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Mathematically the beat can be described in such a way: If you have a product of two (different) sine waves then the product of these can be written as a superposition of two frequencies, one having t …

Well, the chord is simply what it is. It might serve some functions and be classified in certain harmonic systems, but that is quite arbitrary and would depend on the context. For example in classic h …

\chordmode is a special keyword that tells the parser to create such chords. This means that after parsing the file Lilypond does not know that this was entered using \chordmode. …

He is only striking the E,A,D and G string is not very helpful if we do not know what notes he is playing on these strings. F in a G major chord would be a G dominant 7 chord, which conventionally res …

I’d say: The part before is definitely centered on a D minor tonality, we have an ostinato on D minor, A maj7, F major, G major which we can interpret as I V7 I7 IV# in D minor. Then we get some sort …

But commonly you’d find these sort of chords on the bVI instead of bII, functioning as a secondary dominant. Classic progression there would be vi7 - i46 - V4-3 - i …

To determine the chords try to evaluate if a note is in fact a chord note, and ignore them if they are not. …

Generally in jazz chord names the base 7-chord is taken to be the dominant 7-chord. So when you read E7 the 7-th does not depend on the scale like it would with standard figured bass notation, but it …

A slightly different explanation: I suppose you have power chords with some distortion (an acoustic guitar also does have some non-linearity, but to a less extent). …

But if you need this more often you could define the chord modifier alt to simply be able to enter e:alt like this: \version "2.22.2" \header { title = "Alt Chords" } %% taken from scm/chord-ignatzek-names.scm …

Let’s take this to C major to be less confusing. Then we’d have C - Am - F - Ab. Ab can be seen as low altered mediant of C, which is not an uncommon thing to do. Basically what you’re doing there is …

I don’t like sus2 chords anyway, so let’s not call them anything, let’s just ignore them (this is a MP reference). …

Effectively what you’ve got here is two plagal cadences. You have Am - Cm - G - Dm - C - Ebaug - G. So in the context of G mixolydian this would be II - IVb - I - V - IV - bVI - I. Note that II,IV,IVb …

By doing \storePredefinedDiagram #default-fret-table \chordmode { c'' } #guitar-tuning "x;x;10-3;9-2;8-1;8-1;" you modify the h …

Other answers here have already explained well that this is supposed to mean the relative minor chord to the the dominant chord. This is a translation of the original German text: Note that in German …