Questions tagged [cadence]
A melodic and/or harmonic configuration at the end of a phrase, section, or piece of music.
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1answer
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Help identifying cadences and modes in iidim7 - i - vidim - vsus4
I'm a beginner when it comes to modes and cadences, and I want to understand them better to improve my song-writing as a metal guitarist. While fiddling with my guitar today, I "wrote" this ...
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2answers
60 views
2 atypical cadences, are they half cadences?
So, I analyzed the harmony and structure of Grande Valse Brilliante op. 18, and most of the cadences make perfect sense to me, but there are 2 cadences that don't really, one on the tonic, which I can ...
2
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2answers
96 views
Can someone explain the resolutions in Rachmaninoff Prelude in C# Minor?
I started to learn the Rachmaninoff Prelude in C# Minor (Op. 3 No. 2). Until recently I have had not much experience with music theory, except for the very basic things.
In order to remember the piece ...
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5answers
80 views
Chromatic approaching dominant
I'm having a little trouble analyzing this blues-y cadence.
I've called the dominant chord a G9 even though there is no third (B) at the end of the bar. I think this makes sense, since it is ...
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3answers
265 views
What is the significance of learning ''cadences" in music composition?
What is the significance in understanding this concept if I wanted to write music?
If I understood cadences, then would that mean I would be able to structure my compositions?
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3answers
93 views
Help with the last chord in progression
I have following progression:
G-Em-Bm-C
G-Em-Bm-C
G-Bm-F#m-A
D-Bm-F#m-???
G-Em-Bm-C...
I am happy with the progression and it works well, but struggling with the last chord.
Any suggestions?
Thanks!
4
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4answers
346 views
How is Db major functioning here? Subdominant Prolongation? Some kind of Dominant?
While improvising for a piece in Eb major, I came across an interesting progression. Eb -> Ab -> Db -> Eb But something that I couldn't figure out was the function of the Db. Here is the ...
0
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1answer
56 views
Soprano melody in PAC
When it comes to part-writing in a V7-I cadence, I understand that the leading tone in an outer voice must resolve to the tonic (^7->^1) and that the chordal 7th of the V7 (^4) should resolve down by ...
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1answer
225 views
Dorian mode cadences
From this question I read that modal cadences are different from tonic cadences.
I'm trying to learn Dorian mode and I noted that in the answer they offer the suggestion of the second chord, first ...
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8answers
797 views
Going from āVI to I
I have seen and heard a bVI -> I progression in quite a few scores to create an inspiring feeling (for example, from an F major chord to an A major chord) and was wondering how this could be ...
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9answers
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Why does Bach sometimes end with flat 7ths?
I've been studying the Bach inventions, and I see a common patterns in the first 3 inventions: They tend to include the flat 7ths in the very end. Examples:
C major:
D major:
E♭ major:
From a ...
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2answers
100 views
Backdoor cadences - what would be the āVII chord in A major?
So I'm currently learning about using resolution in guitar chord progressions, and so far I have learned about tension chords which is usually, but not limited to, the fifth chord in the scale that ...
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2answers
71 views
How do I write a cadence without any context?
I am studying for my online RCM theory exam, and since I have no contact with my piano teacher Iāve been correcting with the answer book. My answers and the answers in the book are very different. I ...
2
votes
1answer
64 views
Have I identified my cadences correctly?
I am having so much trouble with cadence identification. After hours of Youtube video explanations I think that I have this correctly. Have I? How can I make this process easier?
a. Perfect
b. ...
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0answers
15 views
How is a clausula tertiaria/medians distinguished from a modulation to the relative major?
How is a clausula tertiaria/medians distinguished from a modulation to the relative major?
Clausula tertiaria came up in the answer to one of my earlier questions.
Some of the definitions I have ...
5
votes
3answers
105 views
Roman Numerals and VII#
The following is an excerpt from this Wikipedia article:
[The Lydian cadence] is so-called because it evokes the Lydian mode
based on its final chord as a tonic, and may be construed with the
...
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2answers
186 views
In a minor key can a cadence on the relative major be considered a type of quasi half cadence?
My question is not: what is the textbook definition of a half cadence?
What I am trying to get at is the perception of an incomplete, sort of antecedent phrase ending.
When playing the following ...
3
votes
4answers
966 views
Diminished seventh cadence, is this an IAC or a PAC?
I have seen a few cadences where the only dominant function chord used cadentially is a diminished seventh, mainly resolving to root position tonic, though I have seen a few resolve to an inverted ...
3
votes
3answers
128 views
Genesis' bVII-V-I cadence
In the verse part of Genesis' "Behind the Lines", the last line of the chord progression goes:
F C Dm Bb G -> C (resolution)
What is that cadence? What is the theory for that bVII - V - I?
I'...
0
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3answers
141 views
cadences with triads with two different notes
Can a cadence consist of a triad with only 2 different notes?
Let's say I'm in Fmaj and want to include an imperfect cadence (ii - V):
G - D - G followed by C - E - G. The first triad has only two ...
2
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0answers
58 views
Is this an example of Modal interchange? [duplicate]
The section I'm referring to is circled in red.
The piece is in Dā major. And I think here it's in F mixolydian, as both Cmin7 and F7 are in F mixolydian. Also, this part is the end of a phrase and ...
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6answers
1k views
How to make a plagal cadence sound convincing as an ending?
I am nearing the end of composing the first movement of my suite. And I plan to end the movement using a plagal cadence. But I know that a plagal cadence can be hard to make sound convincing. I mean ...
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0answers
96 views
(Conflict) Kostka/Payne Cadence Chart vs. Authentic Cadence in Natural Minor [duplicate]
According to Is this generic cadence chart from Kostka/Payne generally accepted?,
However, the authentic cadence in natural minor, which is v-i, does not meet the definition by Kostka/Payne here. ...
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0answers
100 views
Variant Cadences
I've gone through many unusual cadences so far - conclusive cadences that are not V-I, V-i, v-i (rare), viio-I, #viio-i, IV-I, or iv-i, and progressive cadences that are not V, v (rare), V-vi, V-VI, ...
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1answer
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āVII-I Cadence, āIII-I Cadence: Name?
I've gone through a bunch of āVII-I and āIII-I cadences in rock music. In C major, they are Bā-C and Eā-C.
Is there a specific name for the two cadences? So far, I've been calling them authentic ...
1
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1answer
178 views
Is there a standard set of cadences designed for the seven modes?
On Cadences for Modes and Modal Cadence Options, Dom, Richard, and I came up with a group of modal cadences. Specifically (correct order from Ionian to Locrian):
Dom: ii-I, VII-i, II-i, II-I, VII-I, ...
3
votes
2answers
183 views
Why do plagal cadences in minor keys often use a Picardy 3rd?
In major keys, plagal cadences often occur as IV-I - as it is supposed to be.
In minor keys, plagal cadences are originally supposed to be iv-i, but composers would often use a Picardy 3rd, making it ...
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votes
1answer
105 views
Ger.6-I cadence - Name?
I was looking at some Romantic era works, and I have found an unusual cadence of:
Is there a name for this cadence? I'm tempted to say it is a variant plagal cadence - A plagal cadence is normally a ...
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votes
2answers
783 views
āII6-I Cadence: Plagal or Authentic?
Chopin's Etude No. 16 in A minor, Op. 25 No. 4, ends with a cadence like this:
Bā/D - A
In Roman numerals, we write as:
āII6 - I
Is this cadence viewed as Plagal (N6 - I), or Authentic (tt - ...
3
votes
2answers
160 views
Does the II chord in the Phrygian II-i cadence count as tritone substitution?
In Phrygian modal music, the II-i cadence is pretty common. Does the II chord here count as a tritone substitute chord that is substituting for vo?
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1answer
196 views
Is there a name for this cadence - [Tritone Sub of V] - I
Sometimes I've been going through [Tritone Sub of V] - I cadences. Is there a specific name for this?
5
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4answers
498 views
Resolving to minmaj7
Looking for possible resolutions to a imaj7.
Theoretical or not - shoot!
Out-of-the-ordinary resolutions are needed (I already know the theory behind it, using possible modes and all ).
Looking ...
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3answers
559 views
How can I analyze some parts of this excerpt?
I have two questions about this excerpt.
In measure 1 (don't include the pickup note as a measure), there is an Eb tonic chord in the bass staff. How would the F in the melody line be analyzed as a ...
2
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1answer
403 views
Is a v-VIā progression in a minor key still a deceptive cadence?
I was just listening to a rock song that is in a minor key, and the phrase ends with a v moving to a VIā chord.
Since the dominant chord is taken from the natural minor and doesn't contain the ...
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1answer
132 views
Can this chord progression be viewed as a cadence?
I was wondering if this ending chord progression to Led Zeppelin's "The Rain Song" could be viewed as a cadence.
"The Rain Song" uses a very interesting guitar tuning (D-G-C-G-C-D). The notes also ...
2
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2answers
3k views
Is there a name for this cadence? (bVI bVII I) [duplicate]
I hear this chord progression (bVI bVII I) occur a lot in popular music. Is there a name for this progression or cadence? If I heard this at the end of a song or piece, how would I describe it?
My ...
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3answers
352 views
Can a cadence end with a secondary dominant?
If I ended a 4 measure phrase with a V resolving to a V7/IV chord, would this still be considered a cadence since it concludes the phrase?
When listening to this, it almost feels like an authentic ...
5
votes
3answers
438 views
Different harmonic changes implied by a simple descending scale
This is a question that readers may find confusing. It is a bit confusing to me too, but I'll try to explain and illustrate it as best as I can.
What are the harmonic functions (in terms of Roman-...
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3answers
3k views
Can we have a perfect cadence in a minor key?
I understand that, at least in the context of using a major scale, a perfect cadence is V-I. That is, if I were playing a piece in C major, I could play a chord similiar to the G major triad followed ...
4
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2answers
176 views
What constitutes a Cadence?
I've always considered a cadence to be the last two harmonies or chords in a phrase or line of music. Reading about the Andalusian cadence, it looks like it needs all four chords to qualify. I prefer ...
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1answer
181 views
Final cadence appears as Em7 - Am (v7 - i in A minor). Name?
I see an unusual cadence in the end of Debussy's Prelude of Pour le Piano. It is v7 - i in A minor. Is there an actual name for this?
(Chord Progression: Fmaj7 - Abaug7 - Gaug7 - C9 - Em7 - Am)
2
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6answers
124 views
Why is this not a modulation?
Bars three and four look to me like a modulation to the subdominant with an imperfect cadence in Eb (especially with the Ab auxiliary note in bar three). The answers, however, mark bars three and four ...
3
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1answer
229 views
What types of cadences work well in natural minor?
I am currently interested in writing a piece in natural minor, and it seems like "v - i" cadence does not quite work as well as compared to harmonic and melodic minors, which use "V - i". How can I ...
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2answers
180 views
When was the Imperfect Authentic Cadence invented?
Inverted IAC (1st example) : Either one, or both chords, are not in the root position.
Root position IAC (2nd example) : Both chords are in root position, but the highest voice of the final chord is ...
5
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1answer
136 views
What is a “Slovenian Cadence”?
I recently acquired a large collection of music theory review materials. In it, I came across the term "Slovenian cadence." Does anyone know what this might be?
Unfortunately, the review materials ...
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2answers
356 views
What type of cadence is this?
What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
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2answers
164 views
When was the “Picardy 3rd” invented?
When was the Picardy 3rd, the final tonic borrowed chord, invented?
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0answers
210 views
Leading-tone IAC?
Why did Beethoven write a leading-tone IAC here? It appears as viio 6/5 - I. Also, why does the leading tone IAC exist?
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1answer
107 views
Is it okay to end a period with an IAC? [closed]
So I started writing a waltz. I have been mainly focusing on the bass line because I got advice from someone that if I focus on the bass progression, the basic melody will just come to me. And once I ...
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4answers
866 views
Understanding the concept of a “Cadence”
According to the Wikipedia article on Cadences, they create "a sense of resolution [finality or pause]."
This got me wondering about a more modern and pop context, where simple chord progressions ...
