Harmonic mixing typically rely on the circle of fifths, often renamed as the "Camelot wheel" in the context of harmonic mixing. However, that circle/wheel only contains two scales: major and minor. How should one handle songs whose scales are neither major or minor in harmonic mixing (Dorian, Phrygian, Lydian, etc.)?

Harmonic mixing typically relies on the circle of fifths, often renamed as the "Camelot wheel" in the context of harmonic mixing. However, that circle/wheel only contains two scales: major and minor. How should one handle songs whose scales are neither major or minor in harmonic mixing (Dorian, Phrygian, Lydian, etc.)?

Harmonic mixing typically rely on the circle of fifths, often renamed as "Camelot wheel" in the context of harmonic mixing. However, that circle/wheel only contains two scales: major and minor. How to handle songs whose scales are neither major or minor in harmonic mixing (Dorian, Phrygian,
Lydian, etc.)?

Harmonic mixing typically rely on the circle of fifths, often renamed as the "Camelot wheel" in the context of harmonic mixing. However, that circle/wheel only contains two scales: major and minor. How should one handle songs whose scales are neither major or minor in harmonic mixing (Dorian, Phrygian, Lydian, etc.)?