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When used in contrast with root position, an inversion of a chord is any voicing where the root of the chord is not the bass note of the chord (lowest note). Chord voicings are inversions of each other when the two chords contain the same notes but are not the exact same voicing.

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Are chord inversions determined solely by the lowest note, even in a broken chord?

Example: Key signature of Bb Major, an F dominant 7th chord Given a chord where the lowest note is the root but a non-root degree is played first, is it considered a root chord since the lowest note …
Henry Cooper's user avatar