line through it: What does it mean? I know some '...
Karlo's user avatar
  • 1,399
16 votes
3 answers
363 views

What is the historically informed way of playing the 1/16 notes in Handel's Water Music suite no. 1 overture?

Handel's Water Music suite no. 1 starts with a slow overture with 1/16 notes at the middle and end of each measure: Some performances play it "as written" [Koopman], but some play the 1/16 notes ...
user1803551's user avatar
  • 1,683
5 votes
2 answers
637 views

Functional analysis of chorale 'Wie wunderbarlich ist doch diese Strafe' BWV 244/46

I did some analysis of the chorale 'Wie wunderbarlich ist doch diese Strafe' (from Matthew Passion BWV 244 no.46), see below. But how would I analyse the first chord in measure 2? Obviously, it's an E ...
Minethlos's user avatar
  • 316
2 votes
1 answer
790 views

Piano: how to play (arpeggios in) music written for harpsichord

I'm playing Bach's Partita for harpsichord BWV 830 on piano (I don't play harpsichord), but this is a more general question really for other Bach keyboard music and also any keyboard music that was ...
Bob says reinstate Monica's user avatar
2 votes
2 answers
329 views

In the baroque period, did soloists play all the way through concertos?

In most recordings of baroque concertos that I've heard, the soloist plays straight through without stopping, especially in the first movement. While there are marked solo sections where the soloist ...
General Nuisance's user avatar
9 votes
3 answers
273 views

In which music should I add my own embellishments?

I know that music from the baroque era was composed with the assumption that performers would add their own embellishments (when viable, not for canons or fugues). I've also heard that Mozart didn't ...
Hagel's user avatar
  • 91
2 votes
3 answers
960 views

Important composers in transitional eras

I understand Beethoven (and Schubert) to be very important composers in the transition from the Classical Era to the Romantic, such that they could be considered the first Romantic composers. Are ...
A Schneider's user avatar
2 votes
2 answers
221 views

Determining dynamics of individual parts in music group

I have been lately wondering how to determine dynamics of individual parts in music group. As we all know sheet music many times doesn't provide all dynamics and phrasing. It seems obvious to me, ...
sam's user avatar
  • 308
15 votes
3 answers
1k views

Is the Baroque Schleifer, slide, or glissando symbol evolved from the Gregorian chant quilisma?

I posted this question on Wikipedia a year ago, with no answers. These two musical signs look eerily similar. The Baroque Schleifer or slide (see Wikipedia page): The quilisma in Gregorian chant (...
Coemgenus's user avatar
  • 436
1 vote
2 answers
87 views

Define Apoggiato

I came across this term, Apoggiato. In baroque music, is understand that this means the notes of a piece marked thus should be quite smoothly connected, almost portato. The Online Musical Dictionary ...
DavidBassPlayer's user avatar
5 votes
2 answers
394 views

Bach's keyboard concertos on fortepiano?

It is known that J.S.Bach was acquainted with the fortepiano at least twice in his life, in 1726 when he played one of Silbermann's experimental models (and mildly criticized it), and toward the end ...
giobrach's user avatar
  • 429
4 votes
1 answer
249 views

Is there a standard non-Fux counterpoint method?

The OP for this question refers to a rule for second-species counterpoint which isn't mentioned in Fux's Gradus ad Parnassum. The answer confirms it, and adds yet another rule, referring to "strict ...
Sarkreth's user avatar
  • 353
2 votes
3 answers
1k views

Baroque keyboard music

I'm playing Bach French suite no.5 in G major BWV 816 for ATCL diploma exam. This suite was composed in Baroque period, so should I play staccato on each notes? Should I use a bit pedal? Because the ...
Esther's user avatar
  • 31
7 votes
3 answers
3k views

The Basso Continuo and the Jazz Rhythm Section

I've seen many musicologists compare the Basso Continuo of the Baroque Era to the Jazz Rhythm Section, an analogy which I think is valid and understandable. Here's one reference (of many) that I ...
Stinkfoot's user avatar
  • 6,773
2 votes
1 answer
5k views

What's so important about Venice in the Baroque period?

Many famous Baroque musicians and composers, for example Vivaldi, were children of Venice and did their work there. What other reasons are there for Venice being a great spawning ground for Baroque ...
Ben Hughes's user avatar
1 vote
1 answer
287 views

Bach Double Variation from Partita 1 for Solo Violin

Has any credible musicologist explained that the double variations in Bach's Partita 1 for solo violin are a variation on the entire harmonic progression from the last movement and not just the bass ...
user875469's user avatar
4 votes
3 answers
841 views

What is Sanz's tablature for the baroque guitar?

Gaspar Sanz had a tablature system for the baroque guitar which features a mapping between alphabetical letters and chords. From the linked page: Sanz's tablature is remarkable in that it is ...
user1803551's user avatar
  • 1,683
4 votes
2 answers
268 views

Breaking doublestops for Baroque music

As a baroque violinist, I encounter double, triple and quadruple stops, like in Bach, Telemann, and Biber, and I want to articulate them correctly. I am looking for advice on how to break them, and ...
Lynne's user avatar
  • 41
3 votes
5 answers
3k views

MIDI keyboard action for harpsichord practice

I'm a former pianist who would like to own and play an acoustic grand harpsichord one day, but until i finish school and have a more permanent living situation that will be neither practical nor ...
mlod's user avatar
  • 41
7 votes
3 answers
2k views

What led to the historical predominance of the four-part harmony in Western Music?

Introductory music theory heavily empasizes analysis and writing of music with four-part harmony, putatively the basis for music at the beginning of the common practice. Why did four-part voice ...
Dragonsheep's user avatar
1 vote
1 answer
97 views

What was the purpose of Jean Adam Guilain's Organ Suites?

I'm looking for context for these pieces, as I am about to play the Suite of the Second Tone in recital. Guilain wrote these Suites, and whenever I hear recordings of them, each movement begins with a ...
Richard's user avatar
  • 1,808
4 votes
1 answer
371 views

Different approaches to Latin pronunciation in Early Music

I know there are several different ways to pronounce Latin. I think no one sings classical music using Classical Latin pronunciation in which, for instance, "c" is pronounced as /k/. I believe the ...
Charo's user avatar
  • 143
38 votes
8 answers
5k views

Brandenburg Concerto No. 5 in D: Why do some recordings seem to be in C sharp?

There are at least two recordings on Youtube of Bach's Brandenburg Concerto No. 5 in D major which seem to be played a half-step lower, in the key of C sharp. I assume this is a artifact of the ...
daniel's user avatar
  • 503
0 votes
1 answer
98 views

Are there parallel octaves in L. Couperin's prelude, Suite in A minor?

Are there doublings or parallel octaves, especially with regard to the first several measures, in Louis Couperin's prelude "à l'imitation de Mr. Froberger", from the Suite in A minor? I would also ...
Erick Verran's user avatar
6 votes
3 answers
1k views

What is the motif used in many chaconnes in the 17th century?

Wikipedia says that a chaconne is a musical composition involving variations on a harmonic progression or melody (motif), similar to the passacaglia. In essence, it is a musical form. The motif is ...
user1803551's user avatar
  • 1,683