Questions tagged [theory]

For questions about of how music works, seeking to identify structures and patterns in music.

19 questions with no upvoted or accepted answers
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149 views

Penultimate chord in Messiaen's Regard du Pere seems to break the pattern

I have a question about a particular chord in “Regard du Pere,” the first piece in the Vingt Regards Sur L'Enfant Jesus by Messiaen. I am using the 1947 Editions Durand and don’t know of any other ...
3
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0answers
67 views

Neo-Riemannian Theory, The Minor Plagal Cadence, and Chromatic Voice Leading

In my reading, a criticism that I have heard leveled against Neo-Riemannian theory is that it does not explain the smooth chromatic voice-leading possible in the iv - I instance of the plagal ...
3
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3answers
87 views

Is it necessary to use a dash to indicate a suspension in a figured bass?

In the ABRSM theory exams, a 4-3, 7-6 or 9-8 suspension always has a dash between the two numbers in the figured bass. I have not found this to be the case in analyses that I have looked at. So is the ...
2
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3answers
33 views

Connecting multi effects pedal to a tube amp and modeling amp

I started playing the guitar again in the last month and i'm having some trouble with my gear. So, i have a modelling amp from pevey which also has some effects built in. I also have a line 6 POD ...
2
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0answers
39 views

Sources for analysis of Bach fugues?

I've been working on Bach's Sonata #1 for Solo Violin (BWV 1001) and I have concluded that I would benefit from some sort of analysis of the Fugue. In particular, something that shows every point and ...
2
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0answers
391 views

Super Ultra Hyper Mega Meta Scales

If you are as obsessed with Jacob Collier as I am, you probably know what I'm talking about. If not, it is essentially a scale that continually modulates, taking you through multiple keys. Jacob ...
2
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0answers
73 views

Repeat-modify-mix technique for developing a musical theme

The level of my musical education leaves much to be desired, so I apologize in advance for maybe amateurish question. Several times I've encountered a situation when a composer repeats some piece in a ...
2
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0answers
57 views

Intervals when making a tone row - what to keep in mind?

For writing 12 tone or serial music, one generally makes a tone row, and then uses that for constructing a melody. I want to know what would be the maximum range of intervals between any 2 consecutive ...
2
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0answers
166 views

Help with a cello cadenza (Boccherini Concerto No 3 in G Maj)

Here’s a cadenza my daughter came up with, by mixing parts of the original score and changing them a little bit, e.g changing the key. She is unsatisfied with two things here. Maybe you could give me ...
1
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0answers
53 views

Pitches on AP Music Theory examination

I was listening to some sample questions for the Advanced Placement Music Theory examination, given to high schoolers in the United States. I noticed that on a lot of the listening examples, ...
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0answers
40 views

Eighth Slash Notes for a Simile

I know that if you want to make a SIMILE part, you can put as my picture, quarter notes then convert in Sibelius to SLASH NOTATION and enter the text that says SIMILE. Here is the photo: https://ibb....
1
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0answers
72 views

Did Beethoven write any modes other than the Ionian / Aeolian / Lydian modes?

The Ionian and the Aeolian modes are considered major and natural minor keys, and all composers used these modes all the time, including Beethoven, who also wrote Lydian mode in one of his string ...
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0answers
61 views

Kinetic Rhythm in Pop Music

This is something I've noticed that I don't hear anyone really talking about... Essentially it's the way that separate rhythmic elements of most pop songs interact in a kinetic way with one another. ...
1
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2answers
115 views

What do you call a lightwheight version of chorus inside a verse or in between them?

If you have two different choruses, where one is a more mellow version of the "real" chorus. What do you call it? For instance on this form: Verse, X, Verse, Chorus. What do you call X? It's not a ...
1
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0answers
88 views

What mode is this plainchant melody?

https://gregobase.selapa.net/chant_img.php?id=7376 We start on sol and use sol-la-si/ti. We have two finalis: sancti ends on sol but amen ends on la. The recitation is la. Hypophrygian, I think, has ...
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0answers
113 views

Leading-tone IAC?

Why did Beethoven write a leading-tone IAC here? It appears as viio 6/5 - I. Also, why does the leading tone IAC exist?
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0answers
39 views

Musescore: add dotted 16th note triplet on a dotted 8th note space

I am trying to transcribe a piece of sheet music in Musescore however, I am having difficulty to make a triplet of dotted 16th note in the score Can anyone help me with this please. I have tried ...
0
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0answers
47 views

Variant Cadences

I've gone through many unusual cadences so far - conclusive cadences that are not V-I, V-i, v-i (rare), viio-I, #viio-i, IV-I, or iv-i, and progressive cadences that are not V, v (rare), V-vi, V-VI, ...
0
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0answers
57 views

Writing characteristic chord progressions in inversion, & doubling notes other than the root

There are characteristic chord progressions taught in music theory, for example, the cadential 6-4, which is Ic - V - I. Then there's Ib - ii7b - V - I, & so on. I want to know if these cadences ...