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Questions tagged [cadence]

A melodic and/or harmonic configuration at the end of a phrase, section, or piece of music.

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cadences with triads with two different notes

Can a cadence consist of a triad with only 2 different notes? Let's say I'm in Fmaj and want to include an imperfect cadence (ii - V): G - D - G followed by C - E - G. The first triad has only two ...
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Is there a standard set of cadences designed for the seven modes?

On Cadences for Modes and Modal Cadence Options, Dom, Richard, and I came up with a group of modal cadences. Specifically (correct order from Ionian to Locrian): Dom: ii-I, VII-i, II-i, II-I, ...
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Is this an example of Modal interchange? [duplicate]

The section I'm referring to is circled in red. The piece is in D♭ major. And I think here it's in F mixolydian, as both Cmin7 and F7 are in F mixolydian. Also, this part is the end of a phrase and ...
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How to make a plagal cadence sound convincing as an ending?

I am nearing the end of composing the first movement of my suite. And I plan to end the movement using a plagal cadence. But I know that a plagal cadence can be hard to make sound convincing. I mean ...
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Can we have a perfect cadence in a minor key?

I understand that, at least in the context of using a major scale, a perfect cadence is V-I. That is, if I were playing a piece in C major, I could play a chord similiar to the G major triad followed ...
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♭VII-I Cadence, ♭III-I Cadence: Name?

I've gone through a bunch of ♭VII-I and ♭III-I cadences in rock music. In C major, they are B♭-C and E♭-C. Is there a specific name for the two cadences? So far, I've been calling them authentic ...
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(Conflict) Kostka/Payne Cadence Chart vs. Authentic Cadence in Natural Minor [duplicate]

According to Is this generic cadence chart from Kostka/Payne generally accepted?, However, the authentic cadence in natural minor, which is v-i, does not meet the definition by Kostka/Payne here. ...
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Variant Cadences

I've gone through many unusual cadences so far - conclusive cadences that are not V-I, V-i, v-i (rare), viio-I, #viio-i, IV-I, or iv-i, and progressive cadences that are not V, v (rare), V-vi, V-VI, ...
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Do different modes have the same cadence structure?

In major and minor keys, the perfect cadence is V to I Will this structure remain the same in a different mode? I.e. E Phrygian Mode in the key of C (E F G A B C D), the tonic chord is the iii of ...
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Is this generic cadence chart from Kostka/Payne generally accepted?

I was perusing my Kostka/Payne book for something when I noticed this chart which I either never paid attention to or forgot :-) I understand its meaning, but it leads to some interesting ...
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♭II6-I Cadence: Plagal or Authentic?

Chopin's Etude No. 16 in A minor, Op. 25 No. 4, ends with a cadence like this: B♭/D - A In Roman numerals, we write as: ♭II6 - I Is this cadence viewed as Plagal (N6 - I), or Authentic (tt - ...
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Can this chord progression be viewed as a cadence?

I was wondering if this ending chord progression to Led Zeppelin's "The Rain Song" could be viewed as a cadence. "The Rain Song" uses a very interesting guitar tuning (D-G-C-G-C-D). The notes also ...
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The function of Gm G♭ B♭ chord progression in “Shine On You Crazy Diamond”

Over the Christmas break I heard this programme on BBC radio: Shine On You Crazy Diamond David Gilmour discusses his famous four-note motif B♭ F G E but what wasn't discussed and I wished had ...
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Cadences for Modes

For each of the modes, is there a certain chord that goes before the targeted I or i chord? For instance, it seems in the Phrygian mode that II to i is a quite strong progression. In Ionian, obviously ...
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Ger.6-I cadence - Name?

I was looking at some Romantic era works, and I have found an unusual cadence of: Is there a name for this cadence? I'm tempted to say it is a variant plagal cadence - A plagal cadence is ...
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Why do plagal cadences in minor keys often use a Picardy 3rd?

In major keys, plagal cadences often occur as IV-I - as it is supposed to be. In minor keys, plagal cadences are originally supposed to be iv-i, but composers would often use a Picardy 3rd, making it ...
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Is this an imperfect authentic cadence in a minor key?

In the case where the chords ending a phrase (in B minor) are: | D | A | A#m | Bm | in B minor it would be III V/III(VII) #vii i In my opinion the A#m is a passing chord, which leaves me with D A ...
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What type of cadence is this?

What type of cadence is this at the end of Dvorak's 9th symphony (Dvorak's 9th Symphony, 4th movement, Finale - Allegro con fuoco (Meaning: "Fast and Spirited"))? Is it an imperfect authentic cadence ...
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Is contrary motion a requirement when approaching a cadence?

Do the upper parts in all cadences move in contrary motion to the bass.if I write it like that, am I wrong? Or is it only for adjacent chords?
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What types of cadences work well in natural minor?

I am currently interested in writing a piece in natural minor, and it seems like "v - i" cadence does not quite work as well as compared to harmonic and melodic minors, which use "V - i". How can I ...
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Modal Cadence Options

I understand that when playing in a mode, the cadences are quite different from tonal cadences. For example, in the Phrygian mode a cadence would be IV - iii (or II - i if we're renumbering the chords)...
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Does the II chord in the Phrygian II-i cadence count as tritone substitution?

In Phrygian modal music, the II-i cadence is pretty common. Does the II chord here count as a tritone substitute chord that is substituting for vo?
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Final cadence appears as Em7 - Am (v7 - i in A minor). Name?

I see an unusual cadence in the end of Debussy's Prelude of Pour le Piano. It is v7 - i in A minor. Is there an actual name for this? (Chord Progression: Fmaj7 - Abaug7 - Gaug7 - C9 - Em7 - Am)
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What constitutes a Cadence?

I've always considered a cadence to be the last two harmonies or chords in a phrase or line of music. Reading about the Andalusian cadence, it looks like it needs all four chords to qualify. I prefer ...
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What is the name of the chord in this cadence?

I am working through the Augmented Sixth Chords chapter of Piston's Harmony (5th Edition). The last figured bass exercise, 1g ends with the following cadence. I've worked out what the figured bass ...
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Is there a name for this cadence - [Tritone Sub of V] - I

Sometimes I've been going through [Tritone Sub of V] - I cadences. Is there a specific name for this?
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Resolving to minmaj7

Looking for possible resolutions to a imaj7. Theoretical or not - shoot! Out-of-the-ordinary resolutions are needed (I already know the theory behind it, using possible modes and all ). Looking ...
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2answers
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Is there a name for this cadence? (bVI bVII I) [duplicate]

I hear this chord progression (bVI bVII I) occur a lot in popular music. Is there a name for this progression or cadence? If I heard this at the end of a song or piece, how would I describe it? My ...
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Is a v-VI♭ progression in a minor key still a deceptive cadence?

I was just listening to a rock song that is in a minor key, and the phrase ends with a v moving to a VI♭ chord. Since the dominant chord is taken from the natural minor and doesn't contain the ...
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478 views

How can I analyze some parts of this excerpt?

I have two questions about this excerpt. In measure 1 (don't include the pickup note as a measure), there is an Eb tonic chord in the bass staff. How would the F in the melody line be analyzed as a ...
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Can a cadence end with a secondary dominant?

If I ended a 4 measure phrase with a V resolving to a V7/IV chord, would this still be considered a cadence since it concludes the phrase? When listening to this, it almost feels like an authentic ...
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Different harmonic changes implied by a simple descending scale

This is a question that readers may find confusing. It is a bit confusing to me too, but I'll try to explain and illustrate it as best as I can. What are the harmonic functions (in terms of Roman-...
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When was the Imperfect Authentic Cadence invented?

Inverted IAC (1st example) : Either one, or both chords, are not in the root position. Root position IAC (2nd example) : Both chords are in root position, but the highest voice of the final chord is ...
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What makes some intervals consonant while others dissonant?

Why does an authentic cadence sound pleasing to the ear? What makes an interval "Consonant" or "Dissonant" and why are there only two categories for intervals?
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Why is this not a modulation?

Bars three and four look to me like a modulation to the subdominant with an imperfect cadence in Eb (especially with the Ab auxiliary note in bar three). The answers, however, mark bars three and four ...
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Why does a melodic half step resolve on the higher note?

What is so special about a melodic half step that makes it "want" to go up (As in the leading tone to the tonic). Why isn't there as much resolution in a melodic half-step downwards?
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When was the “Picardy 3rd” invented?

When was the Picardy 3rd, the final tonic borrowed chord, invented?
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What is a “Slovenian Cadence”?

I recently acquired a large collection of music theory review materials. In it, I came across the term "Slovenian cadence." Does anyone know what this might be? Unfortunately, the review materials ...
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Leading-tone IAC?

Why did Beethoven write a leading-tone IAC here? It appears as viio 6/5 - I. Also, why does the leading tone IAC exist?
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Is it okay to end a period with an IAC? [closed]

So I started writing a waltz. I have been mainly focusing on the bass line because I got advice from someone that if I focus on the bass progression, the basic melody will just come to me. And once I ...
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Understanding the concept of a “Cadence”

According to the Wikipedia article on Cadences, they create "a sense of resolution [finality or pause]." This got me wondering about a more modern and pop context, where simple chord progressions ...
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cadence naming confusion

Checking out cadences for a student, I thought that 'perfect' was the U.K. version of the U.S. 'authentic'. Then went on to find 'perfect authentic' cadence. It seemed like tautology, but it appears ...
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Are these inversions in a cadence correct?

I would greatly appreciate it if someone could help me. Currently, I am learning about Authentic, Half, and Plagal Cadences. And I have to find them in composition, then tell the name. At first it ...
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How to write extended perfect authentic cadences

I am currently writing a Berceuse in the style of Chopin and I noticed in a lot of his music and that of other romantic composers in the final perfect authentic cadences they repeat it multiple times ...
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Is the typical use of the N6 Neapolitan chord to lead to a perfect cadence rather than a half cadence?

The basic N6 description is that it leads to the dominant chord, but this doesn't fully explain its use in cadences. A survey of my harmony texts - Piston, Seigmeister, and Kostka - show N6 going to ...
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Is the sense of resolution of a harmonic cadence psychologically “intrinsic”, or is it created through conditioning?

If we took someone who had never heard western music before and played a piece of music with, say, a deceptive cadence and a perfect cadence in it, would they understand it? I.e., would they feel that ...
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What are examples of non-Classical cadences?

Perfect/imperfect authentic cadences, half cadences, deceptive cadences, and plagal cadences have been around since at least Mozart. What are some either specific cadences or approaches to cadences ...
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How do I write “piano style” cadences?

I'm currently undertaking the AMEB theory grades. I'm up to grade 4 and am working on different types of cadences but I STILL don't understand how "piano style" (the one with the bass note in the bass ...
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Does every phrase in music end with a cadence?

I'm just wondering if every phrase in music ends on a Cadence? Much like every sentence in English ends with a period? I am mainly talking about common music such as pop, rock, classical, traditional,...
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Is there a specific name for the use of IV chord over the V in the bass, e.g. F/G in the key of C

You see this chord a fair amount, usually leading to the tonic as a sort of souped-up plagal cadence (plagal in the treble, perfect in the bass). Is there a specific name for this, other than "4 over ...