Questions tagged [chords]

For general questions about chords like how to play them, construct them, or what symbols represent them. For more in depth analysis of the ideas behind chords themselves, please use the chord-theory tag.

Filter by
Sorted by
Tagged with
0
votes
3answers
55 views

Does this progression have a name? If then what is its name?

bVI-V-i-bIII I discovered this progression various months ago when playing with a website that lets you make chord progressions (not one of those websites that create a progression randomly, a website ...
1
vote
0answers
57 views

What feelings does placing a minor chord in different places in a chord progression create? [closed]

For example, let's take the common major progression of I-V-vi-IV chords. How would the feeling of the overall song differ if: The vi chord was the first chord of the progression The vi chord was the ...
6
votes
4answers
501 views

Modulating a minor 3rd

I want to modulate from a chorus that's in F# minor to a verse which is in D# minor. Do you know a good (preferably short) chord progression/transition for this modulation?
1
vote
0answers
56 views

Time Signature Trouble [closed]

I am a church pianist who writes original hymns, recently I have taken on the task of writing sheet music for my songs. I am having trouble with this one. I cannot figure out the time signature on ...
4
votes
3answers
934 views

How much ear training is required to identify chords and their progressions, without perfect pitch and reading any scores?

I'm impressed by Kevin Wang's ability to identify chords aurally. He graduated with a BM in Piano Performance from the Rochester School of Music in 2016. I'm assuming that he has never seen the ...
2
votes
2answers
164 views

What is the duration of chords shown on top of a measure

In the image, there is an A Major over the first measure. Should it be also played over the 2nd, 3rd and 4th measures even though the chord is not written on top? Until the D chord in the 5th measure?
5
votes
4answers
87 views

Does an altered 9th/11th/13th imply the full tertian stack?

This is a chord symbol notation question. When an extension like 9, 11 and 13 is added to a triad chord symbol but has an alteration (flat or sharp), does it still imply the seventh and lower ...
5
votes
3answers
365 views

Chords as Roman Numerals: how to represent in-between chords?

In a piece that is in C-major, the chords in Roman numerals would be I for C, ii for dm, iii for em, IV for F, V for G, etc. Now let's say the piece also features a (rare) Eb chord. How would I ...
1
vote
1answer
54 views

What scales can be augmented?

I am working on an app that generates scales & chords and recently began work specifically on augmented chords. It appears to me as though augmented chords are derived from the Lydian augmented ...
5
votes
1answer
246 views

What does “quiet chord, a wide blue one” mean?

She heard him out in the kitchen when the music stopped. She heard him go to the piano and plink with two fingers a tune whose name she did not know but which she had surely heard from the radio in ...
25
votes
10answers
4k views

Randomly and Programmatically generate a “good” next chord?

I am a Software Developer/Musician who has free time before summer classes start up. I wanted to sharpen my chord reading and improvising skills. What I would like to do is generate a phrase of ...
18
votes
8answers
2k views

“Wrong” key signature for a score in F dorian?

TL;DR I'm a bit confused on which key signature to use for a score in F dorian: 4 flats or 3 flats? I wrote this arrangement of Mad World by Gary Jules back in 2012 using 3 flats as key signature. ...
3
votes
1answer
115 views

Manual beam with chord and single note in lilypond

I want to make a manual beam - on left side its a chord and to the right a single note. What I tried was <f''8 a''8> [c'8] which gives : 'error: syntax error, unexpected UNSIGNED' How to ...
2
votes
2answers
91 views

How should I analyze this chord progression?

A while ago I developed a chord progression on the piano I find really beautiful. It goes C E G B C D# F# B B D# F# A B E G A and then after repeating that a few times over I add B E F# A A D# F# A B ...
2
votes
3answers
91 views

How to use sus2/sus4/add9 in minor key to stay within the key

I understand how to use sus2/sus4 and add9 inn major to keep all notes within the chosen major scale, but how can I use the same chords in a minor key and still stay in key?
2
votes
3answers
84 views

Do sus chords exist in Locrian?

I have recently been exploring chords in the Locrian mode. Down to the flattened 5th and 9th degrees, I have come up with some pretty bizarre sus chords. This got me thinking: Are such chords still ...
1
vote
2answers
69 views

Can a song's chords be interpreted in many different ways?

From one of the songs I am trying to interpret, I am confused about which base chord is the right base chord. From the song, around the 00:59 part of the song(Where the chorus starts), I thought the ...
3
votes
2answers
104 views

What can I do to identify the bass note that's not on guitar?

I am practicing finding the chord of songs by my ears and I only play guitar. However, I see some pop songs(where uses pianos) have low C chords which the guitar doesn't have (The guitar can't go as ...
5
votes
2answers
546 views

Help me understand the chord progression in Tatsuro Yamashita's 'Sparkle'

I'm trying to understand/analyze 'Sparkle' (1982) by Tatsuro Yamashita. Funky stuff begins at 0:50. The song is in Emaj (I think), and here's the chord progression I'm looking at (take it easy with my ...
5
votes
2answers
179 views

How can I tell whether the bass note I heard is the right one?

I have been playing guitar for a while and I realized I should develop my skill for finding the chords by ear. However, in some songs like Driver's License - Olivia Rodrigo, I realized what I am ...
2
votes
3answers
97 views

Usage of Melodic Minor instead of Harmonic Minor on Secondary Dominant

Recently I watched this video which discusses secondary dominants and specifically for the case of A II - V - I in the key of C. They play a secondary dominant for the II chord, so they are playing an ...
3
votes
1answer
47 views

F#m (b6, add9) OR DΔ (#11)/F#? To use b6 chords or not

I have encountered the claim that b6 chords are often a misinterpretation of a Maj7th chord with the third in the bass... It seems fairly reasonable but my head wants to revert to the b6 (or b13 maybe)...
0
votes
2answers
170 views

Why does the ii-V-i-IV progression in this video have chords from a different key?

I've been learning about chord progressions and found myself with the one shown in the video embedded at the end of this post. At 2:25, the narrator selects a software-built-in chord progression: ii-V-...
9
votes
7answers
1k views

What do you mean by the tonic chord feels as 'home'?

I am new to the world of music theory and have some basic knowledge of the different modes of the major scale. As per my knowledge, every scale has a tonic chord which is essentially the one all other ...
8
votes
6answers
909 views

What is the difference between the bIII and III chord in a minor scale?

Wrting a chord as III in conventional notation gives you, as far as I can tell, two pieces of information: The uppercase numerals mean it's a major chord, i.e., built by stacking a major third and a ...
1
vote
3answers
57 views

How many fully diminished 7 chords do you get out of the harmonic minor scale?

It is supposed to be only the 7th degree that gives us the fully diminished 7th chord but when I took a closer look today at the 2nd degree of the harmonic minor scale (Locrian 6) it seems to have an ...
3
votes
1answer
282 views

Simplify chords

I'm currently working on a website and I would like to find a way to simplify chords by removing the non essential parts (to make it easier for beginners). For example: Am7/C => Am. Removing the ...
1
vote
3answers
102 views

Homophony vs Polyphony

Would I be correct if I were to define homophony vs polyphony as chords vs lines? If homophony is defined as a single melody with chordal accompaniment, and polyphony as several melodies with equal ...
2
votes
1answer
38 views

difficulty with chord spelling and voicing in Neumeyer's Hindemith analysis

This post is in reference to David Neumeyer's The Music of Paul Hindemith. Please refer to the third chord of m.1 in example 3.12 (below). I see this chord spelled as C E E Bb. Having said that, I ...
2
votes
1answer
42 views

Not following Hindemith-type analysis

I am having trouble following the analytical methods applied in David Neumeyer's The Music of Paul Hindemith. Please refer to example 3.12: I would like to use one of the chord changes to put my ...
1
vote
1answer
34 views

I chord interpretation and broken chord interpretation blocking broken chords

I'm having trouble interpreting this chord. It is labeled as a I chord, and from seeing that there is no key signature, I'm assuming it's in Cmaj or Amin. But what I'm not getting is, to my knowledge, ...
4
votes
3answers
71 views

Does tempo affect use of non-harmony notes?

Writing a four part piece for strings at a very slow tempo (55 bpm). On paper, it seems as though the non-chord notes I have selected should work, but I am finding some of them jarring. I am unsure if ...
8
votes
2answers
116 views

When was the concept of a “triad chord” first introduced?

Chiara Bertoglio, “A Perfect Chord: Trinity in Music, Music in the Trinity,” Religions 4, no. 4 (December 2013): 485–501, §6. A “Harmonious” God, p. 493, claims: It was not before the 16th century, ...
8
votes
5answers
1k views

E7 chord at 5th fret missing a B note

the E7 chord includes E G# B D. If we play E7 on the 5th fret, it is missing a B note. Could anyone please explain that?
7
votes
2answers
478 views

Creating chord-melody from The Real Book (or other fake book)

I practice songs from The Real Book, and I am quite new to the chord-melody concept. I have knowledge of scales and chords, and I can play melodically these standards. Now I want to play them as chord-...
3
votes
4answers
309 views

Chord progression versions and categories

I'm having trouble interpreting this chord progression. For example, the three different iv chords shown: does the bass note not affect the right hand? I can see that they are only using "A-E-C&...
2
votes
4answers
123 views

Do I understand correctly this relationship between m6, m7, and m7b5 chords?

While reading the Jazz Guitar Chord Mastery book by Joseph Alexander, I've encountered a passage that is not 100% clear to me. I would be very thankful if you might help. Playing a m7b5 chord on the ...
4
votes
6answers
77 views

In major keys, since the 7th scale degree resolves up to the 8th, does descending through the scale degrees 8-7-6 violate the leading tone rule?

I need to understand how the leading tone (7th scale degree) functions in major keys. I see that the 7th scale degree (leading tone) resolves up to the 8th (the tonic) because the leading tone is a ...
2
votes
1answer
46 views

Inversions of diminished 7th chords

I have the following passage in D minor which features two diminished 7th chords: I have labelled most of the chords, but I am at a loss of how to label these two diminished 7th chords. If I could ...
2
votes
2answers
104 views

Can dominant chords be specified independently of a tonic (of a key)? [duplicate]

The dominant chord is defined in relation to the (5th) scale degree on which it is built. This definition can often be found alongside other chord types, such as the major triad, whose definition ...
5
votes
3answers
199 views

Roman Numeral Analysis - Tonicization of relative major key in minor key

I have a passage that I am trying to analyse with roman numerals: The passage is in B minor, but the section in question briefly tonicizes D major - the relative major key. My question is, how can ...
3
votes
1answer
111 views

How is this C chord constructed on guitar?

I am following a tutorial on Black Magic Woman from Justin Guitar and at 6:18 he plays the C Chord in the following way. Since the C Chord consists of notes C, E, and G I notice that his index finger ...
3
votes
6answers
134 views

If you add a 9th to a subdominant IV chord does it make it a dominant chord?

For example, if you have a progression in D major that ends on G, would adding an A to the G chord and losing the 3rd make the chord dominant? You would have the notes G A and D. It certainly sounds ...
0
votes
1answer
55 views

Does this song use chromatic mediant in G major? and what other music theory concepts this song's verse utilize

I'm currently learning basic music theory and along the way I review old songs on my playlist then analyze what key, chord progression and somehow discover the composer's way of creating music. The ...
2
votes
2answers
101 views

How to identify notes in a key that sound better while improvising?

I learned all the chords and their inversions. I'm pretty slow with inversions yet but I'm trying as hard as I can! Now I started to improvise with my right hand a little bit (omg this is so fun!). So ...
4
votes
2answers
72 views

What is it called when the melody note is held, but the chord changes to resolve to the final harmony?

I noticed a pattern that I would love to have a name for: The second to last note in the melody of a phrase occurs together with a chord. The melody note is held, but the chord changes. Now the melody'...
10
votes
3answers
943 views

How does Eb connect musically to C major chord progression like in this song?

Im learning basic music theory and chord progression then I stumbled upon this song (You are my song by Martin Nievera) : From my understanding, the first 2 lines are simply C major chord ...
1
vote
3answers
98 views

Doubling notes in orchestration - inversions and extensions

Just a very quick question, because I've found similar answers about doubling notes (for instance, when arranging for four- or five-part harmony), but nothing specifically involving inversions. So, ...
8
votes
2answers
1k views

Who decides chord details in published songs?

I like to make lead sheets of songs like this to learn to improvise from, condensing the published sheet music down to a single page with no turns. In working from my two copies of It's Only A Paper ...
6
votes
3answers
322 views

Does the chord-symbol spelling of a polychord have musical meaning?

The chord C Eb G Bb D F A would typically be notated Cm13. However, it makes a convenient example for this question. Suppose I want to write that same Cm13 chord as a polychord. I have two choices: ...

1
2 3 4 5
37