Questions tagged [chords]

For general questions about chords like how to play them, construct them, or what symbols represent them. For more in depth analysis of the ideas behind chords themselves, please use the chord-theory tag.

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2answers
60 views

Can a song's chords be interpreted in many different ways?

From one of the songs I am trying to interpret, I am confused about which base chord is the right base chord. From the song, around the 00:59 part of the song(Where the chorus starts), I thought the ...
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2answers
87 views

What can I do to identify the bass note that's not on guitar?

I am practicing finding the chord of songs by my ears and I only play guitar. However, I see some pop songs(where uses pianos) have low C chords which the guitar doesn't have (The guitar can't go as ...
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2answers
500 views

Help me understand the chord progression in Tatsuro Yamashita's 'Sparkle'

I'm trying to understand/analyze 'Sparkle' (1982) by Tatsuro Yamashita. Funky stuff begins at 0:50. The song is in Emaj (I think), and here's the chord progression I'm looking at (take it easy with my ...
5
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2answers
172 views

How can I tell whether the bass note I heard is the right one?

I have been playing guitar for a while and I realized I should develop my skill for finding the chords by ear. However, in some songs like Driver's License - Olivia Rodrigo, I realized what I am ...
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0answers
53 views

Want to Learn Chords? [closed]

No link just something I do to help. If you have multiple guitars then remove the strings of one and practice chords on this!
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3answers
88 views

Usage of Melodic Minor instead of Harmonic Minor on Secondary Dominant

Recently I watched this video which discusses secondary dominants and specifically for the case of A II - V - I in the key of C. They play a secondary dominant for the II chord, so they are playing an ...
3
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1answer
44 views

F#m (b6, add9) OR DΔ (#11)/F#? To use b6 chords or not

I have encountered the claim that b6 chords are often a misinterpretation of a Maj7th chord with the third in the bass... It seems fairly reasonable but my head wants to revert to the b6 (or b13 maybe)...
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1answer
103 views

Why ii-V-i-IV progression in this sample has chords of different key?

I've been learning chord progression and found myself with this progression: Specifically at @2:26 The progression is said to be in ii-V-i-IV of C# minor, but I don't ...
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7answers
1k views

What do you mean by the tonic chord feels as 'home'?

I am new to the world of music theory and have some basic knowledge of the different modes of the major scale. As per my knowledge, every scale has a tonic chord which is essentially the one all other ...
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6answers
872 views

What is the difference between the bIII and III chord in a minor scale?

Wrting a chord as III in conventional notation gives you, as far as I can tell, two pieces of information: The uppercase numerals mean it's a major chord, i.e., built by stacking a major third and a ...
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3answers
57 views

How many fully diminished 7 chords do you get out of the harmonic minor scale?

It is supposed to be only the 7th degree that gives us the fully diminished 7th chord but when I took a closer look today at the 2nd degree of the harmonic minor scale (Locrian 6) it seems to have an ...
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1answer
274 views

Simplify chords

I'm currently working on a website and I would like to find a way to simplify chords by removing the non essential parts (to make it easier for beginners). For example: Am7/C => Am. Removing the ...
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3answers
94 views

Homophony vs Polyphony

Would I be correct if I were to define homophony vs polyphony as chords vs lines? If homophony is defined as a single melody with chordal accompaniment, and polyphony as several melodies with equal ...
2
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1answer
38 views

difficulty with chord spelling and voicing in Neumeyer's Hindemith analysis

This post is in reference to David Neumeyer's The Music of Paul Hindemith. Please refer to the third chord of m.1 in example 3.12 (below). I see this chord spelled as C E E Bb. Having said that, I ...
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1answer
40 views

Not following Hindemith-type analysis

I am having trouble following the analytical methods applied in David Neumeyer's The Music of Paul Hindemith. Please refer to example 3.12: I would like to use one of the chord changes to put my ...
1
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1answer
33 views

I chord interpretation and broken chord interpretation blocking broken chords

I'm having trouble interpreting this chord. It is labeled as a I chord, and from seeing that there is no key signature, I'm assuming it's in Cmaj or Amin. But what I'm not getting is, to my knowledge, ...
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3answers
69 views

Does tempo affect use of non-harmony notes?

Writing a four part piece for strings at a very slow tempo (55 bpm). On paper, it seems as though the non-chord notes I have selected should work, but I am finding some of them jarring. I am unsure if ...
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2answers
108 views

When was the concept of a “triad chord” first introduced?

Chiara Bertoglio, “A Perfect Chord: Trinity in Music, Music in the Trinity,” Religions 4, no. 4 (December 2013): 485–501, §6. A “Harmonious” God, p. 493, claims: It was not before the 16th century, ...
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5answers
1k views

E7 chord at 5th fret missing a B note

the E7 chord includes E G# B D. If we play E7 on the 5th fret, it is missing a B note. Could anyone please explain that?
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2answers
473 views

Creating chord-melody from The Real Book (or other fake book)

I practice songs from The Real Book, and I am quite new to the chord-melody concept. I have knowledge of scales and chords, and I can play melodically these standards. Now I want to play them as chord-...
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4answers
308 views

Chord progression versions and categories

I'm having trouble interpreting this chord progression. For example, the three different iv chords shown: does the bass note not affect the right hand? I can see that they are only using "A-E-C&...
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4answers
116 views

Do I understand correctly this relationship between m6, m7, and m7b5 chords?

While reading the Jazz Guitar Chord Mastery book by Joseph Alexander, I've encountered a passage that is not 100% clear to me. I would be very thankful if you might help. Playing a m7b5 chord on the ...
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6answers
76 views

In major keys, since the 7th scale degree resolves up to the 8th, does descending through the scale degrees 8-7-6 violate the leading tone rule?

I need to understand how the leading tone (7th scale degree) functions in major keys. I see that the 7th scale degree (leading tone) resolves up to the 8th (the tonic) because the leading tone is a ...
2
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1answer
44 views

Inversions of diminished 7th chords

I have the following passage in D minor which features two diminished 7th chords: I have labelled most of the chords, but I am at a loss of how to label these two diminished 7th chords. If I could ...
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2answers
102 views

Can dominant chords be specified independently of a tonic (of a key)? [duplicate]

The dominant chord is defined in relation to the (5th) scale degree on which it is built. This definition can often be found alongside other chord types, such as the major triad, whose definition ...
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3answers
193 views

Roman Numeral Analysis - Tonicization of relative major key in minor key

I have a passage that I am trying to analyse with roman numerals: The passage is in B minor, but the section in question briefly tonicizes D major - the relative major key. My question is, how can ...
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1answer
110 views

How is this C chord constructed on guitar?

I am following a tutorial on Black Magic Woman from Justin Guitar and at 6:18 he plays the C Chord in the following way. Since the C Chord consists of notes C, E, and G I notice that his index finger ...
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6answers
133 views

If you add a 9th to a subdominant IV chord does it make it a dominant chord?

For example, if you have a progression in D major that ends on G, would adding an A to the G chord and losing the 3rd make the chord dominant? You would have the notes G A and D. It certainly sounds ...
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1answer
42 views

Does this song use chromatic mediant in G major? and what other music theory concepts this song's verse utilize

I'm currently learning basic music theory and along the way I review old songs on my playlist then analyze what key, chord progression and somehow discover the composer's way of creating music. The ...
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2answers
97 views

How to identify notes in a key that sound better while improvising?

I learned all the chords and their inversions. I'm pretty slow with inversions yet but I'm trying as hard as I can! Now I started to improvise with my right hand a little bit (omg this is so fun!). So ...
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2answers
69 views

What is it called when the melody note is held, but the chord changes to resolve to the final harmony?

I noticed a pattern that I would love to have a name for: The second to last note in the melody of a phrase occurs together with a chord. The melody note is held, but the chord changes. Now the melody'...
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3answers
873 views

How does Eb connect musically to C major chord progression like in this song?

Im learning basic music theory and chord progression then I stumbled upon this song (You are my song by Martin Nievera) : From my understanding, the first 2 lines are simply C major chord ...
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3answers
87 views

Doubling notes in orchestration - inversions and extensions

Just a very quick question, because I've found similar answers about doubling notes (for instance, when arranging for four- or five-part harmony), but nothing specifically involving inversions. So, ...
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2answers
1k views

Who decides chord details in published songs?

I like to make lead sheets of songs like this to learn to improvise from, condensing the published sheet music down to a single page with no turns. In working from my two copies of It's Only A Paper ...
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3answers
318 views

Does the chord-symbol spelling of a polychord have musical meaning?

The chord C Eb G Bb D F A would typically be notated Cm13. However, it makes a convenient example for this question. Suppose I want to write that same Cm13 chord as a polychord. I have two choices: ...
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2answers
58 views

Notes in C13#11

I'm playing an Jazz improv for the song Summertime and I'm seeing chords that say A-11, Ab13#11, and I just want to make sure I understand the 13#11 chord. So, In the key of C, a C13#11 chord would be:...
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3answers
127 views

When using Functional Chord symbols, how can we distinguish between a Dominant 7th chord and a Major 7th chord? [duplicate]

In the key of F major (for example), we can have the chords C7 and Cmaj7. C7 = C-E-G-Bb and Cmaj7 = C-E-G-B Using Functional Chord symbols, the basic tonic chord is "I", and the basic ...
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1answer
137 views

What is the function of this chord progression in Schubert's “Winterreise”?

I'm having a hard time figuring out how the chord progression from Schubert's Winterreise (D911), No. 11 "Frühlingstraum", measures 15–26 works (from the section marked "Schnell" ...
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2answers
1k views

Is it a G flat or a G natural?

I've got a doubt here. Do I play G flat or G natural?? The accidental doesn't come in till the 3rd beat while the key signature does not have G flat, while the lyric has an accidental but at the ...
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0answers
53 views

Find a chord progression [closed]

I am looking for the chord progression that appears in this audio file. There should be : G/D - Bm/F# - F#m, but I am missing one. Thanks in advance !
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7answers
1k views

Cb/B problem while creating lead sheet

I'm making a lead sheet of the song "One" by Esperanza Spalding. I chose the key of Bb because the song feels the most "at home" when the progression lands there at the guitar solo ...
2
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2answers
67 views

Four part writing: How to voice augmented 6th chords?

I have recently started adding augmented 6th chords to my part writing. As far as I can tell, I have not broken any harmonic rules in the displayed voicing, yet it does not sound right to me. Just ...
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2answers
81 views

Lowering the key of the song Drive by Incubus

I don't have a lot of knowledge of music theory and I am trying to learn all by myself online. I am trying to play and sing the song Drive by Incubus on my guitar. The original song seems to be in the ...
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1answer
267 views

Display chord chart (just symbols) like lyrics for music files (mp3 etc)?

Summary: Is there a way to display chord symbols in music players (software apps) ? Like .srt files for movie subtitles or .lrc for music lyrics, isn't there a format or alternative for chords ? ...
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3answers
107 views

Four part writing: How to voice diminished 7th chords?

I am currently doing part writing, and have come into a bit of a conundrum. I want to use a sharp 4 dim 7 (Fsharpdim7), to link up my IV chord (FM) to my V7 chord (G7). I know that 7ths should usually ...
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2answers
248 views

Four part writing problem: tripled root solution. what is best practice here?

I have hit a problem with this chord change in my four part writing. We are in A minor. The VI chord is in first inversion, so A must be in the bass. (I have made a mistake in the figure. the VI ...
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2answers
107 views

A: PS 4: S 1: Q 2: Why does my answer continue to be “Partially Correct”?

It is Question 2 under Section 1 on "Connecting Root Position Tonic and Dominant Chords" from Problem Set 4 of Artusi, which my Music Theory II class uses. The only feedback I get from ...
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3answers
138 views

Why Should I always follow the rules of functional harmony? [closed]

I have used functional harmony many times in my compositions to write chord progressions with success, however there are times when using functional harmony doesn't sound good to me and others when I ...
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4answers
720 views

What is a name of a major scale with raised 2nd degree?

Assuming a major scale that has a raised 2nd degree and no other alterations: 1 ♯2 3 4 5 6 7 (8) (for example, in C it will be C D♯ E F G A B (C)). This is a bit unusual due to 2 consecutive semitones ...
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2answers
66 views

Naming/understanding this dominant chord with quartal upper structure

I'm trying to understand an interesting non-diatonic chord in the chord progression at 0:30-0:45 of this video; my rough transcription of the chords is as follows. As far as I can tell, the non-...

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