Search Results

Here's Soma by The Strokes. If I'm not mistaken, the verse progression moves simply from a G chord to an F chord repeating. If the key is C, then this is just V-IV-V-IV etc. Since the chords are only …

I've been composing in major for some time and decided to work in a minor key for practice. It's not going too well – I'm having trouble using common techniques in major, such as utilizing the powerfu …

I'm writing a song--the photo posted below is the last two measures of the verse and the first measure of the chorus (this is a reduction). I wanted to create some extra tension before playing the A m …

Rule 12 of Paul Hindemith's Craft of Musical Composition - Book 2 states the following: Avoid augmented and diminished intervals. If, after an augmented or a diminished interval, the third tone is ta …

I am attempting to analyze the G note in the melody pictured below using Paul Hindemith's terminology/framework set out in his Book 2. From what I can gather, the melodic formulae Hindemith is conside …

Allegedly, Beethoven condensed Fux's work into a "cheat sheet" version for ready reference (from the back cover of the Alfred Mann translation), and Mozart apparently annotated his own copy (according …

My question today stems from me having difficulty assigning a roman numeral to a chord which either has a suspension (please see below) Or when there is melodic motion in the bass (please see below …

I am having trouble following the analytical methods applied in David Neumeyer's The Music of Paul Hindemith. Please refer to example 3.12: I would like to use one of the chord changes to put my thin …

...And how is this reduction meant to be read? Taken from p. 66 of David Neumeyer's The Music of Paul Hindemith This is the beginning of the section on analyzing melodies, and it totally blindsided …

I am not sure if Jack's balance/symmetry theory only pertains to melodic phrases or if it concerns the length of the music generally (counted as measures). …

In this post, I was given some tips on arranging electric guitars. However, I would like to do further reading on the subject (spreads, range, register, coupling, doubling, unisons, etc), and I can't …

I have been studying Paul Hindemith's "The Craft of Musical Composition, Book 1: Theory", trying to apply Hindemith's principles to my own harmonies and melodies. … Can you please provide an example of a melody being altered/improved based on Hindemith's theory? How about a chord progression being altered/improved based on Hindemith's theory? …

I understand that this may be basic. I have a chorus progression (C major) I am working on, and it originally started as basically the following: I-VII-V-vi-V I wanted to experiment a little by adde …

Is this a useful way to move the bass, or does the theory that I have described not really apply here? …