Questions tagged [cadence]
A melodic and/or harmonic configuration at the end of a phrase, section, or piece of music.
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Soprano melody in PAC
When it comes to part-writing in a V7-I cadence, I understand that the leading tone in an outer voice must resolve to the tonic (^7->^1) and that the chordal 7th of the V7 (^4) should resolve down by ...
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1answer
80 views
Dorian mode cadences
From this question I read that modal cadences are different from tonic cadences.
I'm trying to learn Dorian mode and I noted that in the answer they offer the suggestion of the second chord, first ...
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8answers
782 views
Going from ♭VI to I
I have seen and heard a bVI -> I progression in quite a few scores to create an inspiring feeling (for example, from an F major chord to an A major chord) and was wondering how this could be ...
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9answers
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Why does Bach sometimes end with flat 7ths?
I've been studying the Bach inventions, and I see a common patterns in the first 3 inventions: They tend to include the flat 7ths in the very end. Examples:
C major:
D major:
E♭ major:
From a ...
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2answers
79 views
Backdoor cadences - what would be the ♭VII chord in A major?
So I'm currently learning about using resolution in guitar chord progressions, and so far I have learned about tension chords which is usually, but not limited to, the fifth chord in the scale that ...
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2answers
67 views
How do I write a cadence without any context?
I am studying for my online RCM theory exam, and since I have no contact with my piano teacher I’ve been correcting with the answer book. My answers and the answers in the book are very different. I ...
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1answer
54 views
Have I identified my cadences correctly?
I am having so much trouble with cadence identification. After hours of Youtube video explanations I think that I have this correctly. Have I? How can I make this process easier?
a. Perfect
b. ...
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0answers
14 views
How is a clausula tertiaria/medians distinguished from a modulation to the relative major?
How is a clausula tertiaria/medians distinguished from a modulation to the relative major?
Clausula tertiaria came up in the answer to one of my earlier questions.
Some of the definitions I have ...
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3answers
92 views
Roman Numerals and VII#
The following is an excerpt from this Wikipedia article:
[The Lydian cadence] is so-called because it evokes the Lydian mode
based on its final chord as a tonic, and may be construed with the
...
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2answers
109 views
In a minor key can a cadence on the relative major be considered a type of quasi half cadence?
My question is not: what is the textbook definition of a half cadence?
What I am trying to get at is the perception of an incomplete, sort of antecedent phrase ending.
When playing the following ...
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4answers
372 views
Diminished seventh cadence, is this an IAC or a PAC?
I have seen a few cadences where the only dominant function chord used cadentially is a diminished seventh, mainly resolving to root position tonic, though I have seen a few resolve to an inverted ...
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3answers
82 views
Genesis' bVII-V-I cadence
In the verse part of Genesis' "Behind the Lines", the last line of the chord progression goes:
F C Dm Bb G -> C (resolution)
What is that cadence? What is the theory for that bVII - V - I?
I'...
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3answers
112 views
cadences with triads with two different notes
Can a cadence consist of a triad with only 2 different notes?
Let's say I'm in Fmaj and want to include an imperfect cadence (ii - V):
G - D - G followed by C - E - G. The first triad has only two ...
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0answers
56 views
Is this an example of Modal interchange? [duplicate]
The section I'm referring to is circled in red.
The piece is in D♭ major. And I think here it's in F mixolydian, as both Cmin7 and F7 are in F mixolydian. Also, this part is the end of a phrase and ...
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6answers
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How to make a plagal cadence sound convincing as an ending?
I am nearing the end of composing the first movement of my suite. And I plan to end the movement using a plagal cadence. But I know that a plagal cadence can be hard to make sound convincing. I mean ...
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0answers
86 views
(Conflict) Kostka/Payne Cadence Chart vs. Authentic Cadence in Natural Minor [duplicate]
According to Is this generic cadence chart from Kostka/Payne generally accepted?,
However, the authentic cadence in natural minor, which is v-i, does not meet the definition by Kostka/Payne here. ...
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Variant Cadences
I've gone through many unusual cadences so far - conclusive cadences that are not V-I, V-i, v-i (rare), viio-I, #viio-i, IV-I, or iv-i, and progressive cadences that are not V, v (rare), V-vi, V-VI, ...
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1answer
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♭VII-I Cadence, ♭III-I Cadence: Name?
I've gone through a bunch of ♭VII-I and ♭III-I cadences in rock music. In C major, they are B♭-C and E♭-C.
Is there a specific name for the two cadences? So far, I've been calling them authentic ...
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1answer
149 views
Is there a standard set of cadences designed for the seven modes?
On Cadences for Modes and Modal Cadence Options, Dom, Richard, and I came up with a group of modal cadences. Specifically (correct order from Ionian to Locrian):
Dom: ii-I, VII-i, II-i, II-I, VII-I, ...
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2answers
132 views
Why do plagal cadences in minor keys often use a Picardy 3rd?
In major keys, plagal cadences often occur as IV-I - as it is supposed to be.
In minor keys, plagal cadences are originally supposed to be iv-i, but composers would often use a Picardy 3rd, making it ...
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1answer
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Ger.6-I cadence - Name?
I was looking at some Romantic era works, and I have found an unusual cadence of:
Is there a name for this cadence? I'm tempted to say it is a variant plagal cadence - A plagal cadence is normally a ...
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2answers
713 views
♭II6-I Cadence: Plagal or Authentic?
Chopin's Etude No. 16 in A minor, Op. 25 No. 4, ends with a cadence like this:
B♭/D - A
In Roman numerals, we write as:
♭II6 - I
Is this cadence viewed as Plagal (N6 - I), or Authentic (tt - ...
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2answers
129 views
Does the II chord in the Phrygian II-i cadence count as tritone substitution?
In Phrygian modal music, the II-i cadence is pretty common. Does the II chord here count as a tritone substitute chord that is substituting for vo?
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1answer
162 views
Is there a name for this cadence - [Tritone Sub of V] - I
Sometimes I've been going through [Tritone Sub of V] - I cadences. Is there a specific name for this?
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4answers
436 views
Resolving to minmaj7
Looking for possible resolutions to a imaj7.
Theoretical or not - shoot!
Out-of-the-ordinary resolutions are needed (I already know the theory behind it, using possible modes and all ).
Looking ...
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3answers
517 views
How can I analyze some parts of this excerpt?
I have two questions about this excerpt.
In measure 1 (don't include the pickup note as a measure), there is an Eb tonic chord in the bass staff. How would the F in the melody line be analyzed as a ...
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1answer
231 views
Is a v-VI♭ progression in a minor key still a deceptive cadence?
I was just listening to a rock song that is in a minor key, and the phrase ends with a v moving to a VI♭ chord.
Since the dominant chord is taken from the natural minor and doesn't contain the ...
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1answer
115 views
Can this chord progression be viewed as a cadence?
I was wondering if this ending chord progression to Led Zeppelin's "The Rain Song" could be viewed as a cadence.
"The Rain Song" uses a very interesting guitar tuning (D-G-C-G-C-D). The notes also ...
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2answers
2k views
Is there a name for this cadence? (bVI bVII I) [duplicate]
I hear this chord progression (bVI bVII I) occur a lot in popular music. Is there a name for this progression or cadence? If I heard this at the end of a song or piece, how would I describe it?
My ...
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3answers
204 views
Can a cadence end with a secondary dominant?
If I ended a 4 measure phrase with a V resolving to a V7/IV chord, would this still be considered a cadence since it concludes the phrase?
When listening to this, it almost feels like an authentic ...
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3answers
404 views
Different harmonic changes implied by a simple descending scale
This is a question that readers may find confusing. It is a bit confusing to me too, but I'll try to explain and illustrate it as best as I can.
What are the harmonic functions (in terms of Roman-...
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3answers
2k views
Can we have a perfect cadence in a minor key?
I understand that, at least in the context of using a major scale, a perfect cadence is V-I. That is, if I were playing a piece in C major, I could play a chord similiar to the G major triad followed ...
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2answers
150 views
What constitutes a Cadence?
I've always considered a cadence to be the last two harmonies or chords in a phrase or line of music. Reading about the Andalusian cadence, it looks like it needs all four chords to qualify. I prefer ...
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159 views
Final cadence appears as Em7 - Am (v7 - i in A minor). Name?
I see an unusual cadence in the end of Debussy's Prelude of Pour le Piano. It is v7 - i in A minor. Is there an actual name for this?
(Chord Progression: Fmaj7 - Abaug7 - Gaug7 - C9 - Em7 - Am)
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6answers
119 views
Why is this not a modulation?
Bars three and four look to me like a modulation to the subdominant with an imperfect cadence in Eb (especially with the Ab auxiliary note in bar three). The answers, however, mark bars three and four ...
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1answer
165 views
What types of cadences work well in natural minor?
I am currently interested in writing a piece in natural minor, and it seems like "v - i" cadence does not quite work as well as compared to harmonic and melodic minors, which use "V - i". How can I ...
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2answers
158 views
When was the Imperfect Authentic Cadence invented?
Inverted IAC (1st example) : Either one, or both chords, are not in the root position.
Root position IAC (2nd example) : Both chords are in root position, but the highest voice of the final chord is ...
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1answer
122 views
What is a “Slovenian Cadence”?
I recently acquired a large collection of music theory review materials. In it, I came across the term "Slovenian cadence." Does anyone know what this might be?
Unfortunately, the review materials ...
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2answers
343 views
What type of cadence is this?
What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
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2answers
123 views
When was the “Picardy 3rd” invented?
When was the Picardy 3rd, the final tonic borrowed chord, invented?
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0answers
164 views
Leading-tone IAC?
Why did Beethoven write a leading-tone IAC here? It appears as viio 6/5 - I. Also, why does the leading tone IAC exist?
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1answer
88 views
Is it okay to end a period with an IAC? [closed]
So I started writing a waltz. I have been mainly focusing on the bass line because I got advice from someone that if I focus on the bass progression, the basic melody will just come to me. And once I ...
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4answers
778 views
Understanding the concept of a “Cadence”
According to the Wikipedia article on Cadences, they create "a sense of resolution [finality or pause]."
This got me wondering about a more modern and pop context, where simple chord progressions ...
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1answer
255 views
Is this generic cadence chart from Kostka/Payne generally accepted?
I was perusing my Kostka/Payne book for something when I noticed this chart which I either never paid attention to or forgot :-)
I understand its meaning, but it leads to some interesting ...
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2answers
224 views
Are these inversions in a cadence correct?
I would greatly appreciate it if someone could help me. Currently, I am learning about Authentic, Half, and Plagal Cadences. And I have to find them in composition, then tell the name. At first it ...
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6answers
5k views
The function of Gm G♭ B♭ chord progression in “Shine On You Crazy Diamond”
Over the Christmas break I heard this programme on BBC radio:
Shine On You Crazy Diamond
David Gilmour discusses his famous four-note motif B♭ F G E but what wasn't discussed and I wished had ...
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1answer
151 views
How to write extended perfect authentic cadences
I am currently writing a Berceuse in the style of Chopin and I noticed in a lot of his music and that of other romantic composers in the final perfect authentic cadences they repeat it multiple times ...
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1answer
128 views
Is the typical use of the N6 Neapolitan chord to lead to a perfect cadence rather than a half cadence?
The basic N6 description is that it leads to the dominant chord, but this doesn't fully explain its use in cadences.
A survey of my harmony texts - Piston, Seigmeister, and Kostka - show N6 going to ...
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3answers
345 views
What makes some intervals consonant while others dissonant?
Why does an authentic cadence sound pleasing to the ear? What makes an interval "Consonant" or "Dissonant" and why are there only two categories for intervals?
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4answers
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Is the sense of resolution of a harmonic cadence psychologically “intrinsic”, or is it created through conditioning?
If we took someone who had never heard western music before and played a piece of music with, say, a deceptive cadence and a perfect cadence in it, would they understand it? I.e., would they feel that ...
