59
votes
Accepted
Is it recommended to learn a piece you really like, but is way above your level?
Hopefully a personal anecdote as an answer is helpful:
I was forced to take piano lessons when I was young. When I became a teenager, my parents made it my choice whether to continue and I chose to ...
26
votes
Accepted
What is a B-flat major chord doing in the key of A minor?
This is a very common concept known as the Neapolitan chord.
In short, the Neapolitan chord is typically a major chord built on the lowered second scale degree; you'll occasionally see/hear it called ...
25
votes
Accepted
Chopin: marche funèbre bar 15 impossible place
This does not seem to be a typo, as evidenced by a clear D♭ in the bass on page 14 of the autograph manuscript:
On page 14 of Kullak's "instructive edition" found here, the editor suggests ...
14
votes
Chopin's Etude op. 10 No.1 - why the D sharp in bar 8?
That note is leading to the E in the next measure, so D# creates greater tension — greater pull toward the E — than would D natural.
12
votes
Is it recommended to learn a piece you really like, but is way above your level?
A student of mine decided he was going to learn a piece on piano. It's way above his level, and I suggested he left it for a year or so, but encouraged him to have a go, and sorted some tricky parts. ...
11
votes
Is it recommended to learn a piece you really like, but is way above your level?
It's great to set yourself a target. Unless you push yourself, you'll never get better.
I'm a guitar player, and some years ago I decided I wanted to learn "Cavatina". I practised very very slowly ...
11
votes
Accepted
Why did Chopin name Etude Op. 25, No.5 the "Wrong Note"?
Chopin did not personally give the etudes these names. Instead, these were names given later (whether by audience members, critics, etc.). I haven't been able to determine who gave this etude the name ...
10
votes
Accepted
Weird acciaccatura (?) notation in Chopin's polonaise
There is nothing mysterious here. As you say, if it were slurred that would make it a tie, and that wouldn't make much sense in this setting. It all looks clear to me. Simply play the slashed Eb ...
10
votes
What is a B-flat major chord doing in the key of A minor?
The "Neapolitan chord" answer deserves to be the accepted answer, but I'd like to add another use for Bb in Amin.
The bII can be used as a tritone substitution for the V, and particularly the V7. In ...
10
votes
Chopin's Etude op. 10 No.1 - why the D sharp in bar 8?
Intensifying the G7 dominant with a ♯5 is a legitimate artistic decision. It resolves melodically to the E on the second beat of the following bar. Chopin uses the same device several more times in ...
8
votes
Accepted
Can you tonicize to a chord that's not on the original key?
Can you tonicize to a chord that's not on the original key?
Absolutely.
This is not only "allowed", but commonplace, especially by the time Chopin was composing. One of the compositional ...
7
votes
Accepted
What was Chopin's style like?
What MAKES music 'Eastern European'? Partly the use of folk music - perhaps the most mentioned Nationalistic element in Chopin's music is his use of the Mazurka, loosely derived from a Polish folk ...
7
votes
Chopin: marche funèbre bar 15 impossible place
I won't talk about if it's transcribed correctly or not, because I don't know the piece...
However, the part you've mentioned is actually 'only' a 10th.
There are a lot of people who can reach a ...
7
votes
Accepted
Need help understanding the double sharp turn in Chopin's prelude in e minor
There is no rule that says the turn has to go up one whole tone from the note you call the base. It can be a half tone or a whole tone. The turn follows the key signature unless something else is ...
7
votes
Accepted
Ballades (Chopin) Harmony Question
Your intuition is correct; it's just a move to the relative major! But we can clear up some details.
Although the key signature is four flats, the music is really in B♭ minor for these first few ...
7
votes
Accepted
Did Chopin use hairpins (adjacent crescendo and decrescendo) to indicate rubato rather than dynamics?
It wasn't limited to Chopin; the hairpin symbols weren't universally tied to dynamics until the twentieth century. Before then, usage was a little more varied. A good source for this is David Hyun-Su ...
7
votes
Accepted
Should the last chord before the last four chords be fortissimo in Chopin Op. 10, No. 12?
It must be quiet. It is the ending of the preceding phrase, and it should sound as though the piece has ended. The following ff descending line should be shocking. It's okay to make a ritardando as ...
7
votes
Accepted
Chopin Nocturne in C sharp minor (posth.) note mistake
It's possible these pianists are using out-of-date scores that include a mistake, or that some sloppy preparation has assumed a C♯ since so many other measures use it.
The official Chopin Institute ...
7
votes
Accepted
Rhythmic values don't add up in a variant of Chopin's Nocturne op. 9 no 2?
In a cadenza-like passage, the notes are not given in exact rhythm. Instead, one "squeezes them in" or prolongs the measure via rubato. Such passages are often notated with smaller note ...
7
votes
Accepted
How fast would Chopin have played his own Fantasie Impromptu, Op. 66?
TL;DR
Both 80bpm and 95bpm (half-note beat) are within the range of tempi Chopin designated for allegro, though 95 is at the extreme.
The autograph copies of Op. 66 only indicate Allegro Agitato, ...
7
votes
Accepted
Chopin Waltz in b minor (Op. 69 No. 2) measures 13~14 different versions
TL;DR
There is more evidence to support the Henle, but the first and subsequent editions are as shown in the non-Henle version.
Henle publishes their critical commentaries on their website alongside ...
7
votes
Help required for beginner!
The clue's in the title. The key of 4 sharps puts the key as in C♯ minor, so any C note in any octave will be sharp. As stated in the key signature itself, the C sharp notated there will represent all ...
6
votes
What was Chopin's style like?
As far as eastern European influence, it's pretty hard to pull that apart, and what @LaurencePayne said is spot on.
To me, what defines Chopin's "style" is his heavy use of chromaticism within the ...
6
votes
How can I get my left hand to sound legato when I'm leaping?
The hesitations (and the speed) are related to the "legato". It will take time and practice, but eventually you will need to make the left hand "flow" a lot more, there has to be a kind of constant ...
6
votes
Accepted
Chopin Prelude Op. 28 No. 1: A mysterious mutated note in the 12th bar?
It's an error in the score. The D should be an E. For example, see the Mikuli edition (IMSLP)
5
votes
Is it recommended to learn a piece you really like, but is way above your level?
While many simplified arrangements of famous pieces are terrible, it may be possible for you to either find an arrangement you like, or study the piece, determine what you like about it, and come up ...
5
votes
How should I practice the piano piece Fantaisie-Impromptu?
I am doing this piece, and have "finished" the piece within 5 months (1h/day) and am right now polishing it. This is how I attempt most pieces. Note that this post is not a "for dummies" guide.
(Note ...
5
votes
How should I practice the piano piece Fantaisie-Impromptu?
I am just now wrapping up this piece, and have my recital in a month. I am not a professional musician by any means, and I have a day job, so I can only get a few hours of practice per week. I've ...
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