Questions tagged [modulation]

For questions about changing key in the middle of a piece of music. Do not tag for the effect of modulation.

Filter by
Sorted by
Tagged with
3
votes
2answers
65 views

Modulation from D major to D minor, should I go sudden or gradual?

I am composing a Scherzo in the key of D major and I have the first section of my Scherzo already written down. Now I'm into the second section of the Scherzo that precedes the Trio. And in this ...
5
votes
2answers
58 views

Ballades (Chopin) Harmony Question

I don't listen to much classical; however, I recently found this beautiful work by Chopin. I am wondering if you could help me explain a particularly amazing moment in the piece. Please refer to ...
3
votes
3answers
97 views

Do I change the key signature or add accidentals for a section in a different key?

I am composing a piano piece that starts out in G# minor (which is the set key) and later on I have a section that goes into E major. For that section, do I simply just change the key signature, or ...
9
votes
2answers
102 views

Is parallel modulation a thing?

I have heard that going in between 2 parallel keys is just modal interchange and not a modulation because the tonic note is the same. Maybe if the change in key is short and only to add color to a ...
2
votes
4answers
79 views

What would be the effect of a modulation downward by a small amount?

Imagine one plays a chorus in, say, A major, then repeats it later for the second chorus, but this time in G major. What would that do? I know that moving upwards by a whole or half step usually seems ...
7
votes
1answer
136 views

False modulation for doxology in a modal key

I am barely an organist, but occasionally cover for the real organist at my church. The next time I am doing this is three weeks from now, and because I'm a novice, I already have the hymns for that ...
0
votes
1answer
88 views

Modulation or passing through different keys in the following Bach chorale [closed]

This is Bach's chorale R.80. I want to know if the music has modulated to a particular key in certain, or is it only passing through different keys (and hence not a fixed modulation to only one key)?
4
votes
4answers
836 views

Modulation from major key to relative minor - what could be the pivot chord?

I want to modulate from D major to B minor. I have a perfect cadence (A7 - D) in D major, after which I need to use a pivot chord to go into B minor. I was thinking of using the F# chord, but I am not ...
1
vote
3answers
120 views

Would this be a key change from B minor to D major?

In this amazing song by Ed Carlsen, would the part at 1:14 be considered a key change from B minor to D major? Why or why not? When I'm trying to find a key to a song, I always listen to the chord ...
2
votes
1answer
61 views

Does Tchaikovsky's Sleeping Beauty modulate to the relative minor?

There's a part of Tchaikovsky's Sleeping Beauty that I like. And I was wondering if I'm right as far as the theory goes: Measures 156-159 is in the relative key of G minor, and ends on this key. ...
0
votes
5answers
441 views

Is A♭ major a closely related key to C♯ major?

I'm trying to list the closely related keys to C♯ major, and here is what I get: C♯ major, the original key D♯ minor (???) F♯ major (???) A♯ minor x (B♯ diminished is not a key!) For the points that ...
0
votes
1answer
43 views

Are there books specifically on the subject of modulation?

Questions concerning smooth modulations, especially how to effect them, keep coming up in my own efforts at composition. Apart from Max Reger's little treatise (which in some ways is and in other ways ...
4
votes
3answers
403 views

What are some nice/clever ways to introduce the tonic's dominant seventh chord?

I'm in C minor and want to modulate to its subdominant key of F minor. One way to do this is to introduce the tonic flat seventh chord C-E-G-B♭, which is the dominant seventh chord of F minor. ...
2
votes
2answers
72 views

Why does this modulation sequence work?

Here is the modulation sequence I have been using in my trio with 3 incomplete entries followed by 1 complete entry(I am currently at the third incomplete entry which ends on A before Dm suddenly ...
1
vote
5answers
358 views

Relative minor key change in chord progression

I'm writing a song in F Major key. I have a chord progression that goes Like 4/4 C7 - C#dim - Dm - Dm ( V7 - V#dim - Vi - Vi ) After this four measures, I wanted to change key to Dm for a moment. ...
1
vote
2answers
145 views

How to fill the harmonic gap?

So I have thought of almost the entire progression for my trio that goes from D minor to D major. Here is what I have of it so far: D minor -> C major -> B minor -> ??? -> A major -> D major And ...
4
votes
3answers
519 views

When to use the term transposed instead of modulation?

I was playing 'In the Hall of the Mountain King' and noticed it modulates from B minor to a fifth above, F-sharp major. I looked on wikipedia and found it says: "...
2
votes
6answers
117 views

Why is this not a modulation?

Bars three and four look to me like a modulation to the subdominant with an imperfect cadence in Eb (especially with the Ab auxiliary note in bar three). The answers, however, mark bars three and four ...
2
votes
5answers
98 views

How to get a more major sound without going directly to major?

So I am composing a piece for piano trio to represent the transition from winter to spring. I have finished the first part where it is all in minor, D minor to be more specific, to represent winter. ...
3
votes
1answer
291 views

How is Beethoven able to make so many sudden shifts in key?

I know of 2 very common modulations that classical music composers of all ages have done. Those 2 are relative modulation and parallel modulation respectively. I myself have done those and I see both ...
5
votes
4answers
317 views

Is modulating from major to relative minor a key change?

I know that C major and A natural minor have the same key signature. Are they considered different keys though? Is modulating from one to the other considered a key change?
1
vote
1answer
168 views

Which key to modulate to? [closed]

So I have finished the A section of my waltz and am wanting to go to another key for the B section. The waltz is in the key of D major. So these chords are diatonic to it: My melody in the A section ...
4
votes
5answers
2k views

If parallel keys aren't closely related, then why are they so easy to get to?

I got this comment on an answer of mine: "Parallel major/minor keys are not closely related. They are easy to get to, but not closely related. It's like you might live by a subway that make it ...
1
vote
3answers
75 views

Tips For Modulation Needed

I'm a "beginning" composer (not very good yet, but I know basic theory), and an orchestral song I'm writing will require modulation from Bb minor to a "related" major--in this case, Bb or Eb. I have ...
4
votes
2answers
262 views

How do I use the Omnibus Progression to Modulate from I to iv?

I am composing a piece in which there is a modulation between the keys of Db major and F# minor. Is it possible to use the omnibus progression to smoothly execute this modulation? If it is possible, ...
26
votes
9answers
4k views

How to modulate very smoothly and stealthily from major to minor?

I would like to modulate from G major to c minor in such a way that it would be almost unnoticeable to the listener. I'm composing a piece in a style that's very Arvo-Pärtesque minimalist-sounding, so ...
1
vote
2answers
64 views

Modulation in Pinocchio's I've got no strings?

I was watching this video of I've got no strings. I was wondering if I'm correct in thinking that the song's verse is in G major but then modulates to its relative minor, E minor during the "Hi-ho ...
0
votes
1answer
35 views

Transposition for baritone saxophone in EFlat

Is this the correct transposition for a baritone saxophone in eflat pleast? What will the new key be?
4
votes
1answer
251 views

Do Bach Chorales in minor keys ever modulate to the dominant major?

I am wondering if any of you are able to help me with this question regarding modulation. An example would be E Minor to B Major. Does Bach ever use this? Thanks, Jack
1
vote
1answer
229 views

Key modulation in a fugue, how to not lose sight of the tonic?

Now I'm having some more trouble with my fugue. But this time it has to do with key modulation. I feel my fugue is becoming too jazzy thanks to the modulation. There are the primary modulations(from ...
8
votes
2answers
1k views

What's the exact difference between modulation, key change and tonicisation?

I've always regarded a key change as the use of a completely different set of notes for the following music - definitely in a different key. Was in C, now is in C#, with no reason to suppose a return. ...
2
votes
3answers
255 views

Can the idea of “modulation” be applied outside of harmony?

If you have a "pivot motif", which shares, for example, rhythmic properties of theme A and theme B, and is used to move between the two themes, could you consider this a modulation? What other ...
3
votes
6answers
1k views

How to modulate from minor to parallel major

I'm trying to find a good modulation from Dm to D. I know that I could use Dm-A7-D but it feels a bit to unsophisticated. I thought that I maybe could do something like Dm-X-C-X-Em-X-D where X is ...
2
votes
1answer
55 views

Asymmetric ease of improvisation during modulation

I've been learning about modes, and one thing I was interested in at first was to change modes while improvising (to get to know them better technically as well as to have a better understanding of ...
10
votes
1answer
1k views

Chopin Polonaise in Ab major, op 53 change in key

In Chopin's polonaise in A-flat major, op.53, in the second section the key changes from A flat to E major. What type of change is this? Is it from the flattening of the sixth (F-flat major), or was ...
3
votes
1answer
114 views

What is the use of the minor V chord in this song?

First of all, I would like to say hi since this is the first question I've had on this website. I recently came across Officially missing you by Tamia and when I look up the chord progression on ...
-3
votes
2answers
86 views

Why does my key want to modulate? [closed]

I have this issue where the C major I'm playing wants to become D major and I'm trying to figure out why. I'm basically playing a descending C major scale. I play it note by note, from high to low in ...
6
votes
3answers
2k views

Why isn't there a closely related key to C minor that has D as tonic?

For minor keys, there are no closely related keys built on the second scale degree. Why? Is it because the chord built from the second scale degree is diminished?
0
votes
3answers
2k views

Does pop music ever make use of modulation?

When I am playing the music of J.S.Bach, my friends often mistake it to be a piece of pop music. However, they often realize they are wrong the instant the music modulates. I haven't listened to much ...
1
vote
2answers
391 views

Tritone substitution chord as an altered dominant ninth chord

I have learned that the dominant seventh chord can be written with a flatted fifth, for example G-B-Db-F in C major. Recently, I heard the term tritone substitution and I looked it up on Wikipedia and ...
7
votes
5answers
1k views

Can I use the German sixth chord to modulate to another key?

Can I use the German sixth chord to modulate up a half step? For example, the Ger6/5 chord in C major is: Ab-C-Eb-F#, which is enharmonically equivalent to G#-B#-D#-F#, i.e. the dominant chord of C# ...
3
votes
1answer
363 views

Explaining the harmony of Wagner's Wanderer motif

Recently I listened to the Wanderer leitmotif from Wagner's Ring cycle. I was both impressed and perplexed by the motif's harmony. The picture below tries to explain the possible modulations that this ...
3
votes
2answers
106 views

What is the proper use of the term “modulation”?

I've always been taught that a modulation is strictly a change to another key. But I've seen some people use the term to refer to when a song stops using the primary tonic in any form. I.E. You have a ...
0
votes
3answers
554 views

How do I identify the key of this modulation?

I have been doing practice exams and having trouble with modulation. This was the modulation question. Am I correct? If not, what did I do wrong and how should I do it? Thank you.
4
votes
1answer
103 views

What is a “key cell”?

I have recently heard of the concept of a "key cell" as a short modulation (number of bars) that contains a tonal model progression, which can be analyzed in the context of two closely related keys. ...
3
votes
1answer
151 views

What does Schoenberg mean by “intermediary region”?

I read this from Arnold Schoenberg's Preliminary Exersises in Counterpoint. The original part is: Later, intermediary regions are likewise introduced (Simple Counterpoint in Three Voices, Chapter VIII)...
2
votes
1answer
177 views

Can Camelot Wheel help in modulation?

I almost casually found out about the Camelot Wheel: It is about mixing, but can't the same rules be applied to find nearby keys to modulate to? Of course it would not tell all of the information, ...
1
vote
3answers
225 views

How to modulate from one mode to the next

Is there an established way to choose what mode/key to modulate to from the mode the composer is currently using? Modulating from C major to F major or G major, for instance, is "easy" because there ...
0
votes
1answer
210 views

What kind of modulation is B♭ to G?

What kind of modulation is V in E♭ harmonic minor to V in C harmonic minor? Are all V to V modulations acceptable regardless of the key? Or are not all keys possible to use for this progression? Also,...
15
votes
6answers
4k views

modulating from G major to G# major

I was asked to incorporate a modulation that goes one semitone up in a song initially written in G. So at some point it should go from G to G#. I am having a lot of trouble finding a relatively nice ...