Questions tagged [chord-voicings]

For questions on how to arrange the necessary chord tones among an instrument or ensemble. Some questions may also require the voice-leading tag.

Filter by
Sorted by
Tagged with
6
votes
3answers
351 views

Equivalence of intervals with octaves between them

Say we play C4 and G4 on the piano at the same time, stop the notes, then play D4 and A4 simultaneously, then the quality of this sound is the same as the quality of the first. To understand why that ...
2
votes
1answer
38 views

difficulty with chord spelling and voicing in Neumeyer's Hindemith analysis

This post is in reference to David Neumeyer's The Music of Paul Hindemith. Please refer to the third chord of m.1 in example 3.12 (below). I see this chord spelled as C E E Bb. Having said that, I ...
2
votes
1answer
42 views

Not following Hindemith-type analysis

I am having trouble following the analytical methods applied in David Neumeyer's The Music of Paul Hindemith. Please refer to example 3.12: I would like to use one of the chord changes to put my ...
8
votes
5answers
1k views

E7 chord at 5th fret missing a B note

the E7 chord includes E G# B D. If we play E7 on the 5th fret, it is missing a B note. Could anyone please explain that?
3
votes
4answers
309 views

Chord progression versions and categories

I'm having trouble interpreting this chord progression. For example, the three different iv chords shown: does the bass note not affect the right hand? I can see that they are only using "A-E-C&...
1
vote
1answer
88 views

How to choose a chord voicing for a melody?

I am a songwriter and I'm trying to learn song arrangement and how best to voice chords for my vocal melody part. What considerations should I make when choosing a chord voicing for my melody? For ...
1
vote
3answers
95 views

Doubling notes in orchestration - inversions and extensions

Just a very quick question, because I've found similar answers about doubling notes (for instance, when arranging for four- or five-part harmony), but nothing specifically involving inversions. So, ...
12
votes
1answer
419 views

Chord voicings used by backup trios in Motown girl groups?

On songs like Be my baby by the Ronettes or Will you love me tomorrow? by the Shirelles (a Carole King tune), there seems to be a standard style of arrangement where you have the lead vocals sung by ...
1
vote
0answers
53 views

Find a chord progression [closed]

I am looking for the chord progression that appears in this audio file. There should be : G/D - Bm/F# - F#m, but I am missing one. Thanks in advance !
4
votes
2answers
103 views

How do I fix a last chord that has a doubled leading tone?

The chord is "V6 (i.e., first inversion) in Bb major", and has a "2/4" time meter. So far I have been able to set up the four different voice parts as follows: -Soprano: C -Alto: F ...
5
votes
2answers
125 views

Do 11th chords change depending on genre?

In my training, I've always learned (and I still teach) that 11th chords don't have the chordal third; the dissonance between the 3rd and 11th (an octave-displaced fourth) seems to weaken the chord, ...
0
votes
4answers
128 views

What chord is Dm7 with a Bb?

If I have a Dm7 chord played on the 5th fret of a guitar as a barre chord and move my pinky to play the Bb note next to the A on the 4th string I have the notes D Bb C F A so basically a Dm7 with an ...
5
votes
2answers
122 views

Chromatic Passing notes in Tchaikovsky's Harmony book

From Tchaikovsky's harmony textbook, "Guide to the Practical Study of Harmony", page 98: In the image below, why are the bars contained in the red box of example 258 considered good? The ...
2
votes
2answers
164 views

Why do open voicings of chords sound less dissonant/more harmonious?

I have been thinking about why open voicings of chords are considered to sound better then closed voicings. It is just because the frequencies are farther apart and thus we have a more harmonic sound, ...
3
votes
2answers
208 views

(How) Do the terms “open” and “close” position apply to chords with multiple doublings?

Based on Open/Close Position Chords: What I am missing? a simple triad (no doubling) is in "close position" if the chord tones are packed as closely together as possible, and in a four-...
2
votes
4answers
78 views

Single Step Voice Leading on Piano

I'm trying to figure out how to "properly" use voice leading. Specifically, I'm wondering how to progress by a single step (is that the correct way of saying it?). For example, say I want ...
0
votes
7answers
126 views

Which minor scale/mode do you use to harmonize the chords, when improvising in minor key?

When improvising in minor key (let's say classical harmony, non-modal), I guess the minor melodic scales (asc. and desc.) are used to play, well, the melody (hence the name melodic?). Or is the ...
7
votes
4answers
655 views

Removal of the 5th in extended chord voicings

I regularly see the 5th of the chord being omitted/replaced in extended chords. Is this common practice? Examples below (there are others I've seen but I cannot recall them): Video by Adam Neely on ...
4
votes
4answers
187 views

How to characterize voicings of “cowboy chords” on guitar?

As set forth in the title, how might might one characterize voicings of "cowboy chords" on guitar? And is there a systematic way to characterize the voicing of these and other chords? In the ...
2
votes
1answer
81 views

What does “non-conformant” harmonization mean?

In context with this question: Take 6: What chords are making this style so jazzy? I came across the term non-conformant harmonization: Non-Conformant Harmonization: The Real Book in the Style of ...
2
votes
1answer
75 views

When the tones in a chord are packed together, is it in “Close position” or “Closed position”?

When a chord is written such that the chord tones are as close together as possible, like this... X:1 K:C M:4/4 L:1/1 [CEG] | [EGc] | [Gce] | ...what is the correct term: "Close position" ...
2
votes
2answers
147 views

How do I describe this chord (A in bass with F# upper structure triad)?

I'm trying to expand my harmony (past the 7ths/9ths/sus4 which have served me fine for pop), and I constructed something funky. I never really got into chord vocab, so I don't know how to describe it ...
5
votes
2answers
458 views

What is going on in this left hand comping by McCoy Tyner (Bb minor blues)?

I understand the basics of fourth-voicings and mccoy's style, moving fourth voicings diatonically through a scale, and occasionally using chromaticism to shift and play out. I find this though very ...
15
votes
3answers
928 views

Voicing in the Finale of Tchaikovsky's Symphony No. 6 “Pathétique”

In the opening bars of the last movement of Tchaikovsky's 6th, the strings have some four-part writing with a melody "F# E D C# B C#." However, the score reveals that the first and second ...
2
votes
2answers
66 views

Can I improvise inversions when my piece has slash cords?

I'm new to learning to play piano from a fake book. I've read that when you play a slash cord, the note on the bottom of the slash is supposed to be played in the bass. However, I've also read that ...
8
votes
2answers
1k views

What does the chord notation X/Y (“slash chord”) mean?

Questions about slash chords are frequent enough that this question was created to answer the general concerns as well as link to related or more specific questions on the topic. Chords notated like ...
6
votes
3answers
1k views

Should the comping instrument ever double the bass player?

I was taught that when comping along with a bass player, I should (generally) avoid playing the same note as the bass. Are there times when this is desirable, recommended, or even necessary? If yes, ...
3
votes
5answers
378 views

How do inversions of extended chords work?

I am trying to understand what is the main difference between inversions and voicings, The way I see it is that the inversion will establish the lowest note on a chord, while the voicing is the ...
3
votes
2answers
197 views

Is there a piano exercise to develop chord change/voicing proficiency? [closed]

I want to become better at playing chord charts and lead sheets, so was wondering if there are any exercises that target ones ability to shift between chords with lots of extensions, clustered ...
1
vote
1answer
253 views

A database of every guitar chord? [closed]

For a tool I'm developing, I'd like to have a database of all playable chords (and voicings) on guitar. "playable" would mean either : any position that the human with the biggest stretch ...
9
votes
3answers
1k views

Jazz piano: chords and melody in right hand. How?

Aiming for being capable of playing solo and in ensemble, a jazz pianist is exposed to the following: Bass player is playing the root tones, hence the pianist can play rootless When playing alone or ...
0
votes
2answers
120 views

What is the correct name for this chord?

C E D B Db F Here are some attempts at naming this chord from four separate conversion web apps: Dm9/13/C add(7) Cmaj9 (11,b9) Sorry, no matches found CM11 (b9,add9) I find it interesting how ...
7
votes
5answers
1k views

Sus2 doesn't exist?

On this stack post answer: Chord naming conventions: add2 versus add9 And on this website: https://www.brendanpauljacobs.com/spelling.htm The writers imply that sus2 chords actually do not exist. ...
-2
votes
2answers
138 views

Is there a recognized standard for absolutely correct chord spelling?

I can't seem to find a definitive guide on the nuances of spelling chords. Every resource I find contradicts another. Some use things like sus9, some are liberal with adds, and others are so strict ...
5
votes
4answers
302 views

Chord naming convention for repeated intervals

I keep seeing around the place that chord names shouldn't describe the voicing of a chord, but simply the intervals. If this is the case, why do the intervals ♭13, ♯11 and ♯9 exist? ...
1
vote
2answers
64 views

What is this chord in Schubert's D. 531?

Consider following extract from Schubert's Der Tod und das Mädchen (D. 531) : I assume that the indicated chord in the penultimate bar can be seen as a transition between the chords of D major and A ...
8
votes
2answers
3k views

How to apply Barry Harris 6th diminished voicings and maintain chord functions?

The Barry Harris diminished 6th voicings are popular voicings in Jazz, often related to Bill Evans when using drop 2 's. In essence, these are harmonizations of the bebop scale using the I and V7b9 (...
1
vote
1answer
62 views

What percentage of the time did Bach and others use chord inversions in chorales?

I know the frequencies of his "Normal Fundamental Harmonic Progressions" i.e., the progression of chord roots. I'd like to know the percentage of time that he used 1st or 2nd inversions in his ...
3
votes
3answers
679 views

Transcribing Jazz Piano Chord Voicings

I have just started to play jazz piano after many years of classical piano and one of the big things I have to do as a jazz musician is to transcribe (by ear) famous jazz recordings. When I am ...
3
votes
0answers
148 views

Dictionary for Reverse Chord Lookup [closed]

I've been searching for some information regarding reverse chord lookup and various libraries that might help me with some software I'm writing. I've tried tonal.js and various other JS music theory ...
10
votes
3answers
830 views

13 Chord Voicing Without Root, 3rd or 5th

I've been improvising over Hoagy Carmichael's Heart and Soul and I came across a chord voicing that seemed a little strange to me. As shown below, the C13 is voiced F-Bb-D-A, using the 7th, 9th, 11th ...
4
votes
5answers
901 views

What's the difference in sound between the shell voicing of a minor 7th chord vs a half diminished 7th chord?

I am learning about shell voicings for 7th chords. I understand that you you remove the 5th because it makes no difference in the quality of the chord. That leaves me with Cmin7 being C Eb Bb C half ...
2
votes
1answer
127 views

What are voicings in jazz and how are they different from chord inversions?

I've began studying jazz and I came across to something called "voicings","drop 2 voicings", etc. To me, voicings seem like chord inversions but from what I've found online it seems to be something ...
1
vote
1answer
84 views

Is there a certain way to voice chords for an orchestration?

I am new to composing, and I am working on a piece for an orchestra. Currently, I am working on the string section. I have four parts so far (violin, viola, cello, double bass). I am considering ...
4
votes
1answer
110 views

Stretching on Ukulele: How Far is Fair?

I've noticed that I play a lot of chords on ukulele with larger intervals in them, and often the chord voicings have big stretches from the lowest notes to the highest notes. Obviously, I know ...
18
votes
5answers
5k views

What's an “add” chord?

The name implies that you are adding a note, but we already notate that explicitly in the chord name and quality. We say Cm7, not Cm add 7. If we want a 9th, we can go Cm9, but is Cm add 9 correct ...
8
votes
5answers
480 views

Is Alberti bass really a type of arpeggio?

When I hear the term "arpeggio", to me, it is much more specific than just a broken chord. A broken chord, obviously is any chord that isn't played as a block chord. This could mean anything from ...
8
votes
6answers
1k views

Does the voicing of a chord affect the name it's been given? If not, what does?

So I came across a YouTube video where the guy kept referring to a chord as Cm♭6 (C minor flat 6th). However, it seems to me that with a little rearranging this could also be written as a simple ...
3
votes
4answers
133 views

Why can some 5ths be replaced with 6ths in an extended chord, but not all?

I want to get more comfortable playing a wider variety of chords voicings, so recently I've been playing around with lots of different chord progressions in my warmups. A pianist I like put out a ...
2
votes
1answer
73 views

Do descending drop chord voicings in the blues work?

Here are two well known descending chord patterns: Diatonic seventh chords. Sequence of dominant seventh chords. The voice leading is smooth in both and basically each voice just steps down to the ...