Search Results
| Search type | Search syntax |
|---|---|
| Tags | [tag] |
| Exact | "words here" |
| Author |
user:1234 user:me (yours) |
| Score |
score:3 (3+) score:0 (none) |
| Answers |
answers:3 (3+) answers:0 (none) isaccepted:yes hasaccepted:no inquestion:1234 |
| Views | views:250 |
| Code | code:"if (foo != bar)" |
| Sections |
title:apples body:"apples oranges" |
| URL | url:"*.example.com" |
| Saves | in:saves |
| Status |
closed:yes duplicate:no migrated:no wiki:no |
| Types |
is:question is:answer |
| Exclude |
-[tag] -apples |
| For more details on advanced search visit our help page | |
Results tagged with classical-music
Search options not deleted
user 71424
Questions about the music produced or rooted in the traditions of Western liturgical and secular music during a broad period from roughly the 11th century to present times.
2
votes
2
answers
227
views
Four part writing: How to voice augmented 6th chords?
I have recently started adding augmented 6th chords to my part writing. As far as I can tell, I have not broken any harmonic rules in the displayed voicing, yet it does not sound right to me. Just won …
- 793
2
votes
2
answers
920
views
sharp ii dim 7th: How to use?
Still here and working on part-writing. I have used a sharp ii dim7th chord, straight after iihalfdim7- leading to V. Is this actually the right place to put it in terms of chord sequence/harmonic pr …
- 793
1
vote
0
answers
56
views
Four part writing: How to treat the 7th over static harmony?
My example:
The harmony in bar 28 is C sharp half dim 7. On the off beat of beat 2, I have root C sharp (repeated harmony note- tenor part [alto clef]), sounding at the same time as the 7th B (aux har …
- 793
2
votes
3
answers
531
views
Melody harmonisation: How to handle leaps?
I am currently harmonising a melody- the last three bars of the phrase are shown in the picture. The melody is in the alto part, and it finishes the phrase with a large leap down to G. I would like to …
- 793
1
vote
1
answer
71
views
When does this extract change key? (Roman Numeral Analysis of Greene: 'Ode on St Cecilia's D...
Quick question regarding bar 3 in this figured bass exercise. We start off in D minor. The introduction of C naturals in bar 3, along with the fact we finish the piece in the relative FM, seems to sug …
- 793
3
votes
2
answers
98
views
Four part writing: Does quality and amount of dissonances affect use of non harmony notes?
Still writing four part. I have found that, even if dissonances are prepared and resolved by the book, they can still be quite jarring. So, I was wondering if it is normal to take extra factors into c …
- 793
6
votes
2
answers
917
views
Four part writing problem: tripled root solution. what is best practice here?
I have hit a problem with this chord change in my four part writing. We are in A minor.
The VI chord is in first inversion, so A must be in the bass. (I have made a mistake in the figure. the VI chord …
- 793
3
votes
3
answers
538
views
Four part writing: How to voice diminished 7th chords?
I am currently doing part writing, and have come into a bit of a conundrum. I want to use a sharp 4 dim 7 (Fsharpdim7), to link up my IV chord (FM) to my V7 chord (G7).
I know that 7ths should usually …
- 793
1
vote
1
answer
69
views
How do I start a new phrase whilst modulating? [closed]
Hi guys,
I have recently been composing and have run into an issue. I have finished a section with a perfect cadence (bar 52), and I would like to change to the subdominant key for the next phrase (ba …
- 793
5
votes
3
answers
147
views
Does tempo affect use of non-harmony notes?
Writing a four part piece for strings at a very slow tempo (55 bpm). On paper, it seems as though the non-chord notes I have selected should work, but I am finding some of them jarring. I am unsure if …
- 793