Questions tagged [engraving]

For questions about the engraving of scores and how to achieve intended notational effects. Questions regarding the meaning of specific notation are best served with the notation tag. For questions discussing a particular engraving software, the software should also be tagged.

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3
votes
1answer
38 views

How to condense an SATB choir section with mixed dynamics, voices & hairpins

The score I’m working on has a four-part SATB choir, thus: For space-conservation reasons I usually condense my choir parts down to a SA/TB grand staff. But this choir section has different dynamics ...
1
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2answers
36 views

Where should I change bow direction for these notes?

Here is a small extract from Mendelssohn's Piano Trio No. 1, Op. 49, II Andante con moto tranquillo: Until I can redo the screenshot, these notes should be marked as staccato too I am a bit confused ...
0
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3answers
58 views

How to indicate divisi with specific uneven players

My prior understanding was that when writing divisi with strings, the number you specified with “a[x]” indicated the number of players per divisi section; i.e., “div. a8” = 8 players on this line, etc....
2
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2answers
46 views

When to use note beaming over/under rests?

I’ve seen plenty of questions here asking how to create beams over/under rests (generic example pictured below), but I don’t see any addressing my much more basic question: Is there any general rule ...
4
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5answers
428 views

Handwriting Music

I am a composer who started on computer software to write, but am now switching to handwriting music. I have read that one writes everything out in pencil first, then goes over it in pen, but how far ...
3
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2answers
51 views

Simple way to add an additional octave in Musescore?

I wrote an arrangement in Musescore, and I got complaints that some (most) notes on a particular instrument were too high for a beginner. So now I want to add an additional lower octave for each note. ...
12
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1answer
957 views

Which note goes on which side of the stem?

When writing music in sheet music form, I know that when writing harmonic intervals of a second, one of the two notes is on the opposite side of the notehead. My trouble is determining which note to ...
4
votes
1answer
53 views

Creating two-staved ossia in Lilypond

How can I create an ossia in lilypond with two staves (for piano). I want the ossia to be smaller in size than the regular music and if possible have the dotted line connecting it to the actual music ...
2
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3answers
1k views

Time signature inconsistent

I'm trying to write the first measure of the Moonlight in Lilypond From my very basic knowledge the first measure is 4 x 3 x 1/8 = 3/2 long, but the special symbol (alla breve) seams to be a 2/2. ...
1
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2answers
74 views

When to use sub-brackets for similar instruments within a section?

In some scores, especially printed sheet music, “like” instruments in larger sections will be grouped together with sub-brackets, such as piccolos with flutes, oboes with English horns, clarinets and ...
7
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4answers
4k views

slur options in sheet music

In sheet music to put together consecutive notes the composer writes a slur. There is two kinds of slurs one whole line the other broken. My question is: When does a composer use a solid line slur, ...
6
votes
1answer
410 views

Lines too long in piece with two sections for different instruments

I'm trying to use Lilypond 2.18.2 to engrave a piece with two staff groups: a verse for piano (18 bars), and a chorus for choir (8 bars). I'm trying to follow the Lilypond example "Solo Verse and Two-...
4
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1answer
66 views

Is it OK to use 3rd/4th line C clef for euphonium?

If I write a Euphonium part that implies more melodic stuff that is more high in the register, can I use a 3rd or 4th line C clef for this Euphonium instead of using the bass clef or should I always ...
15
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4answers
3k views

How to notate time signature switching consistently every measure

It seems my musical journey's always pushing me into left field territory when it comes to notation ... So this time I'd like to know what would be a good way to notate a consistent switching of time ...
2
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1answer
577 views

Piano - What is the notation for two notes played simultaneously, where both notes are different lengths?

I was improvising on my piano, when I played a two notes simultaneously where one of the notes in it was longer than the other. I liked it, and wanted to implement it in the sheet music I write; The ...
1
vote
1answer
72 views

Adding vertical space after header in LilyPond score [duplicate]

I have prepared a \header and I would like to increase the vertical space before my first stave, which also includes chords. Is that also possible with LilyPond?
2
votes
1answer
45 views

Stop Lilypond from placing beam around second voice

I have two voices in the right-hand staff. I'm not sure why Lilypond is doing what it is (see freehand circle) but I would like it to stop. The beam should ideally be somewhere near the red line, with ...
1
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3answers
288 views

How to write this measure on Finale Notepad?

I'm trying to transpose a PDF Piano Sheet to Finale Notepad so I can hear and practice together. I'm having trouble writing this: So, this looks really weird. Because the upper one (sorry, I don't ...
17
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2answers
2k views

How do I notate a staccato on a unison note?

If there is a stem on either side of a note, or the stems are DOWN below ledger lines, where does the dot indicating staccato go?
4
votes
2answers
130 views

Why have a clef change right after a previous clef?

I came across this section in Mozart's piano sonata no. It shows a clef change at the start of the measure, but the bass clef is shown right before it. Why would this be needed if the measure uses ...
5
votes
2answers
194 views

What is the shortcut for inverting stems in Guitar Pro 7?

I have figured out how to change notes, swapping voices, etc using shortcuts provided by Guitar Pro 7. Does anybody know a shortcut for inverting stems?
1
vote
1answer
86 views

Left hand/right hand indications LilyPond

I have been skimming through the LilyPond documentation for quite some time now, and I cannot find the proper way to insert "left hand" or "right hand" indications with LilyPond. Usually, when some ...
8
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2answers
442 views

Are there any “good practices for sheet music writing” guidelines that are more or less universally accepted?

I'm an amateur musician who sometimes likes to write sheet music for arrangements and for pieces that I figure out by ear. I do this mainly because I can go long periods without playing and when I ...
1
vote
1answer
31 views

Instrument cue names on separate page

In Sibelius, I have a grand choir staff (Soprano & Alto above, Tenor below) where singers pop in and out, and the first time they start singing I want them all announced with their names as cues. ...
2
votes
2answers
536 views

Is there a standard source for music engraving?

Can anyone here advise or just say if there's a resource with all music engraving rules? Let's say on the highest orchestral level with all possible situations and rules - ultimate guide, book or ...
3
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2answers
108 views

Lilypond – ties across staves

Is there a way in Lilypond to tie notes across two staves? I have this fragment of an organ piece: \version "2.18.2" \language "deutsch" global = { \key c \major \numericTimeSignature \time 3/...
4
votes
1answer
84 views

How to print overlapping system start delimiters with lilypond

Is it possible to have overlapping system delimiters (braces and brackets) in lilypond? I know how to do complex nested hierarchies, but they're always nested. I can't figure out how to start, for ...
2
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2answers
242 views

Condensing orchestral scores

In the image below is an example of a full orchestral score being "condensed". As far I know this only occurs in hand engraved music, and I was wondering if it could be replicated with software? To my ...
4
votes
1answer
534 views

Standard format for jazz chord symbols

In jazz, certain chords can be written in many formats. Like for minor 7ths you can do: Cm7 Cmi7 Cmin7 C-7 And for major 7ths: CM7 Cma7 Cmaj7 CΔ7 Have publishers of big band music settled on a ...
2
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2answers
1k views

Standard staff size

I am looking to "design" and print some staff paper. Is there any standard regarding the distance between lines and spaces in a staff, and regarding the distance between staves themselves? I will ...
2
votes
2answers
659 views

Lilypond chord mode not rendering minor modifier in alternate chord

I'm engraving some music using Lilypond and have been requested to engrave an alternate chord name next to a chord. For some reason I can't get the output I expected. What is wrong here (with either ...
4
votes
3answers
2k views

Are whole and half note rests supposed to only be written on specific lines?

I've always written the whole note rest on the 4th line of the staff and the half note rest on the 3rd. I always see it that way and never thought much about it until recently a musician with a lot ...
11
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3answers
1k views

Arbitrary length full-measure rests in Lilypond

In Lilypond one can make long full-measure rests with: \compressFullBarRests R1*12 which outputs: Is there an engraver I can turn off, or some other way to remove the number from above the ...
5
votes
1answer
1k views

LilyPond vertical spacing, alternate endings, and chords

I am typesetting a score that contains alternate endings on a volta repeat, as well as chords (using LilyPond 2.17.97). By default, the following MWE: song = { \repeat volta 2 { ...
2
votes
3answers
1k views

18-note groupings across 4 beats in this Yngwie Malmsteen inspired lick

I have a few questions regarding the following lick: It runs for about 8 bars and starts at 53 seconds into the video (it is a time marked lick so will start playing ...