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2 votes
Accepted

Two categories of scales

This is a question about musical jargon. Language questions like this often have two aspects that can be usefully teased apart. The first is descriptive -- we would like to know how people in fact use ...
helveticat's user avatar
2 votes
Accepted

Why are all legato practices about 3 notes per string?

Once one is an experienced player, any note could be an emphasised one - plucked, hammered or pulled-off. 3nps doesn't necessarily have to be hammered, or played other than normally, it just happens ...
Tim's user avatar
  • 190k
-2 votes

What are the modes derived from the C major scale?

This is a false explanation. The modes DO NOT all contain the exact same notes. Why use the first part when you have the step formula right below it, showing the intervals?!? It is just confusing. ...
Glenn Whitehead's user avatar
3 votes

When to use Blues scales in jazz

I like this question. First, C Major and A minor share the exact same notes. Why? The A minor scale is the C major scale but starting and ending on the A note, instead of the C note. The A blues scale ...
MLunzy's user avatar
  • 221
2 votes

Two categories of scales

A scale is basically any set of notes portrayed in an organised manner. Hence ascending and descending. How else could a set of notes which belong together be shown? So it doesn't really matter which ...
Tim's user avatar
  • 190k
0 votes

How do I use moveable solfege to play songs by ear?

Using fixed do just won't help at all. However, using movable do will work admirably. Way forward is to familiarise yourself with what the intervals actually sound like. Starting with each notes sonic ...
Tim's user avatar
  • 190k
3 votes
Accepted

How to find the parent scale (prime form?) for a group of sibling modes?

In practice, the most popular scale is the parent. By that logic, Locrian sure as heck isn't the parent. There are also modes of the harmonic minor (e.g. Phrygian Dominant) and ascending melodic minor ...
Dekkadeci's user avatar
  • 13.8k
1 vote

How to find the parent scale (prime form?) for a group of sibling modes?

You mention the concept of the "prime form" of a pitch class set, and the idea of "the most degrees packed towards the root" which indeed describes the prime form. However, mixing ...
Seth McSetface's user avatar
0 votes

How to find the parent scale (prime form?) for a group of sibling modes?

Somehow, I think if you approached modes from the basic angel 🧚 that I use, it may make more sense. I have (for ever) regarded modes as the derivatives of a parent. So, using the parent of C major, ...
Tim's user avatar
  • 190k
6 votes

When was the term "scale degree" coined? Or where did it originate?

Scale and degree ultimately come from Latin words meaning "ladder" and "step," respectively, so the concept of "scale degree" is several centuries old, predating even the ...
phoog's user avatar
  • 20.6k
2 votes

When was the term "scale degree" coined? Or where did it originate?

According to one of the online dictionaries, the first use of the exact term "scale degree" stems from 1889 but does not give the source. The term "degree" itself seems to date ...
ttw's user avatar
  • 25.1k
1 vote

Why does F# minor chord fit A minor key

Why does F# minor chord fit A minor key The simple answer is - if 'fit' means 'using the notes of the scale', it doesn't. And if A minor -> C major -> F# minor -> F major was just plonked ...
Laurence's user avatar
  • 90.4k
4 votes

When to use Blues scales in jazz

The key gives you some clues, but ultimately it's completely up to you which blues scale you use when, especially in a jazz context, you simply play some variations starting on different roots and ...
OwenM's user avatar
  • 1,679
0 votes

How to know what scale to use for filler licks in a chord progression?

There's no absolute answer here. But a rule of thumb is to use a note common to both chords (C&E) to start the quite short run into Am, and that run would finish on a note common to both E & ...
Tim's user avatar
  • 190k
0 votes

How to know what scale to use for filler licks in a chord progression?

There are whole books written about how to compose melody to a chord progression, don't expect an answer at SE to be complete. Also it is a question about creative choices, and there is no single good ...
user1079505's user avatar
0 votes

Different meanings of "third"?

In interval-speak, a third is the interval that encompasses three letter names. C to E, C to E♭, C to E♯ - all thirds because C, D, E are three letters. C to D♯ is a second, C to F♭ is a fourth. ...
Laurence's user avatar
  • 90.4k
2 votes

Different meanings of "third"?

A third is an interval. The concept of a 'third' is very closely tied to the concept of a 7-note diatonic scale using all the notes ABCDEFG, each possibly sharpened or flattened (even multiply). A ...
PiedPiper's user avatar
  • 19.5k
1 vote

How do I make different sounds using modes when I'm using the same chords that I'm building the modes off?

How can you get a different sound from modes when they use the same chords from whichever you built the modes off, doesn't really matter if it's major or minor, that part is confusing? Major and ...
phoog's user avatar
  • 20.6k
2 votes

How do I make different sounds using modes when I'm using the same chords that I'm building the modes off?

You don't "use" modes by selecting a scale and randomly playing notes and chords from it without having any sense, skill and control over what you are doing with your notes and chords. A ...
piiperi Reinstate Monica's user avatar

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