New answers tagged production
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I'd use Flex Pitch, if you are determined to transpose regions then I'd make sure you turn on flex and follow, it will keep everything the same except for pitch.
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They say you can't tell a sound by its wave - but sometimes you can guess a bit, based on having seen a lot of them.
This to me looks almost criminally distorted with a very large sub-bass fundamental & massive smearing high frequencies, almost unrelated to the fundamental pitch.
Whereas this bit looks clean, almost a single sine with subtly changing ...
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First of all, NEVER DECIDE WHAT IT SOUNDS LIKE USING THE WAVEFORM. Waveform can possibly be used to monitor compression, limiting, or clipping. But I'd say that's about it
I like to take two different "thicknesses"
Along Time - Above answer by Michael Curtis gives a picture of how spaces between attacks indicate sustain, reverb, delay ...
Along ...
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The waveform documentation page for Audacity give a concise overview of what information is in a waveform graph. That pages is specific to Audacity, but I think the concepts covered will apply to most any waveform view. Basically it's a graph of time an amplitude.
https://manual.audacityteam.org/man/audacity_waveform.html
You mention "fat" and &...
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Even though Logic has flex pitch and flex time which can both be very useful I prefer actually transposing entire sections of audio files rather than use the transients that the program analyzes for something like what you want to do.
First make a duplicate of the audio file for safety because whatever you do can usually be undone but it is destructive. ...
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