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In my interpretation, the harmony changes at this point to F major. In A minor, these would be chords III and VI. Is this correct? … the bass will change to a note that changes the harmony all together? …

In bar 10, the harmony moves from F7 to G minor. F7 is chord VII in G NATURAL minor, but (apart from this example) I have yet to come across the natural minor scale being used in figured bass. …

Hi guys, We are in F sharp minor. There is a G sharp being held over V7 (Csharp7), the second inversion tonic chord (Fsharp minor), and then the ii7 chord that follows. The G sharp is a chord tone of …

Ran into some confusion when trying to work out the harmony of this keyboard piece, I have labelled the problem bars, '3, 4 and 5'. …

I have a couple of questions regarding this passage. Have labelled the bars in question ''1'', ''2'' and ''3''. The stave in question is second from bottom (directly above ''N6??''). We are in G minor …

Or can I just leave it blank until the harmony changes? How do I know when a figure is required when the harmony stays the same? thanks! Ed …

I seem to have come across a III7 chord in A harmonic minor, and I'm not quite sure about its function. I initially thought it might have been V7, but there is a leap of a third between the C and E in …

I have loosely marked the harmony as V7-I-V-?-landing back on minor i. There is a b flat repeated on each chord (which is never a chord tone- perhaps some sort of pedal point?) …

Bars 13-16 (for this one, justinguitar made a couple of alterations to the Real Book harmony, as he believed it to be a more accurate representation of the harmony- this can be seen in pencil (A-7-D7, …

Looking at 'avoid' notes, it seems that the general rule is: do not play a note which is a minor second above a chord note e.g avoid F over a C major chord as this forms a minor 2nd interval with E. T …

I am getting into jazz harmony, so have recently started learning chords derived from the modes of the melodic minor scale. … So apart from the triad-based classical music which uses melodic minor (and even in this case, the harmony is primarily derived from natural and harmonic minor), does the melodic minor scale ever work …

Recently, I studied the tune 'Misty' by Eroll Garner. I was slightly confused as to the middle section of the piece, as it involves a passage with some delayed resolutions. I have come across three di …

I have recently been exploring chords in the Locrian mode. Down to the flattened 5th and 9th degrees, I have come up with some pretty bizarre sus chords. This got me thinking: Are such chords still re …

Hi guys. I’ll try and be as concise as possible. Forgive the messy score, its just a product of the confusion! I have a few query areas, but please feel free to correct me in any other areas. 

 Bar …

Hi guys! Just wondering if I've done this properly. We are newly in Csharp minor from the relative major E major, and we need to finish in the home key- F sharp minor. As it stands, I have written th …