Questions tagged [theory]

For questions about how music works, seeking to identify structures and patterns in music. Used to indicate questions about musical concepts and structures, as opposed to techniques and execution.

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Can anyone help me understand F#ø7 - F7 - Asus - AM7 - D7 - Em?

I'm trying to understand what's going on in this small piece written for Genshin Impact game, the song's name is "Pure Sky" is about 1min long and you can listen to it here (the part I'm ...
LucasAraujo's user avatar
5 votes
3 answers
506 views

Usage of sharpened subdominant in minor key: what is the diatonic function?

The piece Für Elise uses a D♯ in the key of A minor in the first bar, which is the sharpened subdominant. (I'm focusing on the first part, up to halfway through bar 23 in this score.) D♯ and G♯ are ...
mathlander's user avatar
4 votes
2 answers
156 views

How are 4th and 2nd species counterpoint combined?

I've gone through all five species of Fuxian counterpoint, and I'm moving into combined species. I remember hearing that one of the most important forms of combined species is the combination of ...
OprenStein's user avatar
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1 vote
0 answers
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Does energy in Spotify api featrue mean arousal? [closed]

I have a question about the spotify api feature. The spotify api has valence and energy features. Is it correct that energy means the arousal of valence-arousal? Thank you for your reply.
vori's user avatar
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12 votes
2 answers
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When is the "d" in "Goldfinger" sung?

I noticed that some choirs will synch up their consonants while singing. Is there a standard approach for timing consonants? For the sake of example, here's a cropped portion of sheet music (source): ...
Dustin G. Mixon's user avatar
3 votes
8 answers
1k views

Semitones vs perfect fifth

This website: https://www.musictheoryacademy.com/understanding-music/intervals/perfect-fifth/) is saying that: "A perfect fifth is an interval of 7 semitones between 2 notes." The ...
administr4tor's user avatar
4 votes
2 answers
207 views

How exactly does Bach modulate from Dmin to Gmin here?

In 'Von den Stricken meiner Sünden' from the St. Johannes passion. Ignoring the strange B.C. realisation (why all the accidentals and intervals not matching the figuration?), I'm very confused about ...
Not Legato's user avatar
2 votes
1 answer
102 views

I cant understand these Pythagoras octave ratios

So the book I am reading has this paragraph This book mentions Pythagoras ratios 1/8 , 1/4 , 1/3 , 1/2 , 2/3, 7/8 , 1 now when I go online, i can not find these ratios anywhere online. All online ...
administr4tor's user avatar
5 votes
4 answers
383 views

Clarification of modes, mixed understanding of how they work

I'm just diving into music theory having largely ignored it in my playing up until now. I believe I've got the basics down of how to move modes around the finger board. But, there is some "...
user avatar
2 votes
0 answers
65 views

Consonant vs. Dissonant Major Thirds: Historical Process and Significance of Tuning System

In the comments to the question Why is the fourth against the bass considered a dissonance?, I wrote A 5:4 third was considered dissonant until musical tastes changed and declared it consonant. To ...
Aaron's user avatar
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2 votes
1 answer
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Identifying Period Type

I've attached a music excerpt that's been stumping me. Is the attached passage a parallel period or a contrasting period? The rhythmic repetition makes it seem parallel, but the chord progression and ...
Wgw327's user avatar
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1 vote
0 answers
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When would I write E sharp and when would I write F natural? [duplicate]

My song is in E Major. The notes go as follows: A, G#, F#, E#/F natural, F#. My instinct is to do E# so that I don't have to put another accidental on the next note. Is there a specific reason to use ...
Seth Knight's user avatar
2 votes
3 answers
152 views

How to compose like Liszt? [closed]

I've been trying to compose like him for a long time but I've got no idea where to start. What are some of his most used chord progressions? Info like this would help.
Pavlos's user avatar
  • 21
2 votes
6 answers
657 views

Do classical musicians sometimes go deliberately out of pitch?

Can anyone explain to me what's going on?: I am not and have never been a professional classical musician, but I don't think you need to be one to see that something ...
brilliant's user avatar
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-1 votes
1 answer
147 views

How does bass music make vibrations? [closed]

Please explain to me how bass music from one house makes another house vibrate, they are roughly 10 feet apart. Thanks for answering!
Music Lover's user avatar
3 votes
0 answers
47 views

What exactly are the different staccatos and are there any examples? [duplicate]

I am pretty new to piano and am starting to work on Moonlight Sonata. (I just finished Alfred's Level 1 book for context). My book (Beethoven Moonlight Sonata Alfred Masterwork Edition) says there are ...
Brittainey Saldaña's user avatar
1 vote
4 answers
138 views

What chords are considered acceptable as passing chords in common-practice-period tonal voice leading?

I want to move from an FMaj to an Fmaj(6) chord. Putting a passing chord in between, a CMaj(3/4)(A second inversion dominant 7th) chord seems to work nicely. But these chords, at least in the common-...
OprenStein's user avatar
  • 1,606
2 votes
3 answers
301 views

Can anyone identify what's going on with this rhythm? Is it syncopated, odd time signature or are the instruments out of sync?

I'm currently transcribing the outro section of the song "Even the Gods Must Die" by Nile and I've been trying to figure out how to approach the feel of the rhythm. It seems like the drums ...
James 's user avatar
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1 vote
1 answer
119 views

How to restart my guitar studies from scratch?

I have being playing the guitar for quiet a while now(12+ years but more dormant years within this). I am able to deduce guitar tabs of a given song on my own(mostly with some minor errors). I have ...
A point in space's user avatar
1 vote
0 answers
27 views

am i right with this track's scale? [closed]

hi can you please help me about this track's scale ? i think it might be c# mixolydian as i tried to play the notes along the track am i right about it or it is something else - i'm a beginner by the ...
Dude's user avatar
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4 votes
2 answers
422 views

What is the meaning of the two added time signatures?

If my understanding (just being based on the number of counts in each measure in the given staff) is right then two added time signatures only mean that in one measure, there will be 6 beats and a ...
harpey1111's user avatar
9 votes
4 answers
2k views

Why are diminished fifths called tritones?

The word "tritone" basically means three whole tones. In the C major scale, we find this between F and B as F-G-A-B. This interval is also called an augmented fourth. However, a diminished ...
mathlander's user avatar
10 votes
6 answers
2k views

Why can't we spell a diminished 3rd or an augmented 5th using only the notes in a major scale?

This might be a silly question, but why can't we spell a diminished 3rd or an augmented 5th using only the notes in a major scale? I think what I'm really confused is that, for example, A to F has 8 ...
Ludwig Gershwin's user avatar
3 votes
2 answers
538 views

What do you call it when two different melodies are combined? [duplicate]

Say that Alice has a theme song with a certain melody. Also, Bob has his own theme with a certain melody. But during a scene where Alice and Bob are together, both melodies are played together at once ...
chausies's user avatar
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1 vote
2 answers
98 views

How do I play these chords? (Parentheses around chord symbols) [duplicate]

How do I play the chords I marked with red dots? First, in measure 4, can I alternatively play C#m7 and F#7? Why does it sound off with the melody then? Second, the chords in measures 8, 9 and 10, how ...
silvy1051's user avatar
  • 155
1 vote
1 answer
68 views

Is there a name for this pattern of piano chord progressions? (Clementi Op. 36 No. 5 & 6)

I noticed in Clementi Op. 36 No. 5 and No. 6 there are these very similar and peculiar chord progressions (see image). Do those three chords often go together like that? Or is it more a Clementi style?...
GrandAdagio's user avatar
  • 1,447
8 votes
1 answer
398 views

Open string call out does not match requested music note

I am learning guitar and recently came across a sheet requesting what I understand to be an open B string (red arrow), however the music sheet shows a C (blue arrow) note being played. What is the ...
MusicHappy's user avatar
1 vote
1 answer
424 views

Translating Sheet Music to Guitar Tabs (without any software help (: ) [duplicate]

I have been playing guitar for a few months and have grown to love it. I played sports and participated in 0 fine arts growing up, so this is all very new to me. I was excited to initially learn ...
bismo's user avatar
  • 209
3 votes
2 answers
136 views

Tremolo notation for Sixteenth note triplets

I'm wondering if there's a tremolo notation (https://en.wikipedia.org/wiki/Tremolo) for a repeated Sixteenth note triplets like this one for example: I've only seen the notation for regular rhythm ...
lch's user avatar
  • 163
3 votes
1 answer
83 views

Historically, what is the difference between the interval qualities "perfect" and "major"? [duplicate]

So I'm trying to wrap my head around intervals. I know that, for instance, a major chord is made up by the fundamental (I), a perfect third (III) and a perfect fifth (V). So, the "important" ...
Alessandro Bertulli's user avatar
0 votes
4 answers
119 views

Why is it common to use slow practice when learning melodies on the piano but less common when learning to sing them?

I have been told by many piano teachers to practice playing melodies slowly, ie using slow practice. I have never really been told by singing teachers to do slow practice. Why is it common to use slow ...
harry jansson's user avatar
1 vote
1 answer
70 views

What is the difference between singing piano (dynamics) and how most adults sing softly (with lower volume) when singing eg. lullabies?

Many adults who sing lullabies for children use more of a soft voice with low volume. What I have been told is that playing an instrument or singing in piano (dynamics) isn't that easy. My experience ...
harry jansson's user avatar
2 votes
3 answers
107 views

A#dim7 resolving to Amajor7

I'm working on a Neo-Soul tune that keeps preceding the Amaj7 (I Chord) with an A# dim7 and some variations. The key is really A Lydian. One time the A# dim7 is replaced by an A9(b5)...and another ...
Scott's user avatar
  • 51
1 vote
1 answer
42 views

Can you explain why they have (in bar 7) a fifth interval moving in similar motion in this hymn arrangement?

When we study part-writing we often hear about how a two notes making up a fifth should not move in the same direction. I've been told not to do it, but I see professionals hymn arrangements breaking ...
harry jansson's user avatar
5 votes
6 answers
930 views

Question about beats and their inheritance of accents on the rhythm

I see that I've created a lot of confusion with my original question, so I have decided to send the author of "How to read Music in 30 Days, English 2022 Ed." a detailed question that should ...
iwab's user avatar
  • 159
3 votes
5 answers
171 views

Harmony: why does transforming a ii minor chord into II major chord work?

I accidentally composed a song that uses the same harmony "trick" as the song The Odyssey from Symphony X. Both are in the key of Eb (I know it's C minor, but I like to think major for ...
ViniciusPires's user avatar
1 vote
0 answers
49 views

cut time vs common time [duplicate]

i understand that 2/2 or cut time has 2 beats as opposed to 4/4 or common time, but how does this actually sound different? if you took a piece and played if it was notated as being 4/4 and then ...
jackseven's user avatar
  • 111
11 votes
4 answers
1k views

How to notate a non-standard hexatonic key

I am writing part of a piano piece in a hexatonic "key" containing these notes: C - D# - E - G - Ab - B (I say "key" instead of scale because I'm treating it like a key, deriving ...
I talked with a zombie's user avatar
1 vote
1 answer
97 views

What would be the difference between using the laryngeal tilt and vowel modification for higher notes?

I have been told by singing teachers (all "classical") that I should sing down to the higher notes. To that sounds like they wanted me to use the laryngeal tilt. I've been told that by my ...
harry jansson's user avatar
0 votes
7 answers
2k views

Is it correct to write C♯♯♯♯♯♯♯♯♯♯♯♯ (twelve sharps) as C?

Let's say there is a song that starts at middle C and the next note is always the previous note raised by a perfect fifth or lowered by a perfect fourth to keep all notes within audible ranges. By ...
mathlander's user avatar
2 votes
6 answers
755 views

Is an E augmented triad the same as a C inverted augmented triad?

I know that a C augmented triad is C, E, G♯ and an E augmented triad is E, G♯, B♯. However, I think we can replace the B♯ in the E augmented triad by its enharmonic equivalent, a C. Is it appropriate ...
mathlander's user avatar
9 votes
1 answer
195 views

Interesting symbol in a piece of piano music [closed]

A friend sent me this image and asked me to identify the symbol circled in red. I tried using Google Lens but no luck. Thanks for your help!
Bill B's user avatar
  • 93
2 votes
4 answers
155 views

Is there music that recursively subdivides the beat in odd subdivisions?

For example: 3/4 has 3 quarter notes per beat, and each quarter note subdivides into 2 eighth notes, 4 sixteenth notes etc. which makes the total count an even number (6/8 or 12/16 etc.) Is there any ...
geeheeb's user avatar
  • 127
1 vote
1 answer
123 views

Am I over simplifying what I think I know about keys

I've read a few threads about the same question and seem to have really missed something from music theory 101. My question is around, for example, Cant you See by Marshall Tucker. Very simple ...
Bill Smith's user avatar
1 vote
5 answers
238 views

What is the definition of folk music and how does it differ from traditional music?

I've been thinking about the terms folk music and traditional music. Traditional music seems in most cases to mean music without a known author or composer (or sometimes a tune writtten by a person, ...
harry jansson's user avatar
1 vote
1 answer
59 views

What is it that makes I närvarande parter a polonaise?

Bellman's I närvarande parter is a polonaise. What is it that makes it a polonaise? In this video (at 1:31): it is explained that a polonaise should be based on a ...
harry jansson's user avatar
1 vote
3 answers
393 views

1564 (I V vi IV) chord progression for Minor

Many of I-V-vi-IV chord progression examples are C major. My question is Minor. For example of Am key signature, the 1564 is Am , Em, F, Dm; however, I-V-vi-IV should mean major-major-minor-major. May ...
SBMVNO's user avatar
  • 309
6 votes
2 answers
494 views

Fux Counterpoint

In Fux's study of First Species modal counterpoint, why is it permitted to raise the 7th as he approached the final cadence. I realize that allowing that creates a leading tone which sounds better, ...
Ron Franklin's user avatar
2 votes
1 answer
109 views

Question on the definition of a dissonant passing/neighbor tone?

I am currently trying to teach myself counterpoint following Jacob Gran's videos. When I was analyzing my exercises today, I thought of this question. If the first two notes of a dissonant neighbor(or ...
Sam Cao's user avatar
  • 21
1 vote
3 answers
134 views

Key for Am-G-F-D [closed]

writing a song, verse in key of F, F Dm Bb C then the chorus is Am-G-F-D... I know Dm is the vi of the F key, but Dmaj sounds like I want. Tried 7ths and other combos but this sounds best for my song....
maarkr's user avatar
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