Questions tagged [harmony]

For questions about the "vertical" aspects of music and how to build and study them.

Filter by
Sorted by
Tagged with
0
votes
3answers
94 views

What is this lead-sheet chord?

So, I have recently been studying for a theory test (blecch!), and as part of that I have been learning lead sheet notation. In one of the review questions I have come across this chord which I can't ...
0
votes
2answers
90 views

How to go from improvising on grand piano to sharing the improvs with others?

I enjoy using classical harmony and making up tunes. What's the best way to record these improvs to share with friends and family? I have a Yamaha S4 Grand piano and also a KORG electronic piano.
1
vote
5answers
127 views

What to learn in order to choose chords for a song? [closed]

I am trying to learn piano by myself and have been studying a little bit of music theory. But I still haven't faced anything concerning how to create chord progressions and how to choose chords for a ...
2
votes
2answers
81 views

Why the flat roman numerals in minor when they aren't needed?

This is one thing that has always bothered me, why are VI and bVI 2 different chords in major but the same chord in minor? That makes no sense to me. I mean it does but it also doesn't. If you view ...
1
vote
1answer
69 views

I-IV9b7-bVII-bIII-bVI-bII-I: what is this final-cadence called?

I remember this “cadence“ on the final melody note: a trombone solo Speak, my Lord arranged by Eric Leidzen. Instead of remaining on the tonic or a plagal cadence he is passing from Bb to F7 Eb9 Ab7 ...
1
vote
1answer
48 views

What does “non-conformant” harmonization mean?

In context with this question: Take 6: What chords are making this style so jazzy? I came across the term non-conformant harmonization: Non-Conformant Harmonization: The Real Book in the Style of ...
1
vote
0answers
47 views

How to understand a fixed note instrument [closed]

I play a kora, which has a fixed set of notes. I am playing traditional and non-traditional music on it. For the traditional music there is a specific didactic approach I am following. For the non-...
0
votes
3answers
165 views

Take 6: What chords are making this style so jazzy?

Unfortunately this question has been closed as off-topic: What is this Chord Progression But the arrangements from Take 6 sound very special and interesting to me: I couldn’t identify at “first sight” ...
0
votes
1answer
61 views

Can someone talk me through the music theory behind Overwhelmed by Royal and the Serpent [closed]

Interested to hear the theory breakdown for the whole song - but specifically the theory behind the chorus harmonies ( @ 0:42) I am trying to develop my music theory ...
1
vote
1answer
60 views

How do you figure an accented passing note in the bass?

How do you figure an accented passing note in the bass, specifically when the harmony changes? If you have non-chord tones in the bass following a figuring, it's easy to show the same harmony ...
4
votes
3answers
80 views

How does this Bdim7 resolves to F/C?

( The song, the score I posted starts at 2:39 ) At the 4th measure, Bdim7 appears. It resolves to F/C. But I can't understand how this works. Can someone explain what is going on ?
1
vote
3answers
141 views

Why does the relation between E major and Ab major feel especially connected?

I find that whenever I improvise in E major, I naturally move back and forth between E major and Ab major key areas. It's like E major and Ab major feel especially connected in a way that say Bb major ...
1
vote
2answers
52 views

What is it called when the vocal parts move to the harmony above

What is it called when there's 3 part harmony, and each part goes to the part above them(the highest part goes to the octave above the lowest part)? For example, in this video: at 1:16, the highest ...
1
vote
2answers
134 views

How do I describe this chord (A in bass with F# upper structure triad)?

I'm trying to expand my harmony (past the 7ths/9ths/sus4 which have served me fine for pop), and I constructed something funky. I never really got into chord vocab, so I don't know how to describe it ...
0
votes
2answers
58 views

(REVISED): Roman Numeral Analysis of Fuchs- 'Mother Tells a Story'

On the back of seeing the score, I have filled in the missing harmony. I am still stuck on the harmonic analysis in a few areas. The Roman numerals I have put in thus far are all relative to G major, ...
0
votes
0answers
31 views

Harmonic analysis of Fuchs: 'Mother tells a Story'- Any ideas?

I'm on the final practice keyboard question in the grade 8 workbook and it seems to be considerably more difficult than the others. We seem to start in G major, quickly moving to chord half dim vii- (...
2
votes
3answers
154 views

Can I use two minor scales in the same song? [duplicate]

I've been composing a song, using the chord progression Am - G#° - Dm7/A - E (i - VII - iv - V), that is using the Harmonic minor scale. The song has some melodies, that appear in different parts. The ...
0
votes
2answers
65 views

Why do many musical pieces transition between relative major and minor scales?

I understand that they have the same notes so they "sound related". Another factor that might be at play: perhaps it makes the life of the performer easier, not having to adjust back and ...
2
votes
3answers
116 views

What is this pentatonic scale called?

I have been enjoying a wonderful scale recently, but I am unable to find its ‘proper name’ anywhere. It’s essentially a minor pentatonic with a major 3rd in place of the 4th 1 - b3 - 3 - 5 - b7 e.g. C ...
1
vote
3answers
112 views

Is this a harmonic sequence?

Currently working on this keyboard piece, came across something that I think looks like a harmonic sequence. We are newly in D minor, and the bars in question are labelled 1 and 2 (squint and you'll ...
4
votes
2answers
60 views

Beethoven Piano Sonata No. 23 in F minor, Op. 57 (Appasionata): harmony of the 2nd movement

I'm trying to identify the harmony used in the main theme of Beethoven's Appassionata's second movement, and I would like someone to review the analysis I have done, and help me identify a couple of ...
1
vote
1answer
79 views

Roman numeral analysis of exam practice exercise: “Polish Song” by Hiller

The piece in question is 'Polish Song' by Hiller. I have labelled the bars from 1 to 11. The piece is in A minor, and we seem to have A minor leading to V7 in the opening measures (I'm putting the C ...
2
votes
2answers
55 views

Is this an example of III7 augmented chord?

I seem to have come across a III7 chord in A harmonic minor, and I'm not quite sure about its function. I initially thought it might have been V7, but there is a leap of a third between the C and E in ...
1
vote
1answer
56 views

Is this a deceptive cadence?

i was wondering if someone could clear up whether this is some sort of deceptive cadence or not. We are recently back to Bflat Major. The very last beat of the previous bar is F7 (labelled here ...
5
votes
2answers
298 views

Esus4 in the key of C. How can I use it?

Recently I've discovered that Esus4 chord can be built by using notes from C major scale (Esus4 notes: E-A-B - no 'sharps' or 'flats'). But I don't know how can I use the chord in the keys of C or Am ...
2
votes
4answers
100 views

Is this a Neapolitan 6?

I have a couple of questions regarding this passage. Have labelled the bars in question ''1'', ''2'' and ''3''. The stave in question is second from bottom (directly above ''N6??''). We are in G minor,...
0
votes
2answers
79 views

Have I successfully/legitimately modulated?

Hi guys! Just wondering if I've done this properly. We are newly in Csharp minor from the relative major E major, and we need to finish in the home key- F sharp minor. As it stands, I have written the ...
1
vote
0answers
96 views

Jacob Collier “Hideaway” Analysis

can Someone please analyse/explain the chordal part of the lyrics "Even when I close my eyes ,Darling i'll.... " in the song 'Hideaway' by Jacob Collier's ?? The chords are as folllows: ...
2
votes
1answer
92 views

Why harmonize major scale with sus chords?

I've started reading Mark Levine's The Jazz Theory Book, and I have a couple questions about how he harmonizes the major scale. (Let's not even get started on the melodic minor!) First, I'm confused ...
3
votes
2answers
86 views

How to construct functions and chords of a scale?

For example I ii iii IV V vi vii ____________________________________________________ Cmaj Dmin Emin Fmaj Gmaj Amin Bdim ...
0
votes
2answers
105 views

Who knows whats happening in this score?

Ran into some confusion when trying to work out the harmony of this keyboard piece, I have labelled the problem bars, '3, 4 and 5'. In the second half of this piece, we seem to rolling through the ...
0
votes
1answer
35 views

Is this some sort of suspension? If so, how do I write it in?

Hi guys, We are in F sharp minor. There is a G sharp being held over V7 (Csharp7), the second inversion tonic chord (Fsharp minor), and then the ii7 chord that follows. The G sharp is a chord tone of ...
0
votes
1answer
52 views

What key is this in? [closed]

I'm new in the forum. I have lots of unasked questions about music theory because I'm a self taught musician with no formal training, so I have a lot of confusion between concepts like, for example, ...
1
vote
1answer
80 views

Ear training - Did I correctly transcribe this harmony? [closed]

(Not exactly sure this belongs here, but I wish there was a Code Review stack exchange site for music ..) I'm training my ear at recognizing and transcribing vocal harmonies (because I like to analyze ...
2
votes
1answer
60 views

Which modulation is correct? (amongst other things!)

Hi guys. I’ll try and be as concise as possible. Forgive the messy score, its just a product of the confusion! I have a few query areas, but please feel free to correct me in any other areas. 

 Bar 1-...
1
vote
2answers
61 views

What is “Four Part” Harmony?

Can someone explain “four part” harmony and its difference or/and its relation to regular harmony? I’ve been searching the internet and can’t find any information that clearly answers my question ...
2
votes
1answer
201 views

Can you solve these figured bass queries?

Hi guys- I'll try and keep it brief. Working through a figured bass workbook and came across a couple of points of confusion. In bar 5, we seem to have just modulated to G minor, as shown by the A ...
5
votes
2answers
94 views

Can the harmony change at the resolution of a suspension?

I came across a 7-5 suspension for the first time today- as seen in the image. This is the first time I have come across a suspension which has a change of bass (that isn't an octave leap or fall) at ...
3
votes
2answers
235 views

What is the relationship between the chords in the bridge of Frank Ocean's Sweet Life?

The chords in the bridge to Frank Ocean's Sweet Life are: ||: C#maj9 | C#m7 | Bmaj7 | A#m7 :|| Here's a link to a tutorial of the song that shows the chords: And a ...
2
votes
1answer
77 views

Voice-leading issue - Can you split your chords across instruments?

is thi sa voice leading issue? I'm running into issues when creating my harmony section for pop songs, I can create melodies, chord progressions, basslines and percussion but I'm running into issues ...
2
votes
5answers
617 views

Bass notes relation to harmony?

I posted a question some time ago asking for tips And suggestions hearing chord progression. Many of the answers I received back told me to “listen to the bass note”. Anyone care to explain or ...
1
vote
1answer
57 views

How polytonal is Stravinsky's music?

Stravinsky is known to have used polytonality in some specific cases. Wikipedia, for instance, lists in its page of polytonal pieces: Petrushka, opening fanfare Symphony of Psalms, 3rd Movement ...
7
votes
4answers
225 views

Tone Clusters Explained?

Can someone elaborate on tone-clusters and what exactly makes a set of notes be considered a tone-cluster? How are they similar and how do they differ from chords? To the users that are thinking of ...
4
votes
3answers
368 views

is '4 minor' sub-dominant?

Of the 3 'functions' - Tonic / Sub-dominant / Dominant, which is '4 minor'? Is '4 minor', like 4, sub-dominant, or is it dominant? (Obviously, it's not a 'proper' dominant - but then, neither is iii, ...
2
votes
3answers
112 views

Harmony third above

If your singing a third above the melody and the last note in a phrase is the highest note in the chord, e.g. chord is A and melody note is E, what should you sing as harmony?
3
votes
1answer
107 views

What is the best way to teach a friend to sing? (Improving hearing ability)

In the past, I thought that singing (I mean hearing the notes and being able to produce the same note) was given at birth and couldn't be improved. But in a year, a friend of mine improved himself so ...
0
votes
2answers
99 views

Triad improvisation, Key centers

Below is a paragraph that attempts to explain what happens when non-diatonic tones are introduced into a melody. I'm copying it word for word: While the key signature does establish the rules we must ...
3
votes
6answers
169 views

How to make chords and melody work together to sound good?

I write melodies. Now, I am trying to put harmony to them. I learned the chord basics. Today, I have two questions to ask, hoping to get answers by your kindness. I put a chord under every accented ...
1
vote
3answers
93 views

Consonance vs Stability [duplicate]

In this source, the guitar teacher claims that the m6 chord is more dissonant but also more stable than the m7 chord. He also says that consonance is not always correlated with stability. I can feel ...
2
votes
3answers
68 views

Does tonality require consonance?

It seems like tonality and consonance go hand in hand, but I’m still unsure if consonance is necessary to establish a tonal center, or if consonance is just the preferred sound against a tonal center. ...

1
2 3 4 5
20