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First, I view the ties above the notes (last beat and a half of the measures) as a phrasing indicator, to ensure you lead the final triplet into the last beat smoothly. Next, I suspect the composer wants you to maintain the initial note (the down-stem quarter notes) thru the beat as a "drone" under the triplets. So, double-stops. Finally, the tie ...


Slurs are ambiguous: they may mean ties between note heads (notational convention), bow direction (technical instruction), or phrasing (musical expression). There's no particular reason why all three couldn't be in effect at some point.


The first arrow is tying into the eighth note. The quarter notes at the beginning of the phrases indicate a three count, at D, D, DE in the first bar, so the sixteenth notes would be a sextuplet run, tying the last note of the second sextuplet into the eighth note. I suspect that the last two eighth notes would be played Portato, separating the notes with ...

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