Stack Exchange Network

Stack Exchange network consists of 175 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers.

Visit Stack Exchange

Questions tagged [harmony]

For questions about the "vertical" aspects of music and how to build and study them.

0
votes
1answer
21 views

Ger.6-I cadence - Name?

I was looking at some Romantic era works, and I have found an unusual cadence of: Is there a name for this cadence? I'm tempted to say it is a variant plagal cadence - A plagal cadence is ...
3
votes
2answers
43 views

A question regarding SATB (4 part) harmonization

I'm working through examples in my Harmony 9 book from the RCM Celebration series and I stumbled across a SATB harmony question that I am unsure of. the red is what is given, you have to choose the ...
1
vote
0answers
42 views

♭II6-I Cadence: Plagal or Authentic?

Chopin's Etude No. 16 in A minor, Op. 25 No. 4, ends with a cadence like this: B♭/D - A In Roman numerals, we write as: ♭II6 - I Is this cadence viewed as Plagal (N6 - I), or Authentic (tt - ...
-4
votes
2answers
43 views

Why can't cadences like V-I or IV-I be viewed modally?

My previous revision of http://music.stackexchange.com/questions/42552/cadences-for-modes/81464#81464 looked like this: Ionian: V - I Dorian: IV - i or V(no3) - i Phrygian: II - i or V(no5 ...
0
votes
0answers
36 views

Using the primary dominant as a secondary dominant to the same tonic?

This came up when a user on Musescore by the name of Tortualex gave me suggestions for my C minor piano sonata after I told him that I wanted to be innovative with it like how Beethoven was more than ...
8
votes
2answers
67 views

Is parallel modulation a thing?

I have heard that going in between 2 parallel keys is just modal interchange and not a modulation because the tonic note is the same. Maybe if the change in key is short and only to add color to a ...
0
votes
1answer
87 views

How do you construct triad superimpositions in the style of Steve Khan? [closed]

Steve Khan had a theory of triad superimposition and substitution he called Contemporary Chord Khancepts. How do you construct triad superimpositions in the style of Steve Khan?
1
vote
1answer
90 views

What is Pat Martino's Diminished Concept? [closed]

What is the basic principle of Pat Martino's Diminished Concept for chord construction? Is there anything more to it than simply altering diminished chords?
3
votes
2answers
104 views

Why is the minor 7th chord so consonant? [closed]

I find that the most consonant 7th chord in all of music is the minor 7th. But why is this? Well here is how I rank the common 7th chords from most dissonant to least dissonant(theoretically there are ...
8
votes
3answers
398 views

Interval of parallel 5ths in the resolution of a German 6th chord

In a music theory workbook, there was an example of a German 6th chord, which resolves to chord V. However, there is an interval of parallel 5ths in this (A♭ & E♭ going to G & D). How are ...
7
votes
3answers
625 views

Writing an augmented sixth chord on the flattened supertonic

I have recently learnt about Augmented 6th chords. The examples in a music theory workbook had this chord written on the flattened submediant (6th degree of the scale). There was a small note in the ...
-2
votes
1answer
68 views

Is it even possible to to add voices to this 2-part harmony

Soprano: C-B-A-A-G (descending) Bass: A-B-C (ascending), then down to D and up to G. Can you even add tenor and alto without breaking the rules of harmony? It seems like it is impossible. So what ...
2
votes
1answer
33 views

Rising Fourth/Descending Fifth bass movement in inversions

I understand that the sense of resolution is strongest with the root movement of a rising fourth/descending fifth. However, is the important thing that the chords be a fourth/fifth apart (i.e. Cmaj - ...
3
votes
1answer
61 views

Why does the first diminished 7th in this progression not resolve?

So, I wrote this pastoral piece and it sounds good to me. One thing I am curious about though is why the first diminished 7th here builds up tension and more specifically why the restatement of C ...
2
votes
2answers
62 views

What chords would harmonize well on slow blues progression? [closed]

I wrote this blues song with this chord progression: High Cminor-Fmajor-HighCminor-Gmajor-Fmajor...back to High Cminor. What chords would harmonize well on slow blues progression?
1
vote
1answer
46 views

Rising the song's key one semitone in the reexposition

I have frequently heard in pop music to use the technique described above: to start a song with a melody in a certain key and, after a while, to play again that melody raising the key one semitone. ...
0
votes
2answers
75 views

How to use solfège for chords?

I'm just wondering how one would use solfège for chords/harmony. For example to sing C major does one say "do mi so"? If so wouldn't that in practice mean that one would have to say alot of words when ...
3
votes
2answers
56 views

Are these upper voices in this final passage from Handel a bona fide F7 chord or some kind of non-chord tones?

Handel. Preludes, Air, and Lesson... http://hz.imslp.info/files/imglnks/usimg/e/e8/IMSLP12246-Handel_-_Preludes,Air%26_Lesson.pdf EDIT I was complete off the mark with this. The only excuse I can ...
6
votes
4answers
363 views

How to make the Bass in SATB move more smoothly?

While writing for SATB, I realise I have a few chords where the Bass part is moving down in intervals of 6ths or 7ths from one chord to the next. For example, I have a chord progression iib in F ...
4
votes
3answers
156 views

What is a Bm chord with a G in it?

I am writing a song with G > Bm > Em as the main chord progression but I found a lot of nice fingerings on the guitar for the Bm chord with an added G in it. Does this make the chord a B minor 6 ...
7
votes
0answers
77 views

False modulation for doxology in a modal key

I am barely an organist, but occasionally cover for the real organist at my church. The next time I am doing this is three weeks from now, and because I'm a novice, I already have the hymns for that ...
4
votes
1answer
110 views

Chromatic 7th chords going upwards in Beethoven

This is about how the harmony is working in Rondo a Capriccio by Beethoven. Here is the passage I am talking about: So starting at measure 291, there is a passage where 7th chords go up chromatically,...
3
votes
3answers
76 views

Is there a rule in SATB writing regarding the Soprano & Bass moving in contrary motion?

While writing a melody over a bass line, it is generally advised to have the melody & the bass line moving in contrary motion to each other. I want to know if such a rule also exists when you ...
5
votes
3answers
334 views

Maximum interval between Alto & Tenor, & intervals when writing for SATB

What is the maximum interval permitted between the Alto & Tenor when writing for SATB? I have read it should not be more than a 10th, whereas another source said it should not be more than an 8th. ...
2
votes
0answers
58 views

What is the best book on Jazz Harmony? [closed]

I would like suggestions for good books on Jazz Harmony that are easy to understand, thorough and have readily applicable principles for compositions. Thanks.
1
vote
3answers
41 views

How can one use theory/harmony in order to learn BWV anh 114?

How can one use theory/harmony in order to learn BWV anh 114? I am only talking about theory/harmony in order to be able to play and memorize this piece.
0
votes
1answer
69 views

Modulation or passing through different keys in the following Bach chorale [closed]

This is Bach's chorale R.80. I want to know if the music has modulated to a particular key in certain, or is it only passing through different keys (and hence not a fixed modulation to only one key)?
1
vote
3answers
127 views

Is the ♭VII chord still a dominant chord in the natural minor scale? [duplicate]

If I have the progression Cm > Ab > Bb > Cm from the C natural minor scale, does the Bb chord still work as a dominant chord as it would in Eb major? I know that in the minor scale, ...
4
votes
4answers
726 views

Modulation from major key to relative minor - what could be the pivot chord?

I want to modulate from D major to B minor. I have a perfect cadence (A7 - D) in D major, after which I need to use a pivot chord to go into B minor. I was thinking of using the F# chord, but I am not ...
1
vote
2answers
63 views

Using passing notes in SATB writing

When writing for SATB, which is the best voice in which you can use passing notes & auxiliary notes? Also, in a music exam where the Soprano part is given to you (and you have to harmonise the ...
8
votes
7answers
2k views

Using chord iii in a chord progression (major key) [closed]

I haven't come across music as yet where chord iii is used in a chord progression. I read somewhere that generally chord iii is not used, or very rarely used. Is this correct? If chord iii is used, ...
3
votes
2answers
58 views

Chords between i and an augmented-sixth chord [closed]

I am wondering about chords that can go between i and different augmented-sixth chords. Are there any resources on this? I've googled and searched past questions and didn't find anything... edit: in ...
0
votes
0answers
39 views

Writing characteristic chord progressions in inversion, & doubling notes other than the root

There are characteristic chord progressions taught in music theory, for example, the cadential 6-4, which is Ic - V - I. Then there's Ib - ii7b - V - I, & so on. I want to know if these cadences ...
3
votes
1answer
83 views

What does the author mean in these examples of chorales & harmony?

This is an example in G major. I am learning about Bach's chorales & how he uses modulation. I came across a page online (choraleguide.com), & in one example given, I couldn't understand what ...
7
votes
6answers
2k views

What chord could the notes 'F A♭ E♭' form?

Can someone please help me understand this chord progression that actually takes the listener from E♭ to B♭. There is a chord at the end of the phrase and I can't understand what chord it ...
4
votes
1answer
91 views

What to improvise over “fake” ii V I and succession of dominant chords

I frequently see "incomplete" ii V I sequences in standards (like Satin Doll for example) where only the ii and the V are played and I'm always wondering what I can play there, since I find most of ...
9
votes
5answers
574 views

Should one double the thirds or the fifth in chords?

Generally, theory books mention that one should double the root of the chord. This is followed most of the time, except by some composers who choose to double the 3rd or the 5th of the chord. When ...
0
votes
1answer
66 views

Labelling chords in Bach's chorale

The image is a part of Bach's chorale BWV 94.8 or R. 291 (image taken from www.bach-chorales.com). I want to confirm the harmony of the 2 chords marked with a star. Is the chord with a blue star A7/C# ...
4
votes
1answer
72 views

Goodbye Porkpie Hat - solo harmonic analysis

I have been untangling Goodbye Porkpie Hat, the original on Mingus Ah Um. The solo section has different chords to the head on this version. I have listened to the sax solo, and I am making notes, but ...
8
votes
1answer
607 views

On The Origin of Dissonant Chords

Without relying upon French harmonic theory (Rameau for instance), can you explain how the emergence of “freely” (by freely, I refer to such harmonies not being the result non-harmonic tones, or ...
2
votes
6answers
723 views

Do chord progressions usually move by fifths?

I'm wondering if chords usually move down by fifths. It seems so by the diagram, so iii to vi, vi to ii, ii to V, V to I. etc. Other chords can also be thought of like that, because IV/ii and V/vii ...
1
vote
0answers
133 views

Irregular resolution [closed]

What are the primary conditions concerning the IRREGULAR resolutions of the following harmonies in common practice music?: -Dominant chords -Auxiliary Seventh chords (chords of sequence) -...
1
vote
1answer
110 views

Is there a name for this cadence - [Tritone Sub of V] - I

Sometimes I've been going through [Tritone Sub of V] - I cadences. Is there a specific name for this?
4
votes
6answers
180 views

How to choose between Cdim and C#dim?

I have noticed that there is a common chord progression that exists in a few variants: C, C#dim, Dm, G7. It's often changed by changing Dm to D to give the progression a little bit more spark. However,...
5
votes
2answers
260 views

What are the diatonic extended chords of C major?

I saw this question about 9ths, but I'd like to know what the diatonic chords of 11ths and 13ths as well. This isn't strictly for jazz, I just want to know what the basic diatonic chords are. I'm ...
1
vote
2answers
50 views

Does this song use melodic minor or harmonic minor?

The song below was on a past IB Music Diploma Programme listening paper. The markscheme says that it uses melodic minor. I hear a raised 7th, particularly in the vocal, but I don't hear a raised 6th......
1
vote
1answer
58 views

Why do V6/V, V6/5/V, and vii°/V have subdominant (predominant) function?

In chord progressions like I - iii - IV - I64 - V - I, which occurs extremely frequently, the IV chord is sometimes replaced by a V6/V, V65/V, or viio/V chord. Regardless they are secondary dominant /...
5
votes
3answers
381 views

Resolving to minmaj7

Looking for possible resolutions to a imaj7. Theoretical or not - shoot! Out-of-the-ordinary resolutions are needed (I already know the theory behind it, using possible modes and all ). Looking ...
4
votes
4answers
677 views

Dominant seventh chord in the major scale contains diminished triad of the seventh?

The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of ...
7
votes
5answers
922 views

How does modal jazz use chord progressions?

I read that jazz uses the chord progression "ii V I" alot. But another thing I heard is that modal jazz doesn't think in chord functions instead it uses modes. Which made me confused. Does that mean ...