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Lecifer
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Rhythm What is the music theory term for the study of voicesthe role and rhythm of each voice in multi voice compositions?

I’m looking for the term for the study of rhythm andthe role and rhythm of each voice in multi voice composing. For example “lead part/voice/melody or supporting part/voice/melody”. By rhythms what I mean is the length of the notes usually used in each role (say whole and half notes for the supporting voice and an eighth sixteenth and quarter notes for the lead part). Texture seems to be close to what I’m speaking of, but I’m still not sure if I’ve come across a specific theorist that covers this.

I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

Rhythm of voices in multi voice compositions

I’m looking for the term for the study of rhythm and role of each voice in multi voice composing. For example “lead part/voice/melody or supporting part/voice/melody”. By rhythms what I mean is the length of the notes usually used in each role (say whole and half notes for the supporting voice and an eighth sixteenth and quarter notes for the lead part). Texture seems to be close to what I’m speaking of, but I’m still not sure if I’ve come across a specific theorist that covers this.

I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

What is the music theory term for the study of the role and rhythm of each voice in multi voice compositions?

I’m looking for the for the study of the role and rhythm of each voice in multi voice composing. For example “lead part/voice/melody or supporting part/voice/melody”. By rhythms what I mean is the length of the notes usually used in each role (say whole and half notes for the supporting voice and an eighth sixteenth and quarter notes for the lead part). Texture seems to be close to what I’m speaking of, but I’m still not sure if I’ve come across a specific theorist that covers this.

I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

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Lecifer
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I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

What I’m looking for is the study of the rhythmsterm for each voice as well as the study of rhythm and role of each voice in multi voice composing. For example “lead part, voice, lead melody/voice/melody or supporting voice”part/voice/melody”. By rhythms what I mean is the length of the notes usually used in each role (say whole and half notes for the supporting voice and an eighth sixteenth and quarter notes for the lead part). Texture seems to be close to what I’m speaking of, but I’m still not sure if I’ve come across a specific theorist that covers this.

I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

What I’m looking for is the study of the rhythms for each voice as well as the role of each voice. For example “lead part, voice, lead melody or supporting voice”. By rhythms what I mean is the length of the notes usually used in each role (say whole and half notes for the supporting voice and an eighth sixteenth and quarter notes for the lead part). Texture seems to be close to what I’m speaking of, but I’m still not sure if I’ve come across a specific theorist that covers this.

I’m looking for the term for the study of rhythm and role of each voice in multi voice composing. For example “lead part/voice/melody or supporting part/voice/melody”. By rhythms what I mean is the length of the notes usually used in each role (say whole and half notes for the supporting voice and an eighth sixteenth and quarter notes for the lead part). Texture seems to be close to what I’m speaking of, but I’m still not sure if I’ve come across a specific theorist that covers this.

I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

Source Link
Lecifer
  • 1k
  • 4
  • 17

Rhythm of voices in multi voice compositions

I’m currently studying part writing & voice leading, counterpoint, texture (monody, polyphony, homophony) etc. I’ve done plenty of research in each but I still haven’t come across exactly what I want to study within these ideas.

What I’m looking for is the study of the rhythms for each voice as well as the role of each voice. For example “lead part, voice, lead melody or supporting voice”. By rhythms what I mean is the length of the notes usually used in each role (say whole and half notes for the supporting voice and an eighth sixteenth and quarter notes for the lead part). Texture seems to be close to what I’m speaking of, but I’m still not sure if I’ve come across a specific theorist that covers this.