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Mar 15, 2019 at 19:42 answer added Laurence timeline score: 1
Mar 15, 2019 at 12:00 comment added bigbadmouse I'm firmly of the belief that you can use absolutely any "guest" chord that you wish. This is doubly true if you are attempting to play songs from another musical zone on an instrument that was not intended for it. If it sounds good, do it. How would Blues have become accepted otherwise? It did not follow "the rules"
Mar 1, 2019 at 6:00 history tweeted twitter.com/StackMusic/status/1101361569785618432
Feb 28, 2019 at 12:46 comment added Karlo One can define three versions of the minor scale (more info here). There is a G sharp if it is A minor harmonic.
Apr 17, 2016 at 14:26 answer added user16935 timeline score: 4
Feb 16, 2016 at 16:39 comment added musarithmia In classical music of the 18th and 19th century, and in a lot of popular music, a key is just a center around which the rest of the harmony is oriented, a home base from which the harmony departs and then returns. You can go just about anywhere you want on that journey (sharps, flats, even moving temporarily to other keys), as long as you return home in the end to the main key.
Feb 16, 2016 at 16:37 comment added musarithmia In a tonal piece in A minor, E major is the dominant chord, and so is frequently used, even though the G sharp is not in the key signature. If this was a Schubert song, I would guess that the B-flat chord is used as a "Neapolitan sixth", a kind of funky added chord that leads to the dominant and creates an extra feeling of tension. Without knowing your song, though, I can't say how the chords are used.
Feb 16, 2016 at 16:19 comment added Tim I guess it should be called Bb major instead.
Feb 16, 2016 at 16:19 history edited Tim CC BY-SA 3.0
typos
Feb 16, 2016 at 16:15 history edited Shevliaskovic CC BY-SA 3.0
added 17 characters in body
Feb 16, 2016 at 16:04 answer added Jeff M. timeline score: 5
Feb 16, 2016 at 15:56 review First posts
Feb 16, 2016 at 16:22
Feb 16, 2016 at 15:53 history asked user3139140 CC BY-SA 3.0