Questions tagged [roman-numerals]
The harmonic analysis of music using Roman Numerals to express the function of harmony.
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Roman numeral notation for a suspended chord?
On the Wikipedia entry for Roman numeral analysis, it says that major chords use the upper case numerals (e.g. IV for the F major chord in the C major scale) and lowercase letters for minor chords (e....
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What does the roman numeral notation mean for this borrowed chord?
I am working my way through Asturias (Leyenda) in E minor for classical guitar. I believe the arrangement is based on the one by Segovia. I am using this sheet music, and comparing it to the tablature ...
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Analyzing an unfamiliar Roman numeral analysis: Cm/G-G notated as V6/4-5/3?
I was following a question, https://music.stackexchange.com/questions/57733/tips-on-how-to-add-non-diatonic-chords-to-my-music, and one of the answers introduced a chord progression involving ...
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Alternative Analysis for Non-Functioning Secondary Dominants
I've been reading though my Pocket Music Theory book and in the chapter on secondary dominants there is a concept that confuses me. The book says there can be non-functioning secondary dominants that ...
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Minor Key (and other key?) Roman Numeral Analysis
What is the general standard in RNA for the natural minor key, as well as keys that are neither major nor nat. minor?
So in studying RNA, I found the major key pretty straightforward: I ii iii IV V ...
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How writing a dominant 7 sus4 chord in RNA ( Vsus7 chord in the 1st inversion) [duplicate]
Maybe I’ve just a black out. But I wanted to notate a V7sus (inversion 1) writing a dominant 7 without the suspension of the 4th in RNA. No idea ...
g,c,d,f => c,d,f,g
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Roman numeral chord notation in minor scale?
I need help to understand chord intervals (not single note intervals) explains what the numbers I, IV, vi, III+ usually stand for in major chord theory.
But what's it like with a minor scale? What ...
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The ambiguity of certain chord qualities in Roman numeral Analysis
Roman numeral analysis uses capitalization to disambiguate Major from minor, so the paradigm is not entirely based on inference. There seems to be a double standard as to what is explicit and what isn'...
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Functional analysis of chorale 'Wie wunderbarlich ist doch diese Strafe' BWV 244/46
I did some analysis of the chorale 'Wie wunderbarlich ist doch diese Strafe' (from Matthew Passion BWV 244 no.46), see below. But how would I analyse the first chord in measure 2? Obviously, it's an E ...
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Using standard Roman numeral analysis how should 7th and 9th qualities be determined?
Example:
C: V7 or inversions like C: V6/5 are understood to be dominant-seventh chords and C: V9 a dominant ninth chord with a diatonic, major ninth.
I think the basic idea is all the Arabic ...
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Harmony and roman numeral analysis: how to deal with chromaticism?
I recently started playing piano.
While learning and performing new pieces, I found that it helps me a lot to have some certainty of what's going on with the notes, the chords, and the harmony.
I ...
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Origin of Roman Numeral Analysis
Out of curiosity, I was searching for the origin of Roman Numeral analysis and the only online source I could find was this passage in Wikipedia:
Gottfried Weber's Versuch einer geordneten Theorie ...
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I need help to understand chord intervals (not single note intervals)
I understand intervals between notes. Each number of steps between two notes has a particular name. Like this:
But some times I see people refering to intervals between chords, not single notes. Like ...
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Differentiating between II and II7 (secondary dominant V of V)
I'm studying harmony and start to make roman numeral analysis on Bach pieces.
I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V).
I guess there are some notes ...
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How do I determine the chord progression Roman numerals?
Let's say I'm playing the chords D, G, A and Bm. I know that D is my key, which would be Roman numeral I. How do I associate the other chords with their proper roman numerals? How would I determine ...
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Are all modes relative to Ionian (major) in Roman numeral analysis?
I saw in this Wikipedia article that there are a lot of flats and sharps in the modal natural chords. And I was wondering if it's because they all refer to Ionian.
So in Aeolian the "bIII" chord is ...
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Trouble reading roman numeral notation with flats
I am working my way through an article on transformations in rock harmony, but I am getting stuck trying to read the author's roman numeral analysis. I would really appreciate some help understanding ...
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Roman Numeral Chords with Slash
This chart has a listing for a chord V/1 and I'm having trouble interpreting this chord, specifically the "/1" part. I think the "/1" part might have one of the following meanings...
"the base note ...
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Roman numeral analysis: Bridge over Troubled Water
I'm trying to create a "universal key" to learn more about the harmony and to be able to practice it easily in every key. Below is the intro for 'Bridge over Troubled Water'.
Generally, I ...
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Software support for roman numerals and functions
I have seen how someone used Musescore, lyrics and a special font to attach roman numerals to a score. I have also seen examples of roman numerals in Sibelius. I have no idea how that was done.
I ...
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Use of Roman numeral notation when a new key is introduced within original key
I would like to use Roman numeral notation for songs and do not know what to do when the piece transitions to a new key: e.g., from C to E flat major. I know this is basic, but do I try to use the ...
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Does minor/major affect scale degrees when talking about chords?
Say I'm playing a song in C Minor, and I play the chords
Cm, B♭, A♭, G
If I was talking about, or analyzing these chords using roman numerals, which way is more correct to refer to them?
i, VII, VI,...
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Does MusicXML support roman numerals and/or functions?
Does MusicXML support roman numerals and/or functions (such as T for tonic)? I know this can be done via a workaround, namely using lyrics and a special font. But I am talking about dedicated support.
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Roman numeral analysis of chord with non-chord tone in bass
We use figured bass notation to help indicate chords in inversion by establishing the interval between the bass note and the other notes of the chord. I have seen figured-bass symbols applied to ...