Questions tagged [species-counterpoint]
In Western pedagogy, counterpoint is taught through a system in which students progress through several "species" of increasing complexity.
8
questions
1
vote
0answers
41 views
How do I achieve contrary motion in second species counterpoint?
I am working on this counterpoint exercise. In 9a the second half goes down. I for the life of me can't do contrary motion without it going too high. I know I need 16th notes but there are too many. I ...
2
votes
2answers
68 views
Sequences in Music
I am doing second species counterpoint and this exercise gives me all the bottom notes and only the first 4 eighth notes. The exercise says:
Where a sequence occurs in the given voice, use one in the ...
2
votes
1answer
74 views
Second Species Counterpoint
I am working on a second species counterpoint and I am a bit stuck. This is what I have so far:
Any tips for where to go from here? The exercise I found online gave me all the notes of the CF and ...
1
vote
1answer
39 views
Is there a rhythmic counterpart to voice leading? Is counterpoint supposed to fulfill this role?
I have been studying voice leading and I feel like rhythm is unaddressed in voice leading theory.
Here's an example of the types of voice leading rules I'm referring to:
Resolve 7->1 in a V chord ...
1
vote
1answer
52 views
In species counterpoint, is the fourth above a third a consonance or a dissonance?
I am reading Alfred Mann's translation of "Gradus ad Parnassum" and found a footnote that says that Fux considers a fourth that comes from harmonic division the of the octave (fifth-fourth) ...
6
votes
1answer
85 views
Should I avoid descending leaps of a minor 6th in species counterpoint?
A little background:
I am teaching myself species counterpoint by reading multiple texts and doing exercises. My primary text is Salzer and Schacter’s “Counterpoint in Composition,” which I really ...
3
votes
2answers
181 views
Why is the false relation of the tritone objectionable in V-IV but less so in IV-V?
In strict counterpoint, it is forbidden to have a B in one voice and then, in the very next chord, an F in another voice, or vice versa. This is called the false relation of the tritone.
George John ...
2
votes
1answer
59 views
Fux's Third Species (two part) melodic movement - except for cambiata movement to and from dissonance only by step?
I'm trying to come up with my own wording to explain Fux's examples in third species, two-part counterpoint.
When I look at the examples, the more or less clearly stated rules are...
dissonances on ...
