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Results tagged with analysis
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user 71424
For questions about studying the intricacies of a piece of music. Questions should also be tagged with a more specific form of analysis if applicable.
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Chord naming conventions: When is a 6 a 13? [duplicate]
I have seen/ heard people say that you only write a 6 when there are no other upper extensions used (meaning no inclusion of 7 and above).
I have also heard people say that you only write a 6 when t …
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3
votes
2
answers
985
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Interpolated chords: How do they work?
Recently, I studied the tune 'Misty' by Eroll Garner. I was slightly confused as to the middle section of the piece, as it involves a passage with some delayed resolutions. I have come across three di …
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5
answers
480
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What makes a chord a sus chord?
In light of some recent answers to questions I have asked on Stack Exchange with regards to naming chords, I have decided to refine things a little further, focusing on sus chords.
If a chord contains …
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1
answer
173
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Roman numeral analysis of exam practice exercise: "Polish Song" by Hiller
The piece in question is 'Polish Song' by Hiller. I have labelled the bars from 1 to 11.
The piece is in A minor, and we seem to have A minor leading to V7 in the opening measures (I'm putting the C i …
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0
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2
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189
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(REVISED): Roman Numeral Analysis of Fuchs- 'Mother Tells a Story'
I am still stuck on the harmonic analysis in a few areas. …
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2
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2
answers
443
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Four part Writing: When must a perfect fourth be resolved?
A bit confused at the moment regarding when a perfect fourth is classed as a consonance, and when it is classed as a dissonance. I have read here on Stack Exchange, that perfect fourth intervals are c …
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1
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1
answer
71
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When does this extract change key? (Roman Numeral Analysis of Greene: 'Ode on St Cecilia's D...
My second analysis (shown on the script) treats the Bflat M as the pivot:
Dm: III, AM (V), Dm (i), AM (V), BflatM (VI/IV FM), FM (I), C7 (V7), FM (I). …
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3
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1
answer
216
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what is the method behind naming jazz chords? [closed]
I have recently become confused about how to name chords in jazz.
This is my current understanding:
Add chords (without 7th)- chord that contains the root, third, (optional 5th) and one or more exten …
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6
votes
2
answers
917
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Four part writing problem: tripled root solution. what is best practice here?
I have hit a problem with this chord change in my four part writing. We are in A minor.
The VI chord is in first inversion, so A must be in the bass. (I have made a mistake in the figure. the VI chord …
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3
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3
answers
538
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Four part writing: How to voice diminished 7th chords?
I am currently doing part writing, and have come into a bit of a conundrum. I want to use a sharp 4 dim 7 (Fsharpdim7), to link up my IV chord (FM) to my V7 chord (G7).
I know that 7ths should usually …
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