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I’m trying learn jazz piano. For about ten years I played the violin; solo and in orchestras and quartets. … I’ve also absolutely no trouble enjoying for instance Keith Jarrett’s more complex solo pieces (Radiance, La Scala, etc.) in addition to more harmonically sound jazz. …

My goal is to become a jazz pianist/improviser. I’m currently learning through Blake Neely’s How to Play from a Fake Book and I’m stuck at fingering. … Lays down the generally strategy for a jazz pianist as well as documenting how to deal with all possible cases. Levine for fingering, I guess. What do you recommend for solving this general problem? …

For instance, I can play the melody line for any jazz standard by ear basically, but with chords I have very little intuition and mostly end up guessing what chord that comes next (when playing by ear) …

I’m an aspiring jazz pianist, playing tunes without sight reading of any kind (once I’ve learned it), in ensembles and solo. I have for long had the problem that my chords are staggering. …

I have a couple of questions related to corner cases in fingering: How do you play Gmaj9 in RH when it is inversion F♯, A, B, D? Thumb on the (black) F♯ and the rest line up? Another alt …

As a pianist I want to excel at playing solo as well as in a jazz ensemble. When playing solo one has to play the base tone oneself, while in an ensemble the bass player covers that. … In a jazz ensemble (I occasionally jam at a club here in Gothenburg) I hence collide with the bass player. Not wrong, but harmonically it's uninteresting. …

Should I get Levine’s classic The Jazz Piano Book? Maybe I’m looking for a path that is constructive, pedagogical and doesn’t involve reinventing the wheel. …

Improvisations in jazz is done over the song itself, typically. …

I practice a transcription that involves more elaborate jazz chords, modal sus9 and 13-chords, those kind of things, occupying many or all of the hands' fingers. …

My goal is to be able to by ear play a jazz standard, with improv sections. When keeping an accompaniment in my left hand (say, a walking base or similar) while soloing with my right, then I stall. …

In my quest to become a general jazz pianist I practice jazz standards. …

During my time learning piano I’ve basically in my solitude opened up jazz standards and learned them with compact voicings in my left and melody in my right. Straight forward. … This is significant with jazz piano/theory: this overwhelming amount of combinations. …