Questions tagged [cadence]
A melodic and/or harmonic configuration at the end of a phrase, section, or piece of music.
83
questions
3
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3answers
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Genesis' bVII-V-I cadence
In the verse part of Genesis' "Behind the Lines", the last line of the chord progression goes:
F C Dm Bb G -> C (resolution)
What is that cadence? What is the theory for that bVII - V - I?
I'...
0
votes
3answers
76 views
cadences with triads with two different notes
Can a cadence consist of a triad with only 2 different notes?
Let's say I'm in Fmaj and want to include an imperfect cadence (ii - V):
G - D - G followed by C - E - G. The first triad has only two ...
2
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0answers
54 views
Is this an example of Modal interchange? [duplicate]
The section I'm referring to is circled in red.
The piece is in D♭ major. And I think here it's in F mixolydian, as both Cmin7 and F7 are in F mixolydian. Also, this part is the end of a phrase and ...
4
votes
6answers
916 views
How to make a plagal cadence sound convincing as an ending?
I am nearing the end of composing the first movement of my suite. And I plan to end the movement using a plagal cadence. But I know that a plagal cadence can be hard to make sound convincing. I mean ...
0
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0answers
68 views
(Conflict) Kostka/Payne Cadence Chart vs. Authentic Cadence in Natural Minor [duplicate]
According to Is this generic cadence chart from Kostka/Payne generally accepted?,
However, the authentic cadence in natural minor, which is v-i, does not meet the definition by Kostka/Payne here. ...
0
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0answers
50 views
Variant Cadences
I've gone through many unusual cadences so far - conclusive cadences that are not V-I, V-i, v-i (rare), viio-I, #viio-i, IV-I, or iv-i, and progressive cadences that are not V, v (rare), V-vi, V-VI, ...
2
votes
1answer
297 views
♭VII-I Cadence, ♭III-I Cadence: Name?
I've gone through a bunch of ♭VII-I and ♭III-I cadences in rock music. In C major, they are B♭-C and E♭-C.
Is there a specific name for the two cadences? So far, I've been calling them authentic ...
1
vote
1answer
119 views
Is there a standard set of cadences designed for the seven modes?
On Cadences for Modes and Modal Cadence Options, Dom, Richard, and I came up with a group of modal cadences. Specifically (correct order from Ionian to Locrian):
Dom: ii-I, VII-i, II-i, II-I, ...
3
votes
2answers
70 views
Why do plagal cadences in minor keys often use a Picardy 3rd?
In major keys, plagal cadences often occur as IV-I - as it is supposed to be.
In minor keys, plagal cadences are originally supposed to be iv-i, but composers would often use a Picardy 3rd, making it ...
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1answer
58 views
Ger.6-I cadence - Name?
I was looking at some Romantic era works, and I have found an unusual cadence of:
Is there a name for this cadence? I'm tempted to say it is a variant plagal cadence - A plagal cadence is ...
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2answers
381 views
♭II6-I Cadence: Plagal or Authentic?
Chopin's Etude No. 16 in A minor, Op. 25 No. 4, ends with a cadence like this:
B♭/D - A
In Roman numerals, we write as:
♭II6 - I
Is this cadence viewed as Plagal (N6 - I), or Authentic (tt - ...
3
votes
2answers
97 views
Does the II chord in the Phrygian II-i cadence count as tritone substitution?
In Phrygian modal music, the II-i cadence is pretty common. Does the II chord here count as a tritone substitute chord that is substituting for vo?
1
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1answer
135 views
Is there a name for this cadence - [Tritone Sub of V] - I
Sometimes I've been going through [Tritone Sub of V] - I cadences. Is there a specific name for this?
5
votes
3answers
392 views
Resolving to minmaj7
Looking for possible resolutions to a imaj7.
Theoretical or not - shoot!
Out-of-the-ordinary resolutions are needed (I already know the theory behind it, using possible modes and all ).
Looking ...
1
vote
3answers
484 views
How can I analyze some parts of this excerpt?
I have two questions about this excerpt.
In measure 1 (don't include the pickup note as a measure), there is an Eb tonic chord in the bass staff. How would the F in the melody line be analyzed as a ...
1
vote
1answer
115 views
Is a v-VI♭ progression in a minor key still a deceptive cadence?
I was just listening to a rock song that is in a minor key, and the phrase ends with a v moving to a VI♭ chord.
Since the dominant chord is taken from the natural minor and doesn't contain the ...
1
vote
1answer
93 views
Can this chord progression be viewed as a cadence?
I was wondering if this ending chord progression to Led Zeppelin's "The Rain Song" could be viewed as a cadence.
"The Rain Song" uses a very interesting guitar tuning (D-G-C-G-C-D). The notes also ...
3
votes
2answers
705 views
Is there a name for this cadence? (bVI bVII I) [duplicate]
I hear this chord progression (bVI bVII I) occur a lot in popular music. Is there a name for this progression or cadence? If I heard this at the end of a song or piece, how would I describe it?
My ...
1
vote
3answers
109 views
Can a cadence end with a secondary dominant?
If I ended a 4 measure phrase with a V resolving to a V7/IV chord, would this still be considered a cadence since it concludes the phrase?
When listening to this, it almost feels like an authentic ...
5
votes
3answers
364 views
Different harmonic changes implied by a simple descending scale
This is a question that readers may find confusing. It is a bit confusing to me too, but I'll try to explain and illustrate it as best as I can.
What are the harmonic functions (in terms of Roman-...
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votes
3answers
1k views
Can we have a perfect cadence in a minor key?
I understand that, at least in the context of using a major scale, a perfect cadence is V-I. That is, if I were playing a piece in C major, I could play a chord similiar to the G major triad followed ...
4
votes
2answers
116 views
What constitutes a Cadence?
I've always considered a cadence to be the last two harmonies or chords in a phrase or line of music. Reading about the Andalusian cadence, it looks like it needs all four chords to qualify. I prefer ...
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1answer
135 views
Final cadence appears as Em7 - Am (v7 - i in A minor). Name?
I see an unusual cadence in the end of Debussy's Prelude of Pour le Piano. It is v7 - i in A minor. Is there an actual name for this?
(Chord Progression: Fmaj7 - Abaug7 - Gaug7 - C9 - Em7 - Am)
2
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6answers
117 views
Why is this not a modulation?
Bars three and four look to me like a modulation to the subdominant with an imperfect cadence in Eb (especially with the Ab auxiliary note in bar three). The answers, however, mark bars three and four ...
3
votes
1answer
133 views
What types of cadences work well in natural minor?
I am currently interested in writing a piece in natural minor, and it seems like "v - i" cadence does not quite work as well as compared to harmonic and melodic minors, which use "V - i". How can I ...
0
votes
1answer
135 views
When was the Imperfect Authentic Cadence invented?
Inverted IAC (1st example) : Either one, or both chords, are not in the root position.
Root position IAC (2nd example) : Both chords are in root position, but the highest voice of the final chord is ...
4
votes
1answer
114 views
What is a “Slovenian Cadence”?
I recently acquired a large collection of music theory review materials. In it, I came across the term "Slovenian cadence." Does anyone know what this might be?
Unfortunately, the review materials ...
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3answers
331 views
What type of cadence is this?
What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
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2answers
83 views
When was the “Picardy 3rd” invented?
When was the Picardy 3rd, the final tonic borrowed chord, invented?
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0answers
117 views
Leading-tone IAC?
Why did Beethoven write a leading-tone IAC here? It appears as viio 6/5 - I. Also, why does the leading tone IAC exist?
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1answer
76 views
Is it okay to end a period with an IAC? [closed]
So I started writing a waltz. I have been mainly focusing on the bass line because I got advice from someone that if I focus on the bass progression, the basic melody will just come to me. And once I ...
9
votes
4answers
638 views
Understanding the concept of a “Cadence”
According to the Wikipedia article on Cadences, they create "a sense of resolution [finality or pause]."
This got me wondering about a more modern and pop context, where simple chord progressions ...
4
votes
1answer
144 views
Is this generic cadence chart from Kostka/Payne generally accepted?
I was perusing my Kostka/Payne book for something when I noticed this chart which I either never paid attention to or forgot :-)
I understand its meaning, but it leads to some interesting ...
4
votes
2answers
122 views
Are these inversions in a cadence correct?
I would greatly appreciate it if someone could help me. Currently, I am learning about Authentic, Half, and Plagal Cadences. And I have to find them in composition, then tell the name. At first it ...
23
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6answers
4k views
The function of Gm G♭ B♭ chord progression in “Shine On You Crazy Diamond”
Over the Christmas break I heard this programme on BBC radio:
Shine On You Crazy Diamond
David Gilmour discusses his famous four-note motif B♭ F G E but what wasn't discussed and I wished had ...
1
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1answer
120 views
How to write extended perfect authentic cadences
I am currently writing a Berceuse in the style of Chopin and I noticed in a lot of his music and that of other romantic composers in the final perfect authentic cadences they repeat it multiple times ...
3
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1answer
102 views
Is the typical use of the N6 Neapolitan chord to lead to a perfect cadence rather than a half cadence?
The basic N6 description is that it leads to the dominant chord, but this doesn't fully explain its use in cadences.
A survey of my harmony texts - Piston, Seigmeister, and Kostka - show N6 going to ...
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3answers
290 views
What makes some intervals consonant while others dissonant?
Why does an authentic cadence sound pleasing to the ear? What makes an interval "Consonant" or "Dissonant" and why are there only two categories for intervals?
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4answers
257 views
Is the sense of resolution of a harmonic cadence psychologically “intrinsic”, or is it created through conditioning?
If we took someone who had never heard western music before and played a piece of music with, say, a deceptive cadence and a perfect cadence in it, would they understand it? I.e., would they feel that ...
3
votes
1answer
124 views
What are examples of non-Classical cadences?
Perfect/imperfect authentic cadences, half cadences, deceptive cadences, and plagal cadences have been around since at least Mozart. What are some either specific cadences or approaches to cadences ...
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1answer
544 views
How do I write “piano style” cadences?
I'm currently undertaking the AMEB theory grades. I'm up to grade 4 and am working on different types of cadences but I STILL don't understand how "piano style" (the one with the bass note in the bass ...
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4answers
606 views
Is there a specific name for the use of IV chord over the V in the bass, e.g. F/G in the key of C
You see this chord a fair amount, usually leading to the tonic as a sort of souped-up plagal cadence (plagal in the treble, perfect in the bass).
Is there a specific name for this, other than "4 over ...
2
votes
2answers
206 views
Plagal and perfect cadences and chords and PIANO STYLE in music theory!
I'm working on AMEB Grade 3 Theory and in the "piano style" chapter, it asks to follow the chords and then write a plagal cadence in piano style. The thing is, I'm getting them wrong according to the ...
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1answer
56 views
identifying chord in guitar study
I am unsure about which chords I am playing in the guitar study I below
Especially I'd loke to know:
is the chord in the 3rd bar on beat 3 and 4 a dm7b5 or rather an inversion of an Fm6 or something ...
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vote
3answers
500 views
Does every phrase in music end with a cadence?
I'm just wondering if every phrase in music ends on a Cadence? Much like every sentence in English ends with a period?
I am mainly talking about common music such as pop, rock, classical, traditional,...
3
votes
2answers
423 views
What kind of cadence is this?
I'm currently learning about periods and there is a question in the book, asking for the closure in m. 4.
The book says it's a half cadence, but it ends on a I (or I64). The only half cadence I see ...
5
votes
1answer
225 views
Counterpoint (Fux): 3rd species, 3 voices, closing formulas
I am working my way through Gradus ad Parnassum (Mann translation). The chapter is: third species in three voices.
At page 92, I see an example (Fig. 130) that ends like this:
I cannot understand the ...
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0answers
61 views
What are the chords in this bridge's cadence? [closed]
The music is this one (already at the point of the bridge), and the (almost) full chords sheet is here (it doesn't have the bridge). I wasn't able to identify the chords they used in the bridge, so I'...
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2answers
211 views
How do I analyze this altered dominant chord?
In the key of C, what type of cadence and Roman numeral analysis would G B D# to C E G be? It's in John Thompson, "Hop O' My Thumb" measures 3 and 4.
4
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2answers
639 views
Is this an imperfect authentic cadence in a minor key?
In the case where the chords ending a phrase (in B minor) are:
| D | A | A#m | Bm |
in B minor it would be
III V/III(VII) #vii i
In my opinion the A#m is a passing chord, which leaves me with D A ...
