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For questions to related to the accepted uses of harmonic progression within the common-practice period. Questions may also necessitate the chord-progressions tag.
3
votes
Accepted
Purpose of interlude in Bach WTK II, Fugue 16
It is an episode. If you find that modulation is an essential feature of an episode, consider that it begins in D minor, complete with C♯ and E♮ in the cadence, then moves to E♭, C♮, and B♮; then in …
2
votes
Deviations from IV-V-I progression
I would like however to get a better theoretical understanding of what is happening here (and also why it is followed by the major chord: IIm-II-V-I)
You seem to understand already:
simply using I …
2
votes
Is there a name for raising the v chord to a dominant V
The dominant chord is so called because the fifth degree of the scale. Normally, in traditional functional harmony, it's major. This arises because of conventions of chromatic alteration that were e …
1
vote
Starting harmonization with chords or bass?
In general the approach is reasonable or indeed even common; whether it is appropriate for a beginner as a pedagogical matter is another question entirely. I would suggest that you try it and see for …