I am by no means a music theory buff, nor do I have musical talent, so being unable to assure myself if I did this correctly, I needed someone to correct my mistakes.

  I was looking for a piece of music theory that would inspire me to do something more unusual than I usually do. Thank God, I don't play music in anyone's presence (Usually) so if this idea reeks with inability and such... no loss. The pieces of theory, actually, pieces, are Quartal harmony, and Mirror harmony used together.

I took the C major scale, harmonized it in 4ths, and then mirrored it, harmonized the chords, and this is what I get. The end result sounds very jazzy, if I may say that, having no idea what jazz is.

Attached is a screen capture of a text document, which contains the scale, harmonized, and then mirrored. I used a chord namer, because I haven't got the talent to name the chords myself. If they are wrong, that may be why.

(P.S: The Chord names might look odd. the "s" stands for suspended, and the "M" stands for major, as in DbMaj7b5sus.)

(P.P.S:The "p" and "a" between notes in the harmonizations stand for Perfect Fourth, and Augmented Fourth, respectively.)

Is my resultant Chord Progression correct for a Quartal Harmony C scale to which "Mirror" or "Negative" Harmony has been applied? The progression ends up having two pairs of chords with the same root notes, Db, and Gb, and that seemed strange to me. I thought I would ask if anyone might point out if I made some mistake.Thanks for any help you can provide,

I recently tried using quartal harmony and mirror harmony (also known as "negative harmony") together. I was looking for some music theory that would inspire me to do something more unusual than I usually do.

I took the C major scale, harmonized each scale degree diatonically in 4ths, and then mirrored it. If I may, the end result sounds very jazzy (though I have no idea what jazz is).

Here is the scale, harmonized and then mirrored. I acquired the chord names using software.

Two notes about notation: in the chord names, the "s" stands for suspended and the "M" stands for major, as in D♭Maj7♭5sus. The "p" and "a" between notes in the harmonizations stand for perfect fourth and augmented fourth, respectively.

Is my resultant chord progression correct? Is this the correct way to harmonize a C major scale with quartal voicings and then apply the mirror harmony?

I suspect there is an error because the final progression has two pairs of chords with the same root notes, D♭ and G♭. That seems strange to me. Could anyone point out if I made a mistake? I am by no means a music theory buff, nor do I have musical talent.

I am by no means a music theory buff, nor do I have musical talent, so being unable to assure myself if I did this correctly, I needed someone to correct my mistakes.

I was looking for a piece of music theory that would inspire me to do something more unusual than I usually do. Thank God, I don't play music in anyone's presence (Usually) so if this idea reeks with inability and such... no loss. The pieces of theory, actually, pieces, are Quartal harmony, and Mirror harmony used together.

I took the C major scale, harmonized it in 4ths, and then mirrored it, harmonized the chords, and this is what I get. The end result sounds very jazzy, if I may say that, having no idea what jazz is.

Attached is a screen capture of a text document, which contains the scale, harmonized, and then mirrored. I used a chord namer, because I haven't got the talent to name the chords myself. If they are wrong, that may be why.

(P.S: The Chord names might look odd. the "s" stands for suspended, and the "M" stands for major, as in DbMaj7b5sus.)

(P.P.S:The "p" and "a" between notes in the harmonizations stand for Perfect Fourth, and Augmented Fourth, respectively.)

Is my resultant Chord Progression correct for a Quartal Harmony C scale to which "Mirror" or "Negative" Harmony has been applied? The progression ends up having two pairs of chords with the same root notes, Db, and Gb, and that seemed strange to me. I thought I would ask if anyone might point out if I made some mistake.Thanks for any help you can provide,

God bless,

         Daley Cody Yakoweshen

I am by no means a music theory buff, nor do I have musical talent, so being unable to assure myself if I did this correctly, I needed someone to correct my mistakes.

I was looking for a piece of music theory that would inspire me to do something more unusual than I usually do. Thank God, I don't play music in anyone's presence (Usually) so if this idea reeks with inability and such... no loss. The pieces of theory, actually, pieces, are Quartal harmony, and Mirror harmony used together.

I took the C major scale, harmonized it in 4ths, and then mirrored it, harmonized the chords, and this is what I get. The end result sounds very jazzy, if I may say that, having no idea what jazz is.

Attached is a screen capture of a text document, which contains the scale, harmonized, and then mirrored. I used a chord namer, because I haven't got the talent to name the chords myself. If they are wrong, that may be why.

(P.S: The Chord names might look odd. the "s" stands for suspended, and the "M" stands for major, as in DbMaj7b5sus.)

(P.P.S:The "p" and "a" between notes in the harmonizations stand for Perfect Fourth, and Augmented Fourth, respectively.)

Is my resultant Chord Progression correct for a Quartal Harmony C scale to which "Mirror" or "Negative" Harmony has been applied? The progression ends up having two pairs of chords with the same root notes, Db, and Gb, and that seemed strange to me. I thought I would ask if anyone might point out if I made some mistake.Thanks for any help you can provide,