Questions tagged [chord-voicings]

For questions on how to arrange the necessary chord tones among an instrument or ensemble. Some questions may also require the voice-leading tag.

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1answer
48 views

What does “non-conformant” harmonization mean?

In context with this question: Take 6: What chords are making this style so jazzy? I came across the term non-conformant harmonization: Non-Conformant Harmonization: The Real Book in the Style of ...
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1answer
34 views

When the tones in a chord are packed together, is it in “Close position” or “Closed position”?

When a chord is written such that the chord tones are as close together as possible, like this... X:1 K:C M:4/4 L:1/1 [CEG] | [EGc] | [Gce] | ...what is the correct term: "Close position" ...
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2answers
134 views

How do I describe this chord (A in bass with F# upper structure triad)?

I'm trying to expand my harmony (past the 7ths/9ths/sus4 which have served me fine for pop), and I constructed something funky. I never really got into chord vocab, so I don't know how to describe it ...
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2answers
381 views

What is going on in this left hand comping by McCoy Tyner (Bb minor blues)?

I understand the basics of fourth-voicings and mccoy's style, moving fourth voicings diatonically through a scale, and occasionally using chromaticism to shift and play out. I find this though very ...
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3answers
820 views

Voicing in the Finale of Tchaikovsky's Symphony No. 6 “Pathétique”

In the opening bars of the last movement of Tchaikovsky's 6th, the strings have some four-part writing with a melody "F# E D C# B C#." However, the score reveals that the first and second ...
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2answers
49 views

Can I improvise inversions when my piece has slash cords?

I'm new to learning to play piano from a fake book. I've read that when you play a slash cord, the note on the bottom of the slash is supposed to be played in the bass. However, I've also read that ...
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2answers
554 views

What does the chord notation X/Y (“slash chord”) mean?

Questions about slash chords are frequent enough that this question was created to answer the general concerns as well as link to related or more specific questions on the topic. Chords notated like ...
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3answers
1k views

Should the comping instrument ever double the bass player?

I was taught that when comping along with a bass player, I should (generally) avoid playing the same note as the bass. Are there times when this is desirable, recommended, or even necessary? If yes, ...
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5answers
220 views

How do inversions of extended chords work?

I am trying to understand what is the main difference between inversions and voicings, The way I see it is that the inversion will establish the lowest note on a chord, while the voicing is the ...
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2answers
92 views

Is there a piano exercise to develop chord change/voicing proficiency? [closed]

I want to become better at playing chord charts and lead sheets, so was wondering if there are any exercises that target ones ability to shift between chords with lots of extensions, clustered ...
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1answer
134 views

A database of every guitar chord? [closed]

For a tool I'm developing, I'd like to have a database of all playable chords (and voicings) on guitar. "playable" would mean either : any position that the human with the biggest stretch ...
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3answers
782 views

Jazz piano: chords and melody in right hand. How?

Aiming for being capable of playing solo and in ensemble, a jazz pianist is exposed to the following: Bass player is playing the root tones, hence the pianist can play rootless When playing alone or ...
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2answers
101 views

What is the correct name for this chord?

C E D B Db F Here are some attempts at naming this chord from four separate conversion web apps: Dm9/13/C add(7) Cmaj9 (11,b9) Sorry, no matches found CM11 (b9,add9) I find it interesting how ...
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5answers
1k views

Sus2 doesn't exist?

On this stack post answer: Chord naming conventions: add2 versus add9 And on this website: https://www.brendanpauljacobs.com/spelling.htm The writers imply that sus2 chords actually do not exist. ...
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2answers
126 views

Is there a recognized standard for absolutely correct chord spelling?

I can't seem to find a definitive guide on the nuances of spelling chords. Every resource I find contradicts another. Some use things like sus9, some are liberal with adds, and others are so strict ...
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4answers
275 views

Chord naming convention for repeated intervals

I keep seeing around the place that chord names shouldn't describe the voicing of a chord, but simply the intervals. If this is the case, why do the intervals ♭13, ♯11 and ♯9 exist? ...
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2answers
58 views

What is this chord in Schubert's D. 531?

Consider following extract from Schubert's Der Tod und das Mädchen (D. 531) : I assume that the indicated chord in the penultimate bar can be seen as a transition between the chords of D major and A ...
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2answers
844 views

How to apply Barry Harris 6th diminished voicings and maintain chord functions?

The Barry Harris diminished 6th voicings are popular voicings in Jazz, often related to Bill Evans when using drop 2 's. In essence, these are harmonizations of the bebop scale using the I and V7b9 (...
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1answer
49 views

What percentage of the time did Bach and others use chord inversions in chorales?

I know the frequencies of his "Normal Fundamental Harmonic Progressions" i.e., the progression of chord roots. I'd like to know the percentage of time that he used 1st or 2nd inversions in his ...
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3answers
303 views

Transcribing Jazz Piano Chord Voicings

I have just started to play jazz piano after many years of classical piano and one of the big things I have to do as a jazz musician is to transcribe (by ear) famous jazz recordings. When I am ...
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1answer
104 views

Dictionary for Reverse Chord Lookup

I've been searching for some information regarding reverse chord lookup and various libraries that might help me with some software I'm writing. I've tried tonal.js and various other JS music theory ...
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3answers
760 views

13 Chord Voicing Without Root, 3rd or 5th

I've been improvising over Hoagy Carmichael's Heart and Soul and I came across a chord voicing that seemed a little strange to me. As shown below, the C13 is voiced F-Bb-D-A, using the 7th, 9th, 11th ...
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5answers
819 views

What's the difference in sound between the shell voicing of a minor 7th chord vs a half diminished 7th chord?

I am learning about shell voicings for 7th chords. I understand that you you remove the 5th because it makes no difference in the quality of the chord. That leaves me with Cmin7 being C Eb Bb C half ...
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1answer
112 views

What are voicings in jazz and how are they different from chord inversions?

I've began studying jazz and I came across to something called "voicings","drop 2 voicings", etc. To me, voicings seem like chord inversions but from what I've found online it seems to be something ...
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1answer
48 views

Is there a certain way to voice chords for an orchestration?

I am new to composing, and I am working on a piece for an orchestra. Currently, I am working on the string section. I have four parts so far (violin, viola, cello, double bass). I am considering ...
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1answer
88 views

Stretching on Ukulele: How Far is Fair?

I've noticed that I play a lot of chords on ukulele with larger intervals in them, and often the chord voicings have big stretches from the lowest notes to the highest notes. Obviously, I know ...
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5answers
4k views

What's an “add” chord?

The name implies that you are adding a note, but we already notate that explicitly in the chord name and quality. We say Cm7, not Cm add 7. If we want a 9th, we can go Cm9, but is Cm add 9 correct ...
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5answers
308 views

Is Alberti bass really a type of arpeggio?

When I hear the term "arpeggio", to me, it is much more specific than just a broken chord. A broken chord, obviously is any chord that isn't played as a block chord. This could mean anything from ...
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6answers
1k views

Does the voicing of a chord affect the name it's been given? If not, what does?

So I came across a YouTube video where the guy kept referring to a chord as Cm♭6 (C minor flat 6th). However, it seems to me that with a little rearranging this could also be written as a simple ...
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4answers
95 views

Why can some 5ths be replaced with 6ths in an extended chord, but not all?

I want to get more comfortable playing a wider variety of chords voicings, so recently I've been playing around with lots of different chord progressions in my warmups. A pianist I like put out a ...
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1answer
58 views

Do descending drop chord voicings in the blues work?

Here are two well known descending chord patterns: Diatonic seventh chords. Sequence of dominant seventh chords. The voice leading is smooth in both and basically each voice just steps down to the ...
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6answers
3k views

How to determine passing chords

How do you determine passing chords from one chord to another, as I've seen how most gospel/jazz pianists do? So far, I am familiar with progressions such as the II-V-I as means to go from one chord ...
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4answers
1k views

How to accompany with piano in latin music when given only chords?

Say we want to play piano and we know these things: We have a I-IV-V-I chord progression We we want to play a measure in C major (C-D-E-F-G-A-B) So if we look at I-IV-V-I in C major from the ...
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1answer
432 views

Does every chord have inversions?

I know triads and 7ths chords have inversions, and their inversions even have names(64, 6, 65, 42, etc.) My questions are: Do the triads' and 7th chords' inversion names also apply to non-major ...
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3answers
422 views

Non-cadential use of 6/4 chord

I guess the 6-4 chord in common practice music is typically seen as a "cadential" 6-4, used to embellish the chords around it by means of bass arpeggiation. In rock music, however, a I chord in ...
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1answer
89 views

Difference between iii/IV and vi in analysis?

I am trying to follow along this music theory video. The song analyzed is Merry Christmas Mr.Lawrence by Ryuichi Sakamoto. The main chord progression is IV - iii/IV - iii - vi - V7 My question is ...
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2answers
247 views

Jazz piano: improving voicings

I run into these two problems related to chords: My accompany with my left hand conflicts/try to occupy the same tones as my right hand, melody. My voicings are boring and dull. Very standardised and ...
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2answers
114 views

Jazz: Getting a feel for chords/harmonies

I have played the violin for several years so I have fundamental knowledge in some areas, however chords are currently opaque. For instance, I can play the melody line for any jazz standard by ear ...
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1answer
128 views

Jazz piano: accompanying oneself

My goal is to be able to by ear play a jazz standard, with improv sections. When keeping an accompaniment in my left hand (say, a walking base or similar) while soloing with my right, then I stall. ...
2
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1answer
130 views

Rising Fourth/Descending Fifth bass movement in inversions

I understand that the sense of resolution is strongest with the root movement of a rising fourth/descending fifth. However, is the important thing that the chords be a fourth/fifth apart (i.e. Cmaj - ...
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1answer
288 views

What should one keep in mind when writing the Neapolitan 6th chord in a chord progression?

So I have just started reading about the Neapolitan 6th, & I'm new to this topic. I know that it is generally used in its first inversion, & is often followed by chord V. Thus it is used in ...
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2answers
150 views

Arrangement of triad inversions [duplicate]

For any given triad there are six possible arrangements of the notes. For example: CEG, CGE, GEC, GCE, ECG, EGC Why are only three of them taken account of, ie. root, first and second inversions?
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5answers
548 views

How to make the Bass in SATB move more smoothly?

While writing for SATB, I realise I have a few chords where the Bass part is moving down in intervals of 6ths or 7ths from one chord to the next. For example, I have a chord progression iib in F ...
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1answer
172 views

Tenor part written higher than the Alto part in SATB

I have read that Bach in his chorales wrote the tenor part high (frequently using ledger lines for this). Another source said that the Tenor part would be written higher than the Alto part - for ...
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1answer
113 views

Is it ok to write a note of the same register in two voices (SATB)?

I want to know if this is allowed when writing for SATB. The chord is D/F#. The note D is of the same register, but repeated in the Alto & Tenor voices. Is this allowed in a music theory exam?
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1answer
108 views

What does the author mean in these examples of chorales & harmony?

This is an example in G major. I am learning about Bach's chorales & how he uses modulation. I came across a page online (choraleguide.com), & in one example given, I couldn't understand what ...
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2answers
529 views

How should I write a tutti chord?

Somebody commented on my Pathetique Sonata orchestration that it is all wrong and how it is wrong. Here I will focus on the part of the comment related to tutti chords. Here is the link to my ...
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2answers
351 views

Identifying “Drop chords” from a given voicing

I'm new to this concept of "drop chords" for guitar, and apparently other instruments as well. Well, I know about chord voicings in general, but not necessarily how the drop-n voicing system works. ...
4
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2answers
453 views

Improvising over quartal voicings

One particular jazz piano technique is to voice chords using quartal voicings. A quartal voicing is a chord built on fourths. For example, one might voice Cmin with the notes (in ascending order) F-B♭-...
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3answers
161 views

chord voicing with arpeggiations and inversions

This question is in two parts. A) Assume the rules of 4-part harmony. Should the first note of an arpeggio be the one that is included in the chord for best sonority? For example, we are told, with ...