Search Results
Search type | Search syntax |
---|---|
Tags | [tag] |
Exact | "words here" |
Author |
user:1234 user:me (yours) |
Score |
score:3 (3+) score:0 (none) |
Answers |
answers:3 (3+) answers:0 (none) isaccepted:yes hasaccepted:no inquestion:1234 |
Views | views:250 |
Code | code:"if (foo != bar)" |
Sections |
title:apples body:"apples oranges" |
URL | url:"*.example.com" |
Saves | in:saves |
Status |
closed:yes duplicate:no migrated:no wiki:no |
Types |
is:question is:answer |
Exclude |
-[tag] -apples |
For more details on advanced search visit our help page |
For questions to related to the accepted uses of harmonic progression within the common-practice period. Questions may also necessitate the chord-progressions tag.
1
vote
1
answer
134
views
Unusual chord progression: I7-VIImaj7 (#VIImaj7 ?)
So I came up with this little tune that roughly follows the standard 12-bar blues form but it substitutes the subdominant (IV7 chord) with VIImaj7. It sounds unusual but quite smooth and not jarring a …
6
votes
1
answer
787
views
Alternative theories of harmony
Do you know of any alternative (to functional) descriptive theories of harmony or attempts at creating them?
By that I mean attempts to explain both functional and non-functional harmonies in a sing …