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What would be the category that this type of playing falls under? I don't think it's called arpeggiation because that would be a single note at a time, as far as I know. Any ideas?

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  • Could be an Alberti bass but for the fact that it is not in the bass.
    – Neil Meyer
    Commented Jul 26, 2017 at 8:45
  • Ostinato?.........
    – Tim
    Commented Jul 26, 2017 at 9:07
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    @NeilMeyer, doesn't an Alberti bass require the chord tones played individually in this specific order: bottom, top, middle, top? For example, an Alberti bass in C Maj would be: C-G-E-G.
    – jdjazz
    Commented Jul 26, 2017 at 13:09

2 Answers 2

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I'd call it "Broken Chords": (Wikipedia writes)

...broken chords play chord notes out of sequence or more than one note but less than the full chord simultaneously.

It could be called an arpeggio, but some define an arpeggio as a specific kind of broken chord where the notes are played one at a time and in either strictly ascending or descending order. The term broken chord is more general than arpeggio and includes arpeggios (in the strictest sense) as well as other chord elements played separately or together, as in the examples in the question.

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  • I can't find your definition on Wikipedia. Since I've been playing piano (27 years now) I've always thought that broken chords where more or the less the same as arpeggios except that they could occur with many directional changes. The websites I've looked at have examples with this definition.
    – 02fentym
    Commented Jul 26, 2017 at 13:14
  • Arpeggiation is also a viable word for this pattern. Commented Jul 26, 2017 at 13:33
  • @02fentym This definition appears here: en.wikipedia.org/wiki/Arpeggio about halfway through the "Explanation" paragraph. Commented Jul 28, 2017 at 14:39
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I don't believe that there is a single term-of-art for this, particularly that would apply only to piano. I would describe them as ostinatos. If I were speaking to one of my piano students, I might refer to the first pattern very informally as a rock, an back-and-forth or a rocking motion (because that's what it feels like to play it). The second one I might call an Alberti-style ostinato or an arpeggiation.

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