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Quaerendo
  • Member for 3 years, 8 months
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9 votes
2 answers
1k views

What is the utility of Schenkerian analysis?

9 votes
3 answers
578 views

Meaning of a left bracket at the beginning of a chord

6 votes
2 answers
2k views

Voice leading: is it allowed to move from a perfect fifth to an augmented fourth?

6 votes
2 answers
705 views

Diminished chord constructed over the tonic degree?

5 votes
1 answer
774 views

How to retrograde a note sequence in Finale?

5 votes
3 answers
394 views

How to determine the degree to which diminished seventh chords and half-diminished seventh chords belong in major scales?

4 votes
0 answers
221 views

Why were parallel fifths used in this Rachmaninoff Prelude? [duplicate]

4 votes
2 answers
255 views

Beethoven Piano Sonata No. 23 in F minor, Op. 57 (Appasionata): harmony of the 2nd movement

3 votes
3 answers
202 views

What criteria do composers use to choose the key of a song? [duplicate]

3 votes
1 answer
116 views

Is it possible to tell Finale to choose automatically the best clef?

3 votes
1 answer
115 views

Applying harmonic voice leading rules to non-homophonic music

2 votes
1 answer
65 views

Is there a shortcut in Finale to enter in the Simple Edit Tool mode?

1 vote
1 answer
66 views

Rising the song's key one semitone in the reexposition

1 vote
2 answers
127 views

Voice leading rules for more than four voices?

1 vote
2 answers
83 views

Syncopated piano sustain pedal playback on Finale

1 vote
2 answers
220 views

Allowed hidden parallel octaves [duplicate]