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For questions to related to the accepted uses of harmonic progression within the common-practice period. Questions may also necessitate the chord-progressions tag.

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Why Bb7#9 in 'Michelle' and not Bbm7?

The second chord in the first Verse of the song 'Michelle' by the Beatles is often interpreted as Bb7#9. Isn't that a bit of an overkill? I actually don't really hear the major triad dominantly and if …
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