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Post Closed as "Needs details or clarity" by Tim, Richard
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John
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Curious as to why this substitution of the root for a ♭VI chord works. It's pretty standard but I don't get the theory of it. I recently saw it being used in the context of a ii - V - I to delay the final resolve of a song. Specifically the following:

|| A#11A7#11(13) Amin9 | C/D D7b9 | EbMaj7♯11(13) ||

I've seen other progressions walk up to resolve as such: ii - V - ♭VI - ♭VII - I

What is the theory surrounding a ♭VI substitution like this?

Curious as to why this substitution of the root for a ♭VI chord works. It's pretty standard but I don't get the theory of it. I recently saw it being used in the context of a ii - V - I to delay the final resolve of a song. Specifically the following:

|| A#11(13) Amin9 | C/D D7b9 | EbMaj7♯11(13) ||

I've seen other progressions walk up to resolve as such: ii - V - ♭VI - ♭VII - I

What is the theory surrounding a ♭VI substitution like this?

Curious as to why this substitution of the root for a ♭VI chord works. It's pretty standard but I don't get the theory of it. I recently saw it being used in the context of a ii - V - I to delay the final resolve of a song. Specifically the following:

|| A7#11(13) Amin9 | C/D D7b9 | EbMaj7♯11(13) ||

I've seen other progressions walk up to resolve as such: ii - V - ♭VI - ♭VII - I

What is the theory surrounding a ♭VI substitution like this?

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Dom
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John
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bVI Root Substitution

Curious as to why this substitution of the root for a ♭VI chord works. It's pretty standard but I don't get the theory of it. I recently saw it being used in the context of a ii - V - I to delay the final resolve of a song. Specifically the following:

|| A#11(13) Amin9 | C/D D7b9 | EbMaj7♯11(13) ||

I've seen other progressions walk up to resolve as such: ii - V - ♭VI - ♭VII - I

What is the theory surrounding a ♭VI substitution like this?