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What I mean by simplified, is for example the right hand of Op 10, No. 11 reduced to a single note melody and an easier left hand without great leaps. So let’s have a look at measure 1: the highest line is the melody that you can play with the r.h. The two other voices you can let drop as they are octaves of the 2 upper voices of the l.h. The l.h. plays ...


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I am not aware that there are any simplified versions of that particular study but they may exist. I think I might have seen simplified versions of one or two others but I'm sorry I can't remember where (it was a long time ago). But ask yourself: what would be the point? These pieces are intended to push the performer to do difficult things and thus ...


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