Questions tagged [enharmonics]
For questions related to the different spelling of same-sounding pitches (e.g., C-sharp and D-flat).
21
questions
1
vote
3answers
138 views
preference of the key of B or Cb (also G#min and Abmin)
The debate of whether F# or Gb is a better key is very prominent, but I'd like to discuss the keys of B and Cb.
As a guitar player, I would much rather have the key of B to play in. As a trombonist, ...
12
votes
3answers
411 views
How are names of enharmonic notes determined?
In our current 12TET system, is it really incorrect to refer to E♭ as D♯ if one mentions them standalone with no reference to tonality? I understand how the notes in a diatonic scale are ...
5
votes
3answers
99 views
never ending omnibus progression
When I studied music theory in college (years ago), I remember my theory instructor demonstrating a use of the omnibus progression where it would go on forever, sounding continuous to the untrained ...
2
votes
2answers
58 views
In chord construction, in a Adim, for example, is it indifferrent to have instead of A, C, D#, have, A, C and Eb
In chord a construction, in a Adim, for example, is it indifferent to have instead of A, C, D#, have, A, C and Eb?
7
votes
2answers
286 views
How can I improve my violin intonation for enharmonic notes?
I know that while, for many instruments, enharmonic notes are a single pitch and their differences are more of an interpretation, helping music to remain consistent (it would make more sense for a ...
2
votes
2answers
1k views
Alto saxophone fingering for notes written below the staff
I am a beginner on the alto saxophone. I understand the fingering for playing notes on the staff but I do not understand the fingering for playing notes below the staff. Sometimes there are two extra ...
3
votes
3answers
84 views
A♭ 13 Chord Notation
A website detailing piano chords uses the following pitch notation for A-flat 13 chords:
A♭13 → A♭-C-E♭-G♭-B♭-D♭-F (R, M3, P5, m7, M9, m11, m13)
A♭m13 → A♭-B-E♭-G♭-C♭♭-D♭-F (R, m3, P5, m7, M9,...
3
votes
5answers
621 views
In harmony: key or the flow?
I play ambient music and my approach on creating chord lines is simple, just try to stick on the key and if I want to change the key then make it subtle.
But today I tried to create harmony lines ...
5
votes
3answers
168 views
How to determine the names of the notes in any given scale
Are there any rules for naming the notes in a scale that can apply to any given scale? I know it's straightforward for diatonic. You just use each of the first 7 letters of the alphabet and [double]...
11
votes
8answers
1k views
Why is printed music published with incorrect enharmonics?
I'm seeing more and more music that contains conflicting or erroneous information - for example, C°7 written with an A, (not B♭♭), or E7♭5 with A♯ (not B♭).
Wondering if ...
1
vote
1answer
448 views
How do Jazz pianists learn to improvise and make up chord progressions that make it sound more complicated than it actually is? [closed]
I know that classical, or Western artistic music mainly uses traditional chords e.g. major, minor, dominant seventh, augmented, suspended and diminished. But, Jazz goes way more into it..Major ...
0
votes
4answers
545 views
Is there a benefit to writing in C# major over Db major? [duplicate]
As the title says. It seems that the really sharp keys (e.g. C#, F#, etc.) are really cumbersome to write and play in, so I was wondering if there were any advantages to them over keys like Db and Gb.
30
votes
7answers
8k views
Why do E♯ and F♮ not sound the same (according to Wikipedia)?
I was just reading the Wikipedia page on the note F (as I do every evening) and was confused by this part where it says that even though F♮ and E♯ are enharmonic they “do not sound the same”:
E♯ is ...
5
votes
5answers
575 views
How to determine if an interval is enharmonic or not
I'm new to music theory, and reading through the basics I learned about interval classifications. But, along with that many questions came to my head. The one I want to ask today is the following:
...
4
votes
1answer
88 views
Why is Erik Satie's Saraband 1 in A flat major?
Why is Erik Satie's Saraband 1 in A flat major?
There are so many F, C, and G flat accidentals through out the score it seem like it could have been notated in G sharp minor (enharmonic of A flat ...
3
votes
2answers
93 views
Identifying the roots of diminished 7th chords( depending on function)?
Diminished 7th chords are symmetric. Each one could be the same quality chord on any root note that is a chord tone inside it. So, is there agreement on which name to use for these chords? I know that ...
11
votes
6answers
2k views
What is the most common way to refer to a particular note in the chromatic scale without making any implications as regards tonality?
It seems to me that in current musical practice, we are often in a 12-TET situation where effectively, we have an (octave repeating) set of 12 notes that make up the chromatic scale, each of which can ...
9
votes
4answers
1k views
If B has five sharps, and C♭ has seven flats then how can C♭ and B be the same key?
I was learning the seven-mirror rule trick online today. There was a diagram of every major key along with its corresponding number of accidentals. It was shown that the key of C♭ has seven flats. But,...
32
votes
9answers
13k views
Why are C♯ and D♭ different frequencies?
I am a music enthusiast, and I was recently reading What is the difference between equivalent Flat and Sharp keys as far as musical notation? Are there any reasons to prefer one over the other?
This ...
0
votes
3answers
548 views
Why are there different names for the same interval? [duplicate]
The intervals F-B and B-F are called Augmented Fourth and Diminished Fifth respectively, but they are really both the same interval - a tritone.
Why are they named differently?
5
votes
3answers
3k views
Why use the key of C#?
I was reading about Brahms, and it was mentioned that he had composed a piece in C# Major.
AFAIK, we generally don't use C# Major in jazz or rock music because the key signature has 7 sharps, so it'...
