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Heather S.'s user avatar
Heather S.'s user avatar
Heather S.'s user avatar
Heather S.
  • Member for 6 years, 10 months
  • Last seen more than 4 years ago
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When we press a piano key, why does a high pitch note not run for as long as a low pitch note?
@MMazzon, it is apparent looking inside my piano that there are many different gauges of string. The lowest strings have visibly different thicknesses. Each set of strings (for each key) has a different length, like a harp. I would not call that a gradual change, but graduated.
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When we press a piano key, why does a high pitch note not run for as long as a low pitch note?
@Tim, the highest strings do not even have dampers since they vibrate for such a short time, so the sustain pedal does nothing to them.
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What is the symbol for "is the enharmonic equivalent of"?
This is what I have seen in the wild, and what I have used myself in writing my scores when I used an equivalence like this to change keys. It helps the singer's ear to see what the note is in the new key for reference.
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What to call groups of measures?
I disagree with your use of "segment" and "sequence." A segment is more of a reference to a group of figures that make up a piece of a measure or measures, not an entire phrase. "Sequence" has a very specific meaning, which is a segment of music (using the definition I just gave) that is immediately played again, transposed up or down by a certain interval. Sequences are often, though not always, found in groups of three. A phrase can contain sequences, but a sequence by itself does not necessarily make a phrase.
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Is stretching my fingers on the piano healthy?
Can you put up a pic of the music you are playing and tell what fingering you are using to cover those notes?
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Write tenor and alto sax Score along piano
@Tim, I figured I would tag it onto your good answer, even though it didn't directly relate to the OP's question.
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Write tenor and alto sax Score along piano
It is also customary to put the solo instrument line above the piano part. It is easier for the accompanist to follow the soloist's part this way.
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