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A melodic and/or harmonic configuration at the end of a phrase, section, or piece of music.

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Does a dominant seventh chord always have to function as a secondary dominant/cadence?

Does a dominant seventh chord always have to function as a secondary dominant/cadence? In "I Wanna Hold Your Hand" they play a B7-C and a B7-G instead of resolving to an E. … Are there cadences that work well besides the perfect cadence and plagal cadence? …
Bill Smith's user avatar