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98 Questions

Can the harmonic series explain the origin of the major scale?

What is the historic origin of the terms & textbook definitions of the natural minor, harmonic minor, & melodic minor scales?

Is there a chord symbol to indicate quartal harmony?

Harmonizing the bebop major (diminished sixth) scale - Barry Harris

How similar (or not) are recorder, fife, and flute fingerings?

Is the beaming of this score following a vocal practice or it is just outdated and obscuring the beat?

Are there any typical, practical applications of negative harmony?

Debussy's piano etudes include studies in consecutive 3ds, 4ths, 6ths, and octaves... why not 5ths or 7ths?

Are there specific injury concerns I should watch out for with piano tremolo exercises?

How does 6/8 meter in jazz compare to eight-note swing in duple meter?

Is 'fundamental frequency' the same thing as 'fundamental bass' (chord root?)

Is the "Charlie Parker Cycle" described in this document a "traditional" method?

What do 'dominant' and 'plagal' mean in medieval music?

How to complete a scale harmonization using Quantz' Versuch

What tone to play for an upper neighbor in jazz?

Block chord style and appoggiaturas

In a minor key can a cadence on the relative major be considered a type of quasi half cadence?

Are any keyboard methods or music theory concepts based on keyboard mirror symmetry?

Should I practice til I "get it" or until I'm sick of it?

Pentatonic, hexatonic, heptatonic, octatonic... what is a 12 tone scale called?

How do musicians perceive differences in tuning systems?

Rhythm notation syncopation over the third beat

Is this cross relationship of the seventh degree in minor key harmony OK for 18th century style?

Are these double note fingerings to avoid fingers 1 and 5 on black keys practical?

Using standard Roman numeral analysis how should 7th and 9th qualities be determined?

Will characteristic acoustical properties of real instruments also be observed when using high quality digital samples?

Can the blues scale be used over iim7 V7 Imaj7?

Step-wise walking bass for tritone substitution

How is a clausula tertiaria/medians distinguished from a modulation to the relative major?

Is this cadence an example of the German theory that the mediant chord can have tonic function?